Had a full-on intaglio week – made three new solar plates and proofed seven. This is one I based on a much larger life drawing. I’m using text repetitively in some of my work because I like the pattering effect it gives. I drew this onto Mark Resist rather than Truegrain as it’s cheaper – I’m pleased with the result. I have black etching ink ingrained into my fingers and I’m shattered. So much time on my feet and then the allotment today on top of it all. Never mind, picked 4 pounds of blackcurrants – they’re cooking away in the kitchen for jelly, butter and cordial; three pounds of redcurrants – they’ll be jellied too; some luscious spinach and beetroot for tea tomorrow.
Archive | 23:03
To buy my work on the Swansea Print Workshop site please click the image to the left.
Inspired by drawings of the taxidermy collection at Swansea Museum. I have given these antique artefacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.
20 percent of the cost of each screenprint sold goes to support Swansea Print Workshop, which receives no public funding.Hunting The Wild Megalith
Pasta Machine Printmaking, The Movie (with added cat)
Me and my model
Man Child from George Morris Film on Vimeo.
Rosie Scribblah RSS
- Free Zoom Art – Skulls And Sticking February 23, 2021
- Another Fake Finished February 22, 2021
- A Timelapse of Matisse’s Cat And Goldfish February 21, 2021
- Mugshots …. February 20, 2021
- Faking A Fauve February 19, 2021