Drawing at gigs in the near dark is good practice as I have to squint to see the basic details of what’s in front of me and get them down quickly before people move too much. It sharpens my instincts and improves my drawing in the light. I did a load of drawings at the launch of Rufus Mufasa’s new album, “Fur Coats From The Lion’s Den” in Cardiff earlier this week with a 6B graphite stick into my little lined notebook by Peter Pauper Press.
Another Scribble In The Dark
21 Jan- Comments 2 Comments
- Categories out and about, People watching
- Author Rosie Scribblah
2 Responses to “Another Scribble In The Dark”
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To buy my work on the Swansea Print Workshop site please click the image to the left.
Inspired by drawings of the taxidermy collection at Swansea Museum. I have given these antique artefacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.
20 percent of the cost of each screenprint sold goes to support Swansea Print Workshop, which receives no public funding.Hunting The Wild Megalith
Pasta Machine Printmaking, The Movie (with added cat)
Me and my model
Man Child from George Morris Film on Vimeo.
Rosie Scribblah RSS
- Free Zoom Art – Skulls And Sticking February 23, 2021
- Another Fake Finished February 22, 2021
- A Timelapse of Matisse’s Cat And Goldfish February 21, 2021
- Mugshots …. February 20, 2021
- Faking A Fauve February 19, 2021
I share your sentiment. I love drawing in the dark. Even when you can’t make out what you’re doing, I think there’s a gain in creating the gesture, the strokes and shapes — it’s like drawing on the inside your brain!
That’s it exactly, Aletha. Drawing in your brain!