Tag Archives: Swansea Print Workshop

Take A Hike

23 Nov

There’s so much going on in Swansea this weekend and I’m going to give it all a plug because there’s a lot of people living in Swansea who are professional complainers and bang on about nothing happening, which isn’t true, so why not get into town tomorrow (Sunday) and take a hike around the city calling in on the fabulous things happening, all of them free.

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Art and artists’ cards at Swansea Print Workshop

First off, start with the hidden gem that is Swansea Print Workshop which is having Open Days from 10.30 – 4.00 each day until Wednesday November 27th, with original art, artists’ cards, and amazing antique and modern machines dating from Queen Victoria’s era.

Open Days November 2019[10897]

Then stroll down West Way onto the seafront (about 2 minutes walk) to the National Waterfront Museum which is hosting the Green Fayre – I went today and bought some fab vintage tools and a really nice vintage glass brooch from Tools For Self Reliance Cymru who lovingly refurbish old tools.

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Jeweller’s pliers, a burnisher, a scraper (for mezzotint) and a glass brooch all for £7.50

Then round the corner to Swansea Museum , a proper old Cabinet of Curiosities sort of place which is now displaying drawings and screenprints from Swansea Print Workshop with its collection of antique taxidermy.

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And then if you want more, round the other corner is the Mission Gallery that has just launched its Winter Garden show and if you’re hungry for more – try out the Glynn Vivian art gallery that’s showing the official Swansea City 50 years exhibition and has a fab cafe too. Oh and they’re taking entries for the Swansea Open as well.

PHEW!!!!! If you’ve got a car you can also catch the last day of Deanne Mangold’s Open Studio at Class Glass in Llansamlet.

There, that should fill up anyone’s Sunday ……

City Centre Thug

7 Nov

city centre thug

 

This image has had quite a lengthy journey. I did the original drawing (below) of a seagull, or city centre thug around these parts, at Swansea Museum weeks ago, working with Edinburgh-based printmaker Kelly Stewart, sketching antique taxidermy birds and bugs from the Museum collections.

 

 

Then I created a transparency to transfer the drawing onto a photosensitised screen. When it was exposed, developed and dried I tried out a load of trial prints onto cheap newsprint paper, using Daler Rowney System 3 acrylic paint, black with a hint of purple, and some printmaking medium.

And finally I printed an edition of 6 onto Fabriano Rosapina paper (285gsm) with one Artist Proof and one leftover, which is a reject. Fabriano paper comes from the Italian town of Fabriano which has been a centre for papermaking for nearly eight hundred years.

 

Who Ate All The Pies?

31 Oct

scourge the seagull

Who Ate All The Pies?

I spent the afternoon down at Swansea Print Workshop, working alongside other artists, heads down, printmaking. I worked with two others, preparing silkscreens with Azicol photosensitive solution. I’m going to make a photoscreen from a drawing I did recently, of a seagull during a drawing day at Swansea Museum.

 

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I drew a stuffed seagull from their collection of antique taxidermy. There are loads of seagulls around here. They steal people’s food from their hands. They’re getting bigger. And more intelligent. One day they will take over the world!

Chine Collé

24 Oct

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I spent the afternoon down at Swansea Print Workshop preparing some chine collé to use with a vinyl block I made some months ago. I’ve tried printing it in several ways and I want to keep on experimenting with it. The image is based on a drawing of a stream bed I did on a field trip up towards the source of the River Tawe in the Brecon Beacons with colleagues from Swansea University’s FIRE Lab . First, I cut some Hosho paper to size from a roll I bought from Intaglio Printmakers in London.

 

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Then I cut the chine collé from monotypes I made using Gelli plates a couple of weeks ago, creating abstract imagery using rubbish – used bubble wrap, fruit nets and old newspapers.

 

I’ll print the block over the weekend…….

 

 

Splatter!

14 Oct

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I work part-time for a national homelessness charity, just a few hours a week where I run fine art courses for people who use the service. Today I started an acrylics painting course. I like to jump straight in with something practical so I did a group abstract painting exercise. After a quick explanation of what ‘impasto’ is, I laid a canvas roll onto the table and everyone – there were six of us – grabbed a pot of Daler Rowney System 3 paint and, using either a palette knife or fingers (rubber gloves provided), splattered paint onto the canvas as we walked around the table.

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After we’d all done one circuit, we changed our pots of colour and went round the table again, splattering as we went. And a few more times, building up random layers of colour. Finally, we put the paint down and spent a minute or so scraping and scratching through the paint layers, revealing the colours underneath.

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Then we used some old window mounts to look through and work out the compositions we liked best. This led to a discussion about what makes good art – controversial – and I’d taken some examples of Jackson Pollock’s work to look at, to get a theoretical and historical perspective.

The Daler Rowney System 3 acrylic paint, mixed with screenprint medium, was kindly donated by Swansea Print Workshop. They let us have acrylic paints left over after their screenprint courses, which is great because they’re expensive quality paints. We worked in a room kindly lent by the National Waterfront Museum.

The Bugs

6 Oct

 

Here’s a selection of bugs from my series of silkscreened postcard-sized prints I did recently at Swansea Print Workshop. One’s a cockchafer and the other a violet ground beetle from a collection at Swansea Museum’s archives.

 

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I printed some onto paper prepared with chine collé. I had printed sheets of handmade paper made from recycled saris, using a Gelli plate, Caligo relief inks and discarded fruit nets to create patterns. Please click here to find out more. They’re busy little critters ….

A Tissue Issue

5 Oct

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Workibng with Kelly Stewart at Swansea Print Workshop last week, I experimented with different ways to screenprint my range of drawings. I’ve always liked the chine collé technique especially with handmade paper made from recycled saris. I get it from the haberdashers in Swansea Market and it has a great texture and a some juicy colours.

 

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I used Japanese Nori glue to stick it down – it’s made with seaweed. The sari paper is quite thin, but very strong, so it was easy to silkscreen over it – thicker paper might have caused some technical problems. The term chine collé is French for tissue collage and these fine papers have traditionally been imported from Chine, Japan and the Indian subcontinent.

 

The Bits In The Middle

4 Oct

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The first stage in producing my recent set of screenprints was doing the drawings.

 

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Then came the bit in the middle. I had to produce a set of transparencies. Some were photocopied from the original drawings onto a special Overhead Projector (OHP) acetate – the two bugs and the heron.

 

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Some were redrawn onto cellophane using a brush and black acrylic paint – the two snipe. One was photocopied directly onto good quality tracing paper – the fruit net. And the text was handwritten onto Trugrain film using a Faber Castell Pitt drawing pen.

 

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The final stage is to transfer the transparencies onto a silkscreen.

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Beginning To End

3 Oct

snipe

I started with an ink and wash sketch of a snipe (using my homemade walnut ink at Swansea Museum) drawn with brushes.

 

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Then, at Kelly Stewart’s screenprinting session at Swansea Print Workshop, I redrew it onto cellophane with brushes and black acrylic paint. These are the transparencies I used to create photoscreens.

 

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And then I screened them onto different papers, Fabriano and Somerset, with Daler Rowney System 3 Acrylic paint, mixed with Screenprint medium in an 80:20 paint to medium ratio.

 

That’s it from beginning to end.

The Cheeky Cockchafer

2 Oct

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Another of the small silkscreen prints I did recently. I started off by redrawing a little sketch of a snipe, but this time I did it onto cellophane with black acrylic paint. That formed a transparency for transferring to a photoscreen. I wanted to incorporate bits of rubbish to reflect the environment that much of our wildlife has to put up with. I used the net from a bag of fruit and put it through a photocopier onto a piece of good quality tracing paper. This became another transparency. I printed with Daler Rowney System 3 acrylic mixed 80:20 with screenprint medium onto Fabriano paper.

 

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Here’s a variation on the theme, with a cheeky cockchafer sneaking in ….

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