Tag Archives: @WomensArts

Step By Step

15 Feb

knight screen

 

Building a screenprint step by step. It’s a lot of processes and each one has to be exact and tried out as a trial proof at each stage. Here’s the photoscreen of the little knight (above) and here he is printed in cobalt blue (below). I’m happy with the little chap.

 

knoght

 

I’m developing an edition of mixed media prints for GS Artists from an original by Jamie Reid. There is a great exhibition of his work running until March 1st and here’s some more info about the show and the prints, which will be in a limited edition of 75.

dragons-revenge

 

 

International Womens’ Day 2020

13 Feb
EL gold small

By Esther Ley

 

International Womens’ Day 2020 is coming up fast and my fellow artist Patti McJones and I have been asked to organise this year’s event at Cinema & Co. It’ll be our fourth year in this great venue. If you’re in Swansea on March 12th around 5.30 – 7.30, you’re very welcome to join us – local artists Esther Ley and Sally Davies are exhibiting with Patti and me. And there’ll be lashings of home made cake, of course.

Sally and Esther are launching their new exhibition, “Every Wrinkled Line” and Patti and I are installing our latest ‘Bog Art’ works.

In the cinema – EVERY WRINKLED LINE – “Women have always been scrutinised and judged, and our worth measured on a scale of supposed ‘beauty’. We are presenting work that need not be judged, the images aren’t beautiful, empowering or even a testament to adversity- they are an honest reflection of a life lived.”

In the Bogs – PATTI MCJONES – “I use my art to point at things. Injustice, hypocrisy, protest or just interesting individuals are the perennial subjects of my work. My real love is documentary speed sketching; ink-capture of protest and music really is the most exciting thing for me. Some of these I then turn into prints, paintings or murals“.

Also in the Bogs – ROSIE SCRIBBLAH – ” ER GÔF was inspired by a winter visit I made to Berlin where the Holocaust Memorial was under a deep white muffled blanket of snow. The massive black monoliths snaking across the site threw extraordinary shadows, forming delicate monochromatic patterns between dark slabs. As that generation of elders that fought World War 2 is dying out, there is a terrifying rise of xenophobia across Europe and the responsibility of remembering the horrors of industrial scale murder falls onto the shoulders of us, their descendants.”

 

Patti McJones, Rosie Scribblah, Sally Davies

A Soft Squeegee And A Vacuum Press

11 Feb

trial 2

 

I cracked on with my trial proofs today at Swansea Print Workshop. I exposed and developed the screens yesterday, and today I mixed up some inks and tried out the screens. I’m very pleased with the quality and resolution. I’m using aluminium screens with 120 mesh from Screenstretch and Azocol photosensitive liquid stencil.

 

trial 1

 

There’s a large vacuum press for silkscreens at Swansea Print Workshop, which makes printing run a lot more smoothly. I’m using Daler Rowney System 3 acrylic paint mixed 40:60 with screenprint medium. I’ve experimented with two different squeegees – a soft and a medium. The soft squeegee presses more ink through but loses some resolution while the medium squeegee pushes less ink through, giving very good detail but loses some colour intensity. Decisions have to be made tomorrow.

 

dragons-revenge

I’m developing an edition of mixed media prints for GS Artists from an original design by Jamie Reid. There is a great exhibition of his work running until March 1st and here’s some more info about the show and the prints, which will be in a limited edition of 75.

 

Exposing The Dragon

10 Feb

screen 4

 

After the block printing over the weekend, I moved on to the next phase of the multi-media print designed by the artist Jamie Reid. I worked with Kara Seaman at Swansea Print Workshop to coat two silkscreens with Azocol photosensitive solution and after they dried, exposed them each with a transparency in the UV Unit.

 

 

Once they had been exposed for 2 minutes, they were washed to develop the image and then into the drying cupboard. Next stage is to do some colour tests and a couple of trial proofs – tomorrow ….

dragons-revenge

 

I’m developing an edition of mixed media prints for GS Artists from an original by Jamie Reid. There is a great exhibition of his work running until March 1st and here’s some more info about the show and the prints, which will be in a limited edition of 75.

 

And …… Print

9 Feb

print 2

The little lino block is finished, the paper is cut, the work station is set up, so today I started printing using Cranfield Caligo Safewash relief ink in black onto Hahnemuehle paper. It’s underway!!!!!

print 1

 

I’m developing an edition of mixed media prints for GS Artists from an original by Jamie Reid. There is a great exhibition of his work running until March 1st and here’s some more info about the prints, which will be in a limited edition of 75.

dragons-revenge

Finishing The Lino Block

8 Feb

stamp 1

I made the finishing touches to my little lino block “Revenge” today, removing lino from around the edge and cutting it down to size.

stamp 2

Then I cut the paper. I sourced a lovely sheet of Hahnemulle German paper, 230gsm, that’s a perfect weight and a lovely velvety surface. I’ll get nearly 80 pieces from it. I had kept the paper rolled so once I cut all those tiny pieces, I stacked them under a weight to flatten them ….. my antique stoneware hot water bottle. Storm Ciara is on the way so I hope the temperature doesn’t drop too much otherwise Husb and I are going to be chilly without our hottie.

 

I’m developing an edition of mixed media prints for GS Artists from an original by Jamie Reid. There is a great exhibition of his work running until March 1st and here’s some more info about the prints, which will be in a limited edition of 75.

dragons-revenge

First Proofing

4 Feb

ink 2

I did some first proofs from my little lino today, using Cranfield Caligo Safewash relief ink onto four different papers. From the bottom – Hosho, Zercall, Somerset and Bockingford. The Hosho was printed by hand, it’s so fine that I can press the back with my finger and it lifts the ink. The Zercoll was printed using the back of a wooden spoon and the other two with the lovely Columbian press at Swansea Print Workshop.

These first proofs check on the cutting, that it’s finished, and also which paper suits it best.

dragons-revenge

I’m developing something for GS Artists on Swansea’s High Street which is currently showing an exhibition of works by the anarchist punk artist Jamie Reid.

Some Of My Sketchbooks

3 Feb

Just some of them, just a few…. I can’t resist them ……

sketchbooks

Scribbling At Speed

2 Feb

sunday dinner

Sometimes there’s a lot of pressure to always turn out a ‘proper’ drawing but I don’t think that’s what sketchbooks are for. Artists need to practice, just as musicians do and my sketchbook is, for me, a great way to practice. Speed drawing helps to hone skills, forcing you to focus on what’s absolutley vital in the subject. I scribbled this in about a minute earleir today when I was having a pub lunch. The father and his little girl were at the bar and I had to work quickly to catch something as the child was excited and rushing around. I used a ballpoint pen into my A6 sketchbook.

Slow Work

31 Jan

cutting 4

The reality of making a work of art, cutting away at a small lino block using a very small tool and making the tiniest of cuts while hoping that I don’t cut the wrong bit. It’s slow work.

cutting 5

I won’t try to cut every last detail at the first go, I’ll cut close but not right up to the edges and then check to see if it needs more cutting.

cutting 6

I put a piece of tracing paper over the design and rubbed it gently with a soft 2B pencil so I can see how the cutting is going.

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