Archive | out and about RSS feed for this section

Out Of The Attic….Into The Sunset

23 Jan

Zoom 1

At last I’ve got the confidence to get stuck into a painting that isn’t a copy of one of the greats or a portrait of my cat. I’ve spent my life drawing and printmaking, rarely painting, so this is pretty new for me. I re-used a large canvas I tried painting on about 8 years ago – I didn’t like it and it’s been up the attic ever since. I didn’t white it out because I don’t like what I call “the tyrrany of the white”, whether it’s paper or canvas, I prefer some colour and texture to work on top of. It looks abstract now, but this is just the beginning …. there’s lots more to come.

Amber 1

After, Husb and I went out for our one-hour, government-sanctioned, socially-distanced, masked and sanitised walk and passed Amber Hiscott’s beautiful glass leaf in Castle Square glowing in the setting sun. I’ve always loved this artwork and it was exceptionally lovely today.

 

 

 

A Chance To Own One Of My Artworks

I have some small screenprints for sale, inspired by my drawings of the taxidermy collection at Swansea Museum. I have given these antique artifacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

To buy my work on the Swansea Print Workshop site please click the image to the left and to see the complete image.

Inspired by drawings of the taxidermy collection at Swansea Museum. I have given these antique artefacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

20 percent of the cost of each screenprint sold goes to support Swansea Print Workshop, which receives no public funding.

 

Déja Vu Drawing

6 Jan

1a Cwmdonkin

Back at the start of Lockdown number 1 – remember that, in March 2000 – I started drawing on my daily government sanctioned exercise walks, using willow charcoal into a Khadi handmade paper sketchbook that a friend had sent me for Xmas. My dear friend sent me another this Xmas and Lockdown number 3 started a few days ago, and the government sanctioned exercise walks are back on the agenda, so here’s the first of my new déja vu drawings, from Cwmdonkin Park.

 

 

A Chance To Own One Of My Artworks

I have some small screenprints for sale, inspired by my drawings of the taxidermy collection at Swansea Museum. I have given these antique artifacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

To buy my work on the Swansea Print Workshop site please click the image to the left and to see the complete image.

Inspired by drawings of the taxidermy collection at Swansea Museum. I have given these antique artefacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

20 percent of the cost of each screenprint sold goes to support Swansea Print Workshop, which receives no public funding.

Uncle Bryn In Gouache

14 Dec

Scribblah Brydon 2

I finished this gouache portrait sketch of the Welsh actor Rob Brydon, in his incarnation as Uncle Bryn from Gavin and Stacey. It’s for the GS Artists / 9-to-90 Creative Community Art Festival in Swansea. Last year the subject was Michael Sheen – I did him in embroidery. I think I got a better likeness with Michael Sheen, I found him easier to draw. This year my lockdown challenge has been to improve my painting skills and I’ve never done much wth gouache before – it’s lovely. I really like it. Here are the stages I went through for this painting. I started it at Tomos Sparnon’s art workshop at GS Artists a couple of weeks ago.

 

 

A Chance To Own One Of My Artworks

I have some small screenprints for sale, inspired by my drawings of the taxidermy collection at Swansea Museum. I have given these antique artifacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

To buy my work on the Swansea Print Workshop site please click the image to the left and to see the complete image.

Inspired by drawings of the taxidermy collection at Swansea Museum. I have given these antique artefacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

20 percent of the cost of each screenprint sold goes to support Swansea Print Workshop, which receives no public funding.

 

Nearly But Not Quite

28 Nov

Rob 6

I did some more painting today – what’s going on with me? I’ve hardly painted since I was in art college back in the 1970s and now I can’t stop. The fabulous GS Artists have been organising free art tutorials, a mixture of Zoom and on-site (observing safety protocols of course). It’s part of the 9-to-90 art events programme in Swansea and there are plenty coming up – click on the link to find out more. Today’s was a portrait class run by Tomos Sparnon and the subject was ‘Gavin And Stacey’ actor Rob Brydon. It isn’t a good likeness yet but I’m getting there. I’ve made his nose too long which makes his face too long.

Tomos started with some sketchbook exercises in pencil and then we tried a few quick scribbles of Rob before drawing him up ready for painting. I worked on paper in gouache, a new experience for me and I really liked it. One of my favourite artists, Egon Schiele, did a lot of his best work in gouache. I think that one of the most important things I learned today was not to be too precious about a painting. Keep at it even though there are mistakes because recognising those is part of the process. Then put it aside and start another. And another until you get it right. Good stuff.

 

A Chance To Own One Of My Artworks

I have some small screenprints for sale, inspired by my drawings of the taxidermy collection at Swansea Museum. I have given these antique artifacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

To buy my work on the Swansea Print Workshop site please click the image to the left and to see the complete image.

Inspired by drawings of the taxidermy collection at Swansea Museum. I have given these antique artefacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

20 percent of the cost of each screenprint sold goes to support Swansea Print Workshop, which receives no public funding.

 

 

Drawing The Bronze Age Mines

18 Nov

indusrtial

I did this sketch a few days ago while Husb and I were driving back from Devil’s Bridge, via the mountain road to Rhayader. We stopped for a while at these old mines going back to the Bronze Age, near Cwmystwyth. The earliest miners about 4,000 years ago extracted copper, but from Roman times the hills have been mined for lead.

industrial 2

I drew quickly into my A3 spiral bound brown paper sketchbook from Seawhites of Brighton, with conté crayons in white, sanguine and black. The weather was terrible, cold, wet and blowing a gale so I stayed in the car. There’s only so much suffering I’m going to do for my art lol 😀

 

 

A Chance To Own One Of My Artworks

I have some small screenprints for sale, inspired by my drawings of the taxidermy collection at Swansea Museum. I have given these antique artifacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

To buy my work on the Swansea Print Workshop site please click the image to the left and to see the complete image.

Inspired by drawings of the taxidermy collection at Swansea Museum. I have given these antique artefacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

20 percent of the cost of each screenprint sold goes to support Swansea Print Workshop, which receives no public funding.

Barcud: Red Kite: Milvus Milvus

17 Nov

kites 1

Husb and I went to Ceredigion for an overnighter, just to get out of the city. We haven’t escaped the area since lockdown started in March so it was a relief to get away, even for such a short time. We called in to the Red Kite Feeding Centre, near Rhayader. Barcud is the Welsh word for red kite, milvus milvus in Latin. They’re amazing birds. We hired a hide because it was raining and I wanted to draw and Husb wanted to film.

kites 2

It wasn’t easy drawing so many moving creatures – they’re really fast! And there were hundreds of them. They’re beautiful and it’s great to see so many; not so long ago they were almost extinct in Wales. I drew quickly, just aiming to get impressions of their flight rather than details. I used white and sanguine conté crayons with a touch of black into a brown paper sketchbook. Here’s a short video of these lovelies in flight.

 

 

A Chance To Own One Of My Artworks

I have some small screenprints for sale, inspired by my drawings of the taxidermy collection at Swansea Museum. I have given these antique artifacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

To buy my work on the Swansea Print Workshop site please click the image to the left and to see the complete image.

Inspired by drawings of the taxidermy collection at Swansea Museum. I have given these antique artefacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

20 percent of the cost of each screenprint sold goes to support Swansea Print Workshop, which receives no public funding.

A Trip To Hinterland

16 Nov

Chasm draw

We’ve been in lockdown for what seems like forever so Husb booked us an evening away at the Hafod Hotel at Devil’s Bridge – Pont ar Fynach – in Ceredigion, for a bit of a break. It’s a very atmospheric part of the world and features a lot in the Cymru Noir crime drama TV series “Hinterland“.

Chasm view

Dusk was already drawing in on a gloomy afternoon when we checked in and we had a lovely room with a spectacular view along the chasm  – the Devil’s Bridge is at the bottom of it. I grabbed some conté crayons and scribbled the view quickly into my brown paper sketchbook before it became too dark.

spooky house

The lovely but spooky Hafod Hotel, right above the Devil’s Bridge.

 

 

 

A Chance To Own One Of My Artworks

I have some small screenprints for sale, inspired by my drawings of the taxidermy collection at Swansea Museum. I have given these antique artifacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

To buy my work on the Swansea Print Workshop site please click the image to the left and to see the complete image.

Inspired by drawings of the taxidermy collection at Swansea Museum. I have given these antique artefacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

20 percent of the cost of each screenprint sold goes to support Swansea Print Workshop, which receives no public funding.

No Foreshortening

15 Nov

20 mins c

Here’s a 20 minute pose I did during the latest life drawing session at Swansea Print Workshop. I didn’t particularly like the angle but with the Covid19 restrictions, we can’t move around the drawing studio to find another vantage point, like we used to – we have fixed workstations now – so I had to do my best.

I like to draw reclining figures with foreshortening, even though it’s much harder.

 

 

A Chance To Own One Of My Artworks

I have some small screenprints for sale, inspired by my drawings of the taxidermy collection at Swansea Museum. I have given these antique artifacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

To buy my work on the Swansea Print Workshop site please click the image to the left and to see the complete image.

Inspired by drawings of the taxidermy collection at Swansea Museum. I have given these antique artefacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

20 percent of the cost of each screenprint sold goes to support Swansea Print Workshop, which receives no public funding.

The Twenty Five Minute Pose

14 Nov

25 mins e

Here’s another of my life drawings from Thursday evening at Swansea Print Workshop. Our model is really good, he’s been working with us for over a decade now, since his late teens. He’s available for modelling work on- and offline – please message me for his contact details if you want to work with him.

This is a 25 minute pose and I used conté crayons in white, sanguine and black onto black paper, size A2. I started by roughly blocking in the highlights using the flat side of the white, then some blocking and linework in sanguine before working on the details.

 

 

 

A Chance To Own One Of My Artworks

I have some small screenprints for sale, inspired by my drawings of the taxidermy collection at Swansea Museum. I have given these antique artifacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

To buy my work on the Swansea Print Workshop site please click the image to the left and to see the complete image.

Inspired by drawings of the taxidermy collection at Swansea Museum. I have given these antique artefacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

20 percent of the cost of each screenprint sold goes to support Swansea Print Workshop, which receives no public funding.

Finishing A Sketchbook

29 Sep

1cefnbrynbrain

A few weeks into the pandemic lockdown, when it became obvious that it was going to last a long while, I set myself some lockdown challenges. One is to improve my painting skills, which I’ve been doing with the Friday Cheese and Wine Painting Club on Facebook, practising faking well known paintings. Another is to do Tai Chi every day, which I’ve pretty much managed. A third is to have cold showers – my family have all got into Wim Hof so I’m giving it a try – it’s hell! And I also wanted to practise charcoal drawing, something I’ve avoided for years because I didn’t like the messiness. A friend gave me a lovely Khadi sketchbook for Xmas, the paper is heavy and rough and it really suits my Daler Rowney willow charcoal.

Husb and I took a drive to the Brecon Beacons on Saturday and stopped the car to look at the magnificent view and I made the last drawing in my book – number 30. The day was brilliantly sunny but also very cold and windy, so the sketch was quick and, well, sketchy. My shadow looms darkly in the bottom left of the scene.

Here’s a short video showing what it’s like drawing at the top of a mountain.

View this post on Instagram

Working in wild windy Wales.

A post shared by Rose Davies (@rosiescribblah) on

 

 

 

A Chance To Own One Of My Artworks

I have some small screenprints for sale, inspired by my drawings of the taxidermy collection at Swansea Museum. I have given these antique artifacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

To buy my work on the Swansea Print Workshop site please click the image to the left.

In this one, I combined the image of the bird with snippets of text of things my Nana used to say. She used to take me to Swansea Museum a lot when I was small and I could hear her voice in the back of my head as I was sitting and drawing the birds and bugs.

20 percent of the cost of each screenprint sold goes to support Swansea Print Workshop, which receives no public funding.

 

%d bloggers like this: