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Menace And Monotype

4 Jan


I’ve been working away at Swansea Print Workshop since I finished two evenings of sketching with the Coppertown Mari Lwyd last week. I decided to develop my drawings into print and chose a fairly simple reduction monotype technique, with chine collé, as my starting point. This is the first. There is usually a period of experimentation when you start a new series of prints, matching the ink and paper, getting the ink mix just right, getting the paper dampened to the correct degree – not too dry or too sloppy. I’m reasonably happy with it. I’m a bit obsessed with getting very solid blacks and this is much more grey than I would have planned, but I quite like it. The technique lends an air of menace to the image which I also like.

From left to right: Starting to draw from my original sketch onto an inked perspex plate: using various implements for mark-making – wood skewers, cotton buds, rags: adding chine collé – hand made recycled sari papers. I used a Somerset paper and Intaglio Printmaker’s Litho / Relief ink mixed about 60:40 with Extender.



I am putting my series of drawings of ancient Welsh monuments on Artfinder.  If you want to buy one, you can see them by clicking on the image below or the Artfinder link at the top right of this page.

St Elvis

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