Archive | October, 2020

Scrapings

31 Oct

scrapings 1

I’ve been doing a lot of painting lately, just practising, and there’s often some paint left on my palette. I was brought up to waste not, want not, so I scrape it onto scraps of beautiful papers, bits that I kept from other projects, more waste not, want not. The paint is lovely too, Liquitex heavy body acrylic. I don’t know what I’ll do with these fragments though.

 

 

A Chance To Own One Of My Artworks

I have some small screenprints for sale, inspired by my drawings of the taxidermy collection at Swansea Museum. I have given these antique artifacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

To buy my work on the Swansea Print Workshop site please click the image to the left and to see the complete image.

Inspired by drawings of the taxidermy collection at Swansea Museum. I have given these antique artefacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

20 percent of the cost of each screenprint sold goes to support Swansea Print Workshop, which receives no public funding.

 

Faking Magpie

30 Oct

Magpie 7

I had a faking fun Friday with painter Ed Sumner’s Cheese and Wine Painting Club over on Facebook. Each Friday throughout lockdown Ed has hosted a painting session for people at all levels of ability, teaching painting skills by copying famous works of art. Today it was “The Magpie” by Monet. There’s a surprising amount of colours in it considering it’s a white wintry scene.

I haven’t finished yet, maybe another hour or so on it, mainly to work on the shadows and highlights. I did most of the painting with a palette knife, which was fun as I rarely use one. I’m learning a lot from these sessions. Ed asks people who can afford to, to donate something so he can keep it free for those who can’t afford to pay anything. There’s an extra session tomorrow at 16.30, a Halloween special.

 

 

 

A Chance To Own One Of My Artworks

I have some small screenprints for sale, inspired by my drawings of the taxidermy collection at Swansea Museum. I have given these antique artifacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

To buy my work on the Swansea Print Workshop site please click the image to the left and to see the complete image.

Inspired by drawings of the taxidermy collection at Swansea Museum. I have given these antique artefacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

20 percent of the cost of each screenprint sold goes to support Swansea Print Workshop, which receives no public funding.

Happy Little Fake

27 Oct

mountain final

I finished off the fake Bob Ross that I started painting on Saturday lunchtime with the Cheese and Wine Painting Club over on Facebook. Painter Ed Sumner chooses a painting each week for people to copy with his humourous and skilled tutoring. I don’t like the Bob Ross style if I’m honest, but I love watching him every evening during the week on BBC4. He’s so nice and relaxing and he’s also a very skilled painter, even if you don’t like his style.

I used Liquitex Heavy Body acrylic paints onto a cheap canvas from Wilkinsons and brushes from a Daler Rowney 10 piece set for acrylics. Those happy little trees were a pain to do! He makes it seem so easy on the telly.

 

 

 

 

A Chance To Own One Of My Artworks

I have some small screenprints for sale, inspired by my drawings of the taxidermy collection at Swansea Museum. I have given these antique artifacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

To buy my work on the Swansea Print Workshop site please click the image to the left and to see the complete image.

Inspired by drawings of the taxidermy collection at Swansea Museum. I have given these antique artefacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

20 percent of the cost of each screenprint sold goes to support Swansea Print Workshop, which receives no public funding.

Standing Sequence

26 Oct

standing 7

Here’s the long pose I did last week at the Life Drawing sesison at Swansea Print Workshop. It was almost an hour and I used black, sanguine and white conté crayon onto black paper. Our model is fantastic. Well, they all are actually. The unsung heroes of the art world.

The life drawing sessions are postponed for the next two weeks because we’re now in a hard lockdown in Wales for the next fortnight. Hope we can resume in a couple of weeks.

 

A Chance To Own One Of My Artworks

I have some small screenprints for sale, inspired by my drawings of the taxidermy collection at Swansea Museum. I have given these antique artifacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

To buy my work on the Swansea Print Workshop site please click the image to the left and to see the complete image.

In this one, I combined snippets of a bird and discarded plastic with the image of a bug, part of the Museum’s fascinating vintage collection.

20 percent of the cost of each screenprint sold goes to support Swansea Print Workshop, which receives no public funding.

The Janus Mask

25 Oct

Tonya 3

Here’s another life drawing from the session at Swansea Print Workshop the other evening, with a 30 minute pose drawn with black, white and sanguine conté crayon onto black paper. Our marvellous model wore two masks on the front and back of her head, like a Janus figure.

Chelsea buns

I did some baking today. We’re on hard lockdown again and I did a lot of baking first time round – it passes time and produces lovely things to eat. I made the dough with 3/4 strong white flour and 1/4 wholemeal. I turned it into a large loaf and 4 Chelsea Buns – one of our favourites for tea.

 

 

 

A Chance To Own One Of My Artworks

I have some small screenprints for sale, inspired by my drawings of the taxidermy collection at Swansea Museum. I have given these antique artifacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

To buy my work on the Swansea Print Workshop site please click the image to the left and to see the complete image.

In this one, I combined snippets of a bird and discarded plastic with the image of a bug, part of the Museum’s fascinating vintage collection.

20 percent of the cost of each screenprint sold goes to support Swansea Print Workshop, which receives no public funding.

 

Lockdown 2.0: Still Faking And Baking

24 Oct

mountain 5

Wales is in hard lockdown again, like we were in March, we’re going to be more or less housebound for the next two weeks. So plenty of time to fill up. Today I did another session with the Cheese and Wine Painting Club over on Facebook, learning how to copy a painting, this week we did a Bob Ross. I love old Bob. I can’t say I’m that keen on his work, but he had great technical skill and he was a wonderful broadcaster. I could watch him all day. I haven’t finished yet – the trees on the right look a bit post-apocalyptic and need some foliage. I also need to put in a few happy little bushes and some more reflections. Maybe another hour or so.

As well as faking, I also did some baking – an upside down mango elderflower drizzle cake – mixing up my genres there. Tasted very nice though, especially warm with cream. Next week’s painting session, hosted by the very talented and entertaining Ed Sumner, is Monet’s “The Magpie”.

mango and elderflower

 

 

 

A Chance To Own One Of My Artworks

I have some small screenprints for sale, inspired by my drawings of the taxidermy collection at Swansea Museum. I have given these antique artifacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

To buy my work on the Swansea Print Workshop site please click the image to the left and to see the complete image.

In this one, I combined snippets of a bird and discarded plastic with the image of a bug, part of the Museum’s fascinating vintage collection.

20 percent of the cost of each screenprint sold goes to support Swansea Print Workshop, which receives no public funding.

 

The Masked Model

23 Oct

Tonya 10 min

This is the 10 minute pose I did at last night’s life drawing session at Swansea Print Workshop. Our masked model is fabulous, such a great personality and that shows in her poses – mind you, all our models have loads of personality. Life models are the unsung heroes of the art world. I used black, white and sanguine conté crayon onto black paper, size A2.

 

 

 

A Chance To Own One Of My Artworks

I have some small screenprints for sale, inspired by my drawings of the taxidermy collection at Swansea Museum. I have given these antique artifacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

To buy my work on the Swansea Print Workshop site please click the image to the left and to see the complete image.

In this one, I combined snippets of a bird and discarded plastic with the image of a bug, part of the Museum’s fascinating vintage collection.

20 percent of the cost of each screenprint sold goes to support Swansea Print Workshop, which receives no public funding.

 

Just Back From Life Drawing

22 Oct

Tonya 5 min 1

Just got back from life drawing at Swansea Print Workshop, working with a fabulous model with a funky mask and great poses. This is a five minute one in conté crayon – white, sanguine and black – onto black paper. I’m off to bed now, after my nice cuppa. Nos da. Good night 😀

Prepping Paper

21 Oct

walnut 2

I’ve got some large rolls of Fabriano Accademica paper hanging around so I thought I’d stretch some of it on the wall, seal it with acrylic gesso and then colour it with some of my home-made walnut ink. And why not?

I’ll cut it up and use it for life drawing. I’ve been taking black paper to the life drawing group and I’m liking the results of working onto a dark background. The walnut ink isn’t just dark, it will also provide a load of texture to work on top of.

A Chance To Own One Of My Artworks

I have some small screenprints for sale, inspired by my drawings of the taxidermy collection at Swansea Museum. I have given these antique artifacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

To buy my work on the Swansea Print Workshop site please click the image to the left and to see the complete image.

In this one, I combined snippets of a bird and discarded plastic with the image of a bug, part of the Museum’s fascinating vintage collection.

20 percent of the cost of each screenprint sold goes to support Swansea Print Workshop, which receives no public funding.

 

The Finishing Touch: 2

20 Oct

Cezanne still life final

I’ve had this fake Cezanne on my easel for nearly a fortnight now. It was almost finished but it took me a while to get around to doing the final touches as I wasn’t quite sure what still needed to be done and when to call a halt. It helped to have a break, without looking at it. In the end, it didn’t need much more, some highlights and lowlights and tidying up the lines around everything.

I photographed the stages of the painting (above) from the first squirt of bright pink to set a hot background (on a recycled canvas), through filling in the main shapes, adding the background and foreground and eventually touching in the fine details.

Cezanne still life final detail

Here’s a close up of a detail. Cezanne characteristically applied the paint quite roughly and put outlines around the forms. I’ve been practicing painting with the Cheese and Wine Painting Club on Facebook, which has just switched to Saturday lunchtimes, from Fridays. It’s led by Ed Sumner who takes us through the techniques of the artist we’re studing over an hour and a half. Please follow the link above for more information.

 

 

 

A Chance To Own One Of My Artworks

I have some small screenprints for sale, inspired by my drawings of the taxidermy collection at Swansea Museum. I have given these antique artifacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

To buy my work on the Swansea Print Workshop site please click the image to the left and to see the complete image.

In this one, I combined snippets of a bird and discarded plastic with the image of a bug, part of the Museum’s fascinating vintage collection.

20 percent of the cost of each screenprint sold goes to support Swansea Print Workshop, which receives no public funding.

 

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