Tag Archives: printmaking

Herstory, Heroines and Swansea Satire

21 Jun

Bog Art and MWGA launch: Cinema & Co, Swansea, Tuesday July 9th from 18.30 – 20.30 with art, literature, short films, a pop-up kitchen and FREE CAKE! Please come along.

Rosie Scribblah and Patti McJones (aka The Revolting Women) are officially launching Bog Art alongside the launch of the satirical book “Making Wales Great Again” (M.W.G.A.) by Swansea author “Notsogreatdictator “.

 

valentine cake 1

What is Bog Art?

If you want people as in “The People” to see art where’s the best place to put it? Art galleries are where art lives but not everyone see themselves as the sort of person who goes to art galleries which is why lots of people don’t go to art galleries, but everyone has to use the toilet!  So we thought why not let “The People” take in some culture as they take a seat in Cinema & Co.  We put artwork on the walls in the toilet in case you’re not very clear on exactly what we did.  All the work features women artists and heroines and is by me and Patricia McKenna Jones. We are both very interested in the role of women in history and art and take great pains to bring their often-forgotten contributions to light again.  Not just because they are women but also because their work and lives are uniquely inspiring and show a depth of commitment and skill that needs to be seen and recognised.

Herstory

 

My work is a set of silk screen prints of my favourite artists including Kathe Kollwitz. I’ve loved her work for many years and I think she’s one of the greatest artists of the twentieth century. I defy anyone to go around the Kathe Kollwitz gallery in Berlin and not cry – her work is profoundly moving. She suffered the tragedy of losing her son in World War 1 and her grandson in WW2 and her war memorial, ‘The Grieving Parents’ in the Vladsio German War Cemetery is imbued with a terrible sadness and hopelessness.

Heroines

Patti’s paintings are about women who fought to defeat fascism during WWII.  One is Noor Inayat Khan (1914-1944) a half Russian, half Indian Muslim woman who signed up to the Special Operations Executive (a secret army with the aim of helping resist Hitler):  She helped foil enemy operations in occupied France but was eventually captured and shot at Dachau after proving her worth many times over.

 

noor-2nd-ww2

M.W.G.A.

Swansea author Notsogreatdictator  (not his real name) is also launching his new book of satirical snippets based on the weirder and dafter aspects of life in Wales and especially Swansea. Copies will be available for sale and he’ll be there to sign them.

 

MWGA

Food, Drink and Cake

There will be a pop-up kitchen from Goggi (including vegan food), the excellently stocked Cinema & Co bar and FREE CAKE made by Patti, Notsogreatdictator and me.

Here’s How It Goes

Here’s the itinerary for the evening, we would love to see you there –

18:30-19:00
Grab some food and drink and Meet the Author and Artists
19:00-19:30
Short films and background to “Making Wales Great Again” and Bog Art
19:30-20:00
Question and answer session with the author
20:00 – 20.30
Book signing and Bog Art viewing

Cutting The Vinyl

20 Jun

lino 1

I did a lino cut today, well it was on vinyl, from an original sketch I did in my sketchbook when I was on a field trip recently with the Fire Lab, to study Victorian culverts on the Tafarn Y Garreg road towards Brecon.

The drawing is quite abstracted, I was looking down along the stream bed as it wound its way down the valley wall into the River Tawe. I transferred the drawing, in reverse, onto the vinyl using powdered chalk and a hard pencil and then cut it with my Flexcut tools.

Something Fishy In Boise

13 Jun

Print Boise River 5

A few years back I did an artist residency at Wingtip Press in Boise, Idaho, USA. It was a wonderful experience and I keep an eye out on what’s happening in printmaking in Boise. The irrepressible Amy Nack, founder of Wingtip Press sent me some information about “Print Boise River”. It’s a project celebrating the beloved Boise River by building a 150′ paper river with flip flop prints, grant funded by Boise City Department of Arts and History.

Flip Flop Fish Prints!!!!! Brilliant idea!

 

The big PRINT BOISE day will be July 13 at the Anne Frank Memorial.

Print Boise River 6

The Haul

8 Jun

 

the haul

This year I entered the Leftovers IX print exchange, organised through Wingtip Press in Idaho, USA. It’s a great premise; use up all those lovely little leftover scraps of printmaking paper and produce a small edition of miniature prints; send them off to Boise, Idaho; wait a few months; get a dozen prints by other artists through the post to add to your art collection. A nice little haul.

I sent over an edition of my little Mari Lwyd linocut prints with chine collé.

Leftovers

The Artist As Voyeur

15 May

block 456

I often draw in the street, lurking in doorways or sitting surreptitiously on benches in public spaces, scribbling away. Sometimes I take photos and work from them later. I took some from a second floor window and transferred the drawings to polycarbonate blocks, which I carved then printed. I like these figures from such an acute angle.

Precision

22 Apr

mari drop 3

Working with Andrew Baldwin at Trefeglwys Print Studio last weekend, I got in some practice doing a double drop print from my aquatint plate. It’s a very specific and precise process. After carefully printing in Vermilion and taping the print to the press bed before peeling it back, we put a heavy weight onto the etching plate to hold it exactly in place and then put a couple of Perspex squares tightly against the plate, along 2 edges, and again placed very heavy weights on them. Then the plate could be very carefully removed, cleaned and inked up in Prussian Blue.

The First Colour

21 Apr

mari drop 1

After inking up my little zinc aquatint plate with a Vermilion oil-based etching ink, I worked with etching expert, Andrew Baldwin, to print the first colour of a two-colour double-drop print. Working with utmost care, I taped the long edge nearest the roller before peeling the damp paper back from the plate. It’s imperative that nothing moves, not even by a millimetre.

Vermilion!

20 Apr

mari vermilion

I started making this aquatint plate back last September the first time I spend a weekend at Trefeglwys Print Studio, but it was the third plate I made that weekend and I didn’t finish it. So during my recent, second, visit to Trefeglwys, I prioritised finishing and proofing it. Here it is being inked up in Vermilion, the first colour in a double drop print process….

The Difference

17 Apr

 

double drop 3

Preparing an etching plate or a wood block or a silk screen is just the first stage of creativity in making an original print. The second creative input comes with the actual printing – the inks, papers and special effects you use. I printed the one above using the ‘double drop’ technique, printing the plate first in Vermilion and secondly in Prussian Blue. Although it’s quite monochromatic, it has a richer, more intense colour than the print below, which was just printed once, in black ink.

single drop .jpg

Metal Marbling

15 Apr

 

marbling

I’ve done marbling onto paper before but this is marbling onto an etching plate. I spent the weekend at a masterclass in etching at Andrew Baldwin’s Trefeglwys Print Studio in Powys. We covered quite a few processes and I’ve wanted to see this one for a while. Andrew marbles a metal plate with his B.I.G. (Baldwin’s Ink Ground) and bakes it to harden it up and then etches it. The results are gorgeous. Here he’s just poured some of the B.I.G., thinned out with lavender oil, onto a solution of vinegar and water and is dragging a stick through it to enhance the marbled effect, just before dipping a prepared aluminium plate onto it.

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