The Proofing Dilemma

 

Here’s a dilemma. I’ve done enough hacking on my new woodcut to try a first proof. But I really like the piece as it is, with the colour of the natural wood contrasting with the creamy whiteness of the carved areas and the grey/black of the bits I’ve coloured with ink and wash; done to help make the cutting easier. Once I get the black ink onto it, the brown and grey tones will be lost forever. Still, it’s a woodcut. It’s destiny is to be printed.

Published by Rosie Scribblah

I'm an artist / printmaker / scribbler. I love drawing and all the geeky stuff associated with printmaking, working in a figurative style. I live in Wales with husband and demented cats. And my real name is Rose Davies :D

15 thoughts on “The Proofing Dilemma

  1. Rosie, Yes a dilemma indeed, the cut wood looks fantastic as an image/object already, but I also agree with you about its destiny. What would happen if you gently sanded off the wood after printing? I know next to nothing about the process but am always struck by the beauty of blocks and plates. Whatever you decide will be how it should be. Great blog.

    1. Thank you Jon. That’s a good idea to sand it after I’ve finished editioning. I know an artist who colours his woodblocks and frames them afetr he’s finished editioning from them.

    1. I’ve scanned it so I have a copy of this as a digital image, but if I were to print it in colours and tones, I’d have to develop it as a reduction block print (the suicide method) which would eventually destroy the block completely 😦

  2. I agree with Alli – maybe this could stay as is and you could do another to print… says me who doesn’t have to do all the hacking work! Seriously, it is beautiful even in a photo so it must be amazing in the (plywood) flesh… of course after you print and clean it, it will have yet another life.

  3. Never thought of art as having a particular destiny. It’s whatever you make of it. If you really love this piece as is, leave it alone and hang it on the wall!

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