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One From The Archives 16: Dystopia

28 Sep
man 1 adjusted


This is an etching of one of the male models I work with. It was developed from the nude study below, which I drew with Renaissance materials, inspired by artwork I did for a television series about da Vinci.

Each printmaking technique has its own advantages. This one allows me to indulge myself, using all manner of materials to make the image. I can push the ink around and draw as freely and as quickly as I like, knowing that the engraving process will capture all of the detail and subtleties.

I first blogged about this work in 2012 when I was introduced to the technique at Swansea Print Workshop.

It’s quite a bleak subject and I love the way the figure seems to be struggling to pull himself out of the darkness, into the light.  I suppose we all feel like we are surrounded by darkness at some point in our lives and art is not and should not always be about sunshine and landscapes. Sometimes it has to show us our fears and fragility.

Using more than one medium means I can explore a subject in greater depth and develop my thoughts and feelings about it as I go through the range of options available. You have to go deeper into a subject before you can come out the other side.

The print above is a photopolymer steel plate etching, hand-printed by me using oil pigment onto BFK Rives cotton rag paper.

The drawing below is in Indian ink using a traditional dip pen, on handmade paper, prepared with black and sepia ink washes.

Rinascere #1

Rinascere #1

The print “Dystopia” and the drawing “Rinascere #1” are available for sale on Artfinder and if you’d like to find out more, please click on the links here and here to go directly to them or click on the top right of this page to see other works for sale.

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