Tag Archives: printmaking

Bits Of Backs

6 Jan

liberal club 2

Husb and I went to a fab arty party last night, several artists shared a birthday and organised an evening of performance and goings on. It was lovely. Of course, I had to have a scribble, but I could only see people’s backs, but that’s ok. It’s all good practice.

And there’s some interesting things going on, wild hair, wacky tattoos and eyecatching boots. I scribbled into my tiny little Paper Blanks Ukiyo-e Kimono sketchbook with a biro (ballpoint) pen.

A Little Bit Of Kimono

5 Jan

Ynyshir 040118 b

Here are a couple more heads I scribbled last night at the WAM (Words Art Music) monthly event at the excellent Workers Gallery in Ynyshir. I did my usual thing of being an art voyeur, scribbling people’s likenesses when they were absorbed in what was going on.

sketchbook

I am very fond of this tiny sketchbook, you can get an idea of its size from the pepper next to it. It’s by Paper Blanks, hardback with a fabric cover which is based on a Japanese Ukiyo-e kimono pattern and the whole thing is so beautifully made, with acid-free paper and a precisely folded paper pocket on the inside back cover. Ukiyo-e is a genre of woodblock prints dating back to the 1600s (the Edo period) and the word means “pictures of the floating world“.

Across The Planet

12 Dec

annwyl KATHE

 

It’s lovely to see where artwork can get to when it leaves me and it’s released out in the wild. I did this mixed media piece, “Annwyl Käthe” – stamping, chine collé, stitching and hand written text – in an edition of 15 for the annual Leftovers print exchange organised by Wingtip Press in Idaho, USA. Part of Leftovers is an annual international touring exhibition and this has just featured in a show at the Wharepuke Gallery in New Zealand.

 

Wharepuke

It looks gorgeous. Maybe someday I’ll get across the world for a visit. If you are a printmaker and want to get involved in Leftovers VIII, please click here.

Randomness Ensued

28 Nov

caligo 1

I did an afternoon of experiments at The Workers Gallery last week, trying out different combinations of inks and papers on a Gelli Arts gelatine printing plate. I want to print papers for collage. I did some basic experiments a few weeks ago and I wanted to do something a bit more advanced to see what the technique is capable of.

tissue net

I used two different types of pigment – Caligo Safewash ink (oil-based) and Liquitex paint (acrylic) and two papers to print on – Daler Rowney cartridge paper and Hosho Japanese tissue. I also used ripped tissue paper and fruit net bags as stencils to add variation to colour and texture. I took two prints from each inking – a full colour one and a paler ‘ghost secondary image.

 

The Caligo inks had greater translucency and depth but in future I’ll try the Liquitex with a medium to thin it out a bit and see if I can get a more translucent paint. I prefer the Hosho paper, it gives much more luminosity than the Daler Rowney cartridge. The stencils – tissue and fruit net – worked really well and it was exciting when I took the paper off the plate to see what randomness endued.

 

 

 

Translucent Overlays

26 Nov

caligo ghost 1

I’ve been experimenting with Gelli Art gelatine plates for printmaking again. This time I used Caligo Safewash oil-based printing inks mixed with extender to make them translucent and overlaid the monotype three times, once in Process Yellow, then Process magenta and finally Process Cyan. I’ll explain the process in tomorrow’s blog. This is one of the pieces that I liked best, it is delicate and the overlays have produced so many subtle colours. I’m trying out this process to see if it will produce interesting papers for collage.

 

 

Chuffed To Bits

22 Nov

mono 10 chine

 

I just heard today that I have had 2 artworks accepted into the Swansea Open exhibition, running from December the 3rd to January the 6th. It’s returned after a gap of about 5 years, while the Glynn Vivian Art Gallery was closed and being refurbished, and it’s great to see it back. I’m chuffed to bits as Swansea is full of talented artists and the competition is stiff.

 

mari 2

 

I submitted two monotypes of the Mari Lwyd, based on drawings I did in my sketchbook at the end of last year. The Mari Lwyd is an ancient Welsh tradition, where groups of revellers wander the streets and pubs accompanied by a life size puppet constructed around a decorated horse’s skull. It may hark back to the worship of the Celtic horse goddess, Epona.

The Last Experiment (for now)

8 Nov

caligo 8

I’ve been experimenting doing monotypes on a gel plate from Gelli Arts, trying out different inks and paints over the last week or so. I’ve finished for the time being, ending up with Caligo Safe Wash oil-based printing inks. I used Process Yellow, Magenta and Cyan mixed approximately 50:50 with the brand’s Extender for translucency and to make it easier to roll. It gave good coverage over the gel plate, held texture well, printed with vibrant colours and also produced a decent ‘ghost’ (secondary) print.

 

I’ve tried out 6 different inks / paints, all printed in two layers onto Daler Rowney cartridge paper (90gsm). I think the best for my own professional use are the Caligo Safe Wash oil-based printing ink and the Liquitex Heavy Body acrylic paint.

 

For teaching, I would be happy to use both the Essdee and the Seawhites of Brighton water-based printing inks. And the other 2 media I used, Winsor & Newton Galeria acrylic paint and Liquitex acrylic inks were both too liquid to give satisfactory results on this brand of gel plate, so I’ll be keeping them for other projects.

 

 

 

Jelly And Liquitex

5 Nov

liquitex 4

So, still experimenting with the Gelli Arts plate, this time trying out Liquitex Heavy Body acrylic paint. It gives excellent coverage and takes textures really well. Almost all the ink comes off onto the paper – Daler Rowney cartridge 90gsm – with gentle rubbing, leaving very little for a ‘ghost’ print. The only problem I think is that the colours are very intense, it’s high quality paint, and I either need to experiment with more subtle methods of removing and blending the paint on the plate or find some sort of medium to thin out the intensity of the colour without making the paint more watery.

 

More Jelly Experiments

4 Nov

I’m continuing top experiment with gel plate printmaking using a Gelli Arts plate. Today I tried it with Essdee block printing ink, staying with Daler Rowney cartridge paper (90gsm) for consistency,

essdee 10

The Essdee inks are easy to use, roll out nicely and take a good texture from bubblewrap and scrunchy tissue paper. The ink prints easy with a firm hand rub but leaves a faint and disappointing ‘ghost’ or secondary image. It cleans off easily with babywipes.

Letting People Play

30 Oct

tree cat

I’m working for a charity that supports very vulnerable people, running arts and craft sessions. I work in different venues across the city and I tailor the sessions to suit them and their clients. This evening was about letting people play. It wasn’t a formal session aiming to teach fine arts or enabling people to turn out a well-crafted item, but a chance to just mess around and have a bit of fun.

 

 

I took some lovely chine collé tissue papers made from recycled saris and a couple of boxes of stamps, the ones that kids use, and an ink pad. I encouraged people to try stamping the tissues repetitively to make a pattern and / or to overlay them to get a pictorial effect.

 

 

Then we put them into little ready-made mounts which set them off nicely. Quick, cheap, easy and fun. People need to play and those living in dire circumstances often don’t get that chance. Providing a safe space for arts and crafts can give them the opportunity.

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