Tag Archives: printmaking

The First Proof

27 Dec

proof 1

I did some more carving on my new Mari Lwyd linocut this afternoon, more or less finishing the head. I thought I’d take a first proof print to see what else needs to be done to the head and to have a think about what, if anything, I might do to the rest of the block. I’m pleased with the head, but there are a couple of flaws on the surface of the lino which I will go over with a fine sandpaper.

 

 

A Chance To Own One Of My Artworks

I have some small screenprints for sale, inspired by my drawings of the taxidermy collection at Swansea Museum. I have given these antique artifacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

To buy my work on the Swansea Print Workshop site please click the image to the left and to see the complete image.

Inspired by drawings of the taxidermy collection at Swansea Museum. I have given these antique artefacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

20 percent of the cost of each screenprint sold goes to support Swansea Print Workshop, which receives no public funding.

Cheese And Trackie Bottoms …..

26 Dec

Cut 2

It’s Boxing Day. Yesterday was Christmas Day. I’m on holiday so mostly I’m stuffing my face with cheese and cherry liquer chocolates, slobbing around the house in trackie bottoms and watching Netflix. But I managed to drag myself off the settee for half an hour earlier to go for a socially distanced and masked walk because guilt was getting the better of me and then I had enough enthusiasm to do a bit more carving on my lino block. Not a lot but I can honestly say that I haven’t wasted the entire day. It’s the Mari Lwyd. This is the third year I have carved a lino of the Mari Lwyd. It will be printed up and sent out for the Hen Galan – the ancient New Year.

 

 

 

A Chance To Own One Of My Artworks

I have some small screenprints for sale, inspired by my drawings of the taxidermy collection at Swansea Museum. I have given these antique artifacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

To buy my work on the Swansea Print Workshop site please click the image to the left and to see the complete image.

Inspired by drawings of the taxidermy collection at Swansea Museum. I have given these antique artefacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

20 percent of the cost of each screenprint sold goes to support Swansea Print Workshop, which receives no public funding.

 

A Carving, A Cat, And A Horse’s Skull

23 Dec

Cut 1

After a long break, I did some lino cutting today. It’s been months ….. I don’t think I’ve gone as long as this without doing some printmaking. The pandemic has had a strange effect on me and although I’ve been doing loads of painting and drawing, I haven’t been able to work up the enthusiasm to do any printmaking. Until now.

It’s almost time for the Mari Lwyd to make an appearance. She’s an ancient tradition, based on a horse’s skull, and for the past couple of years I’ve made New Year greeting cards of her from lino cuts. So I got stuck in today and quickly got into the zone. Hope to have it finished in a couple of days and printed up, ready to send out in plenty of time for Hen Galan the “old” New Year.

And the cat “helped” me …….

Sparta helps 1

 

 

 

A Chance To Own One Of My Artworks

I have some small screenprints for sale, inspired by my drawings of the taxidermy collection at Swansea Museum. I have given these antique artifacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

To buy my work on the Swansea Print Workshop site please click the image to the left and to see the complete image.

Inspired by drawings of the taxidermy collection at Swansea Museum. I have given these antique artefacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

20 percent of the cost of each screenprint sold goes to support Swansea Print Workshop, which receives no public funding.

 

Looking Back (With A Kitten)

3 Sep

SONY DSC

Oh the glamour of being an artist. Sorting through my drawers. I decided to spend a bit of time this evening organising my plans chest, which meant rediscovering some of my older work. It was good, remembering how I’d done things a while back. This mixed media piece started as a drawing with a life model – my cat Sparta Puss, who was a kitten at the time, ran in playing with a ball of rolled up paper. I was going through a phase of preparing large sheets of beautiful paper – Bockingford, Somerset, BFK Rives, with random squeegeeing (a bit like Gerhard Richter) and screen prints to build up layers of background textures. Then I collaged and drew on top. The blanket that the model is lying on is made up of a ripped up linocut print that I ended up not liking. I painted all the little fragments with oil glazes before I stuck them down. Waste not, want not.

 

A Chance To Own One Of My Artworks

I have some small screenprints for sale, inspired by my drawings of the taxidermy collection at Swansea Museum. I have given these antique artifacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

To buy my work on the Swansea Print Workshop site please click the image to the left.

In this one, I combined the image of the bird with snippets of text of things my Nana used to say. She used to take me to Swansea Museum a lot when I was small and I could hear her voice in the back of my head as I was sitting and drawing the birds and bugs.

20 percent of the cost of each screenprint sold goes to support Swansea Print Workshop, which receives no public funding.

 

Sharpening Tools

17 Aug

august

Just carrying on cutting blocks today for my pandemic printmaking project. I’m still in the early stages but I know what I need to do and that’s most of the battle, to be honest. I keep my tools super sharp as I’m carving the lino, using my Flexcut Slip Strop.

Twenty eight blocks

I’ve cut almost a third of the little blocks. The whole piece will be made up of text printed onto fabric.

Calligraphy set

I treated myself to this Chinese calligraphy set. I don’t like shopping unless it’s for tools and art materials – oh, and books. I don’t know how to use it but I’ve been getting advice from over on Facebook and Instagram. I don’t think I’ll be trying it out for a while as I need to crack on with my lino project and I’m also doing a weekly painting session to improve my skills. But this is something to look forward to.

Tonto The Dog And A Pochoir Design

15 Aug

Jack 2

I don’t often take on design work but I need to put together an adult education instruction pamphlet, cutting stencils and building up layers of acrylic paint for a finished “pochoir“. It’s a word that’s hardly ever used now, it’s a multi layered stencil print. It was very popular in the first half of the 20th century and Picasso, Matisse, Braque and Miro are some of the artists who used the technique.

Jack 1

I started with a simple sketch of a Jack Russell, then I worked out how many colours I am going to print, which will give me the amount of stencils I need to cut. Then I had a practice doing some bones for the background, in gouache. I haven’t used gouache for yonks – years and years – but I had some in a box. They’re a good make, Winsor & Newton, so they’re still in excellent condition. I’d forgotten how much fun gouache is to play with.

That’s the guts of the design worked out, I’ll refine it as I’m cutting the stencils and decide on the final composition when I’m ready to print.

I love Jack Russells. My favourite is Tonto, who appeared on UK television in adverts for John Smith’s bitter. He was a great little dog. Here he is on video.

Not Just Faking And Baking

11 Aug

fake and bake

I’ve been looking at my blog posts over the past few months and it looks as if I spend most of my time baking or faking (with the Cheese and Wine Painting Club on Fridays) or drawing trees. But behind the scenes I’ve been carrying on with my pandemic-inspired project which involves, in the first stage, carving around 100 little lino blocks. Well frankly, that’s interesting to blog about occasionally but it would be pretty boring if that’s what I posted day in, day out. So I’ll just drop it in now and again.

Columbian

This morning I was at Swansea Print Workshop, we’re starting a slow and measured re-opening with no more than two artists at any one time, masked and sanitised. I get to hang out with this big beast – The Columbian 😀

Pollution And The Seagull

28 Jul

 

gull 2

I spent the morning at Swansea Print Workshop – we are doing a very limited re-opening now that the Covid19 restrictions are relaxing. I want to finish an edition of screenprints I made from a drawing of a stuffed seagull back last Autumn. I printed a load of seagulls on newsprint while I was getting the strength of the ink right so I used a couple of these today to try out different backgrounds. I’m thinking of making a photoscreen from fruit nets to create the background. There’s so much rubbish in the environment, loads of plastic pollution, so I’m going to use some with the seagull. I’m not necessarily going to use these colours but at the moment I’m trying to get the composition right.

 

Baps, Blocks And Book

20 Jun

grow group

Had a bit of a spurt with block cutting today, I carved until my shoulder started hurting. As I age I am more and more aware of the physicality of making art and the need to keep healthy and exercise, especially my arms, hands, shoulders, neck and back. Well that’s most of me I guess 😀

baps

I did some more baking, bread dough, and made half a dozen baps and a pizza, which was a damn fine pizza even if I say so myself. It’s not really practical to go to the shop every day for bread and I’m getting right into making my own from scratch – whoever invented instant yeast deserves a medal.

Colour

And I read and made notes from one of my favourite books by Victoria Finlay, “Colour, Travels Through The Paintbox”. Husb and I are going to start a podcast, an arty one, but also one that’s not highbrow and this is what I’m hoping to base the first few on. We’re planning to go live with it sometime in the next week …. I’ll let you know 😀

 

 

Carving Blocks And Charcoal At The Castle

15 Jun

Lockcook 1

Today was pretty productive. I inked, traced and transferred seven texts onto little lino blocks and cut two of them. These are part of my series of words and phrases I’ve written down through the course of the Covid19 pandemic, from the first day of lockdown. Eventually, I’ll be printing them onto home-made cotton masks.

Lockcook 2

It was really hot and dry so Husb and I waited until early evening before we went down to our allotment. I did a quick sketch before we left the site, of Oystermouth Castle and it’s grounds using Winsor & Newton willow charcoal into a Khadi sketchbook.

4 oystermouth

I like working across two pages, especially with square sketchbooks. I take a can of fixative with me when I draw with charcoal, it’s manky and the drawing would smudge badly without being fixed.

 

 

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