Tag Archives: printmaking

When The Postman Knocked

13 Jul

My set

For a few years now, I’ve entered the Leftovers international miniature print exchange, organised by the lovely printmakers at Wingtip Press, Boise, Idaho, USA. Printmakers from all over the world send an edition of 14 tiny original prints, done on pieces of leftover paper, and in return twelve are selected at random and sent back, so we can build up our own print collections. I was so excited today when the postman knocked because there was a tough cardboard envelope from America with my 12 lovely little leftovers inside. They’re gorgeous, with etchings, linocuts, digital, screenprint and letterpress. I love them.

Annwyl 4

Here’s the one I sent over to the USA, a stitched and stamped piece with chine collé based on my hero, Käthe Kollwitz.

 

For a limited period I am putting a new drawing from my recent sketch books on my Artfinder gallery every day.  If you’d like to check them out, please click on the image below or the Artfinder link at the top right of this page.

Stamping!

5 Jul

I’m going to be running some creative training sessions soon and one of them is going to be about stamping. That’s not moving your feet up and down with force, but the practice of creating new artworks from rubber – or lino or wood – stamps. I’ve been doing some work in this technique, inspired by artists Atif Khan, Ryan McGinnis and Federico Pietrella. Here are some different ways I’ve been using a stamp I had made from a screenprint I did of my hero, German artist Käthe Kollwitz. On the left, a ‘mashup’ with a newspaper fragment; in the middle a 3D construction from Shiohara paper and aluminium armature wire; on the right a stitched piece with chine collé.

 

Here are some examples of work from other artists using stamps too. From left to right, Federico Pietrella, Ryan McGinnis, Atif Khan.

 

 

 

 

For a limited period I am putting a new drawing from my recent sketch books on my Artfinder gallery every day.  If you’d like to check them out, please click on the image below or the Artfinder link at the top right of this page.

 

 

Open For Art, Cake And Amazing Machines

22 May

Coming soon, an open weekend at Swansea Print Workshop with guided tours around our Tardis-like studios, demonstrations of expert techniques on the Saturday and Sunday, our fabulous antique and modern printing machines, cakes and original art for sale and an exhibition that runs all week. I’ll be doing a demo of monotype techniques on Sunday 4th at 11.00.

Rose working 1JPG

Here I am working on a monotype at Wingtip Press in Boise, Idaho, USA

 

SWANSEA PRINT WORKSHOP | 19A CLARENCE ST. | SWANSEA | SA13QR

Demonstrations, exhibitions and sale of original prints | cards |drawings and handmade items

SATURDAY JUNE 3 | 10.30 TO 4.30

Demonstrations of techniques |2.00 | DRYPOINT |Dave Barron| 11.00 | LINOCUT | Alan Figg |

SUNDAY JUNE 4 | 10.30 TO 4.30

Demonstrations of techniques 11.00 | Monotype printing | Rose Davies |11.30 | Screenprinting | Sarah Hopkins | 2.00 | Watercolour Woodblock | Judith Stroud |2.30 | Inking up and printing an etching plate |Ian Fisher |

 

open day 2017

 

This is an opportunity to buy original prints at very reasonable prices, to watch demonstrations of how these prints are made and help support a community asset. Bring your friends along and enjoy a homemade cake and a drink. We run courses if you want to learn a process and if you are a member, have the opportunity to exhibit your work.

SALE of original prints by children on our Outreach programmes

WHERE TO FIND US We are located opposite the main Bus Station and the Quadrant in the centre of Swansea. There is an hour free parking in Clarence Street and several of the adjacent streets.

For more information about the event please refer to our website  www.swanseaprintworkshop.org.uk

REFRESHMENTS AVAILABLE ALL DAY

Come in, have a drink and a cake and browse the prints. Original prints and artists cards are for sale at very reasonable prices. Artist members have donated prints which allows us to offer a limited number below gallery prices.

 

 

TROUBLEMAKERS!!!

12 May

I’m going to be doing some street art with The Plebeian Scribblers and The Plebeian Printmakers as part of Volcano’s Troublemakers arts festival July 13th – 16th 2017. For the past two summers, The Plebeian Scribblers have been an integral part of “A FAB Intervention”, a one-day street event in Bath’s City Centre during the annual Fringe Arts Bath so it’s great that we can bring it back to our home town this summer. Here’s some of the drawings I did in Bath below.

FAB 5 6

I will be working with urban scribblers Chris Harrendence, Patricia McKenna-Jones and Melvyn Williams to deliver three sessions of 30 minutes of structured street drawings which will be digitally recorded and blogged.

FAB 7 8

But with an added twist, the following day we’ll be inviting local printmakers to join us to take prints from metal structures like manhole covers in High Street, inspired by the Berlin Raubdruckerin collective. I’ll be posting more as we get the plans firmed up ……

 

NAME OF EVENT: The Plebeian Scribblers

NAME OF ORGANISING ARTIST: Rose Davies / Rosie Scribblah

BRIEF DESCRIPTION: Following two years successful street drawing events at Fringe Arts Bath, these experienced street scribblers travel the length of High Street drawing what they see into their sketchbooks.

DATE: Saturday 15th July

TIMES:13.00 – 13.30 / 14.00 – 14.30 / 15.00 – 15.30

VENUE/LOCATION:Upper High Street / Mid High Street / Lower High Street

COST: No cost – street event

 

NAME OF EVENT: The Plebeian Printmakers

NAME OF ORGANISING ARTIST: Rose Davies / Rosie Scribblah

BRIEF DESCRIPTION: Inspired by Berlin’s “Raubdruckerin collective”, printmakers from Swansea Print Workshop will travel along High Street printing from metal structures like manhole covers and posting them in the new graffiti tunnel.

DATE: Sunday 16th July

TIMES: 13.00 – 15.30

VENUE/LOCATION: Along High Street and The Graffiti Tunnel

COST: No cost – street event

 

I have put my series of drawings en plein air of ancient Welsh monuments on Artfinder.  If you want to see more, please click on the image below or the Artfinder link at the top right of this page. So did you know that Elvis Presley is descended from the Welsh? This drawing below is the legendary grave of Saint Elfys (Elvis) in Pembrokeshire, not for from the Presceli Mountains. Elfys? Presceli? Elvis Presley? Coincidence? hhhmmmm

St Elvis

Oh I Wish!

8 May

Oh I wish

When I tell people that I go out regularly drawing en plein air, a common reaction is, “Oh how lovely! Tripping about the countryside in the sunshine doing some nice little drawings“. OH! I! WISH!

Here’s the reality. A photo of the minimum kit I need for my forays into the wild places of South Wales with pre-historian Dewi Bowen and filmmaker Melvyn Williams. From the left: portable drawing board; satchel containing drawing materials, sketchbook, masking tape, fingerless gloves, wet wipes, toilet roll (in case), mobile phone, purse, spectacles, sunglasses; sturdy walking boots; waterproof and windproof jacket and trousers; hat; rucksack with food and water for humans and snackage for wild ponies; portfolio with prepared papers and canvasses. That’s what I cart up mountains, across bogs and through streams so that I can do my art out in the fresh air instead of in a nice warm cosy studio.

 

I have put my series of drawings en plein air of ancient Welsh monuments on Artfinder.  If you want to see more, please click on the image below or the Artfinder link at the top right of this page. So did you know that Elvis Presley is descended from the Welsh? This drawing below is the legendary grave of Saint Elfys (Elvis) in Pembrokeshire, not for from the Presceli Mountains. Elfys? Presceli? Elvis Presley? Coincidence? hhhmmmm

St Elvis

The Final Proof – For Now

7 May

workers 7

Here are the last cuts I made on my new vinyl block that I carved during my gallery-sitting session at The Workers Gallery in Ynyshir last weekend. I spent the day designing, cutting and proof printing and took it up to this, the fourth cut and print and for now, the final proof. I printed with a cheap water-based ink onto cartridge paper and I now need to try it out with top quality materials before I decide whether it needs more cutting. But I’m inclined at the moment to say that less is more…..

workers 8.jpg

 

 

I have put my series of drawings en plein air of ancient Welsh monuments on Artfinder.  If you want to see more, please click on the image below or the Artfinder link at the top right of this page. This one is the legendary grave of Saint Elfys (Elvis) in Pembrokeshire, not for from the Presceli Mountains. Elfys? Presceli? Elvis Presley? Coincidence? hhhmmmm

St Elvis

The Third Cut

6 May

workers 6

Another bit of cutting and here’s my third proof of the linocut I’m developing, based on original drawings of ancient monuments in South Wales. It’s getting there, but I think I need to cut away more of the sky, so that’ll be the next stage.

 

I have put my series of drawings en plein air of ancient Welsh monuments on Artfinder.  If you want to see more, please click on the image below or the Artfinder link at the top right of this page. This one is the legendary grave of Saint Elfys (Elvis) in Pembrokeshire, not for from the Presceli Mountains. Elfys? Presceli? Elvis Presley? Coincidence? hhhmmmm

St Elvis

Proof Printing

5 May

workers 5

I made the first cuts on my new vinyl block (while I was gallery-sitting at The Workers Gallery last weekend) and took a proof print. The first print off a new block always seems to be a bit ropey (it’s the one at the bottom right of the photo), so I took a second proof which had a better ink coverage (top right). I used a plastic baren and cartridge paper. The quality isn’t particularly good because I used a cheap-ish water-based ink and a cheap roller (brayer), but it’s good enough for proofing. The purpose of taking a proof print is to see if you need to do more cuts on the block, or to try out different inks or papers. It’s the period of experimentation. I did some more cutting because I want a lighter upper half, and then I took another proof (on the left). It’s okay, but I want to cut even more away ……… more tomorrow …….

 

I have put my series of drawings en plein air of ancient Welsh monuments on Artfinder.  If you want to see more, please click on the image below or the Artfinder link at the top right of this page. This one is the legendary grave of Saint Elfys (Elvis) in Pembrokeshire, not for from the Presceli Mountains. Elfys? Presceli? Elvis Presley? Coincidence? hhhmmmm

St Elvis

The First Cuts

3 May

workers 3

Yesterday I posted about setting up to develop a linocut print while I was gallery-sitting at The Workers Gallery in Ynyshir. After I did an interim sketch from my original sketchbook drawing of a Neolithic standing stone, I transferred it (in reverse) to a piece of vinyl with a white conté crayon. I’m using vinyl rather than lino because it’s softer and easier to cut and also because it’s so much cheaper. I find that I get very inhibited when I use expensive materials and I want to be free and a bit experimental with this – I don’t want to get precious about it.

workers 4

I’m not going to cut a lot away at first, I’ve ruined a lot of blocks that way. I’m going to cut in stages and take proof prints as I go along to inform any more cutting that needs to be done. I’m aiming for a rough, simple, expressionist style. Here’s the first stage cut, inked up with a cheap water-based printing ink, waiting to be printed by hand using a plastic baren.

 

 

I have put my series of drawings en plein air of ancient Welsh monuments on Artfinder.  If you want to see more, please click on the image below or the Artfinder link at the top right of this page. This one is the legendary grave of Saint Elfys (Elvis) in Pembrokeshire, not for from the Presceli Mountains. Elfys? Presceli? Elvis Presley? Coincidence? hhhmmmm

St Elvis

Starting From Scratch.

2 May

workers 1

I spent last Saturday at The Workers Gallery in Ynyshir, a fabulous artist-led artspace in the Rhondda Valley. The two artists who run the gallery, Chris and Gayle, are taking a well-deserved holiday and a rota of gallery artists are taking turns to keep the gallery open. I took a load of drawing and printmaking gear to start work on a new linocut.

workers 2

I’m making a print from one of the many drawings I’ve done over the last year of ancient stone monuments across South Wales, mostly Neolithic and Bronze Age. The first stage is to do a sketch from one of the drawings in my sketchbook, simplifying it. The final piece will only be one colour, black on white, so I can’t put in the whole range of tonal values that are in the original.

 

I have put my series of drawings en plein air of ancient Welsh monuments on Artfinder.  If you want to see more, please click on the image below or the Artfinder link at the top right of this page. This one is the legendary grave of Saint Elfys (Elvis) in Pembrokeshire, not for from the Presceli Mountains. Elfys? Presceli? Elvis Presley? Coincidence? hhhmmmm

St Elvis

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