Tag Archives: Swansea Print Workshop

The Building Blocks

12 Jun

This is one of the 30 minute poses from this week’s life drawing session at Swansea Print Workshop. It wasn’t enough time to complete it but I like drawings that are unfinished, I like to see the building blocks of the image. I really like the hands in this pose. I used black, white and sanguine conte crayon onto black paper.

A Chance To Own One Of My Artworks

I have some small screenprints for sale, inspired by my drawings of the taxidermy collection at Swansea Museum. I have given these antique artifacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

To buy my work on the Swansea Print Workshop site please click the image to the left and to see the complete image.

20 percent of the cost of each screenprint sold goes to support Swansea Print Workshop, which receives no public funding.

The Quick Ones

11 Jun

Here are the two quick warm-up poses from last night’s life drawing session at Swansea Print Workshop. The left is a 5 minute pose, the right a 10 minuter. I used white and sanguine conte crayons onto a very velvety heavy weight black paper. I don’t know where I got it from, I’ve been given lots of paper over the years when elder artists have closed up their studios or died; I found it in a draw in my plans chest so, waste not want not, eh?

A Chance To Own One Of My Artworks

I have some small screenprints for sale, inspired by my drawings of the taxidermy collection at Swansea Museum. I have given these antique artifacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

To buy my work on the Swansea Print Workshop site please click the image to the left and to see the complete image.

20 percent of the cost of each screenprint sold goes to support Swansea Print Workshop, which receives no public funding.

Checking My Tones

9 Jun

I’ve spent the past couple of hours on the second part of Ed Sumner’s Zoom tutorial, painting Edouard Manet’s “Bar At The Folies Bergere”. Ed suggested using the wonders of modern technology to take a digital photo in black and white to check the tones of our paintings and compare with the original (he provided a black and white copy as well as a full colour one for the tutorial). It’s a really good idea. I’ve nearly finished – just another couple of hours of faffing …… Anyway, it’s late, I’m tired. Nos Da. Good Night xxx

A Chance To Own One Of My Artworks

I have some small screenprints for sale, inspired by my drawings of the taxidermy collection at Swansea Museum. I have given these antique artifacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

To buy my work on the Swansea Print Workshop site please click the image to the left and to see the complete image.

20 percent of the cost of each screenprint sold goes to support Swansea Print Workshop, which receives no public funding.

Pushing Me Hard

8 Jun

I did some more work on my copy of Impressionist artist Edouard Manet’s “Bar at the Folies Bergere” today, getting the figure blocked in and making some adjustments to the size and shape of the bottles in the foreground. At the moment there’s very little colour in it, black, white and warm greys, but there will be some sizzling oranges, pinks and golds to come. I’m doing this in one of Ed Sumner’s painting tutorials – a two-parter on consecutive Wednesdays. It’s very demanding and it’s really pushing me, but I’m loving it.

A Chance To Own One Of My Artworks

I have some small screenprints for sale, inspired by my drawings of the taxidermy collection at Swansea Museum. I have given these antique artifacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

To buy my work on the Swansea Print Workshop site please click the image to the left and to see the complete image.

20 percent of the cost of each screenprint sold goes to support Swansea Print Workshop, which receives no public funding.

van Gogh On Speed

7 Jun

Here’s one of van Gogh’s boat paintings speeded up – all done and dusted in a minute! I wish!!!! He did a number of studies on the beach at Les Saintes Marie de la Mer in the south of France. It was supposed to be where Mary Magdalene’s boat landed when she arrived in France after the crucifixion of Jesus. I painted this at one of Ed Sumner’s Cheese and Wine Painting Club sessions on Facebook. They’re every Friday and anyone can join in.

A Chance To Own One Of My Artworks

I have some small screenprints for sale, inspired by my drawings of the taxidermy collection at Swansea Museum. I have given these antique artifacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

To buy my work on the Swansea Print Workshop site please click the image to the left and to see the complete image.

20 percent of the cost of each screenprint sold goes to support Swansea Print Workshop, which receives no public funding.

Kandinsky On Speed

6 Jun

Here’s a high speed film of me painting one of Wassily Kandinsky’s views of Murnau (detail above). I wish I could work that fast! He did quite a few paintings of this town when he lived there with the (often overlooked) Expressionist painter Gabriele Munter. I painted this a few weeks ago with Ed Sumner’s Cheese and Wine Painting Club on Facebook with Liquitex Heavy Body acrylic paints and a stretched canvas.

A Chance To Own One Of My Artworks

I have some small screenprints for sale, inspired by my drawings of the taxidermy collection at Swansea Museum. I have given these antique artifacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

To buy my work on the Swansea Print Workshop site please click the image to the left and to see the complete image.

20 percent of the cost of each screenprint sold goes to support Swansea Print Workshop, which receives no public funding.

Reflections And Shadows

4 Jun

Husb and I went out for a walk in the glorious late afternoon sunshine and I snapped the reflection of the Swansea Marina footbridge and the shadow of Swansea Castle.

A Chance To Own One Of My Artworks

I have some small screenprints for sale, inspired by my drawings of the taxidermy collection at Swansea Museum. I have given these antique artifacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

To buy my work on the Swansea Print Workshop site please click the image to the left and to see the complete image.

20 percent of the cost of each screenprint sold goes to support Swansea Print Workshop, which receives no public funding.

I Like A Challenge

3 Jun

I love to draw reclining poses, I’m a bit of a glutton for punishment and I like the challenge of foreshortening. This one was challenging! I think I’m going to work on this with acrylic paints and really make a feature of the patterned throw.

A Chance To Own One Of My Artworks

I have some small screenprints for sale, inspired by my drawings of the taxidermy collection at Swansea Museum. I have given these antique artifacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

To buy my work on the Swansea Print Workshop site please click the image to the left and to see the complete image.

20 percent of the cost of each screenprint sold goes to support Swansea Print Workshop, which receives no public funding.

Why Didn’t I Do This Before?

1 Jun

I don’t know why I haven’t done this before, carry on working on top of an existing life drawing. I must have thousands of them, and I never think of continuing to develop them once I’m out of life drawing group. So last week I did. It’s a bit rough and ready and I need to do something better with the nasty green stripe going from her shoulder to her leg, but it gives a new lease of life to the drawings and gives me more practice in painting as well.

Here’s the original before I painted over it. I used home-made walnut husk ink onto vintage paper.

A Chance To Own One Of My Artworks

I have some small screenprints for sale, inspired by my drawings of the taxidermy collection at Swansea Museum. I have given these antique artifacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

To buy my work on the Swansea Print Workshop site please click the image to the left and to see the complete image.

20 percent of the cost of each screenprint sold goes to support Swansea Print Workshop, which receives no public funding.

A Thick Border

31 May

Here’s another 30 minute pose from last week’s life drawing session at Swansea Print Workshop. I’m working directly onto the paper (heavyweight vintage) with ink (home-made walnut husk) without mapping the drawing with a pencil first. The result isn’t as accurate but it’s pushing me out of my comfort zone, which is a good thing. I’m getting to like painting a thick border around the figures, I’ve been doing it a lot lately.

A Chance To Own One Of My Artworks

I have some small screenprints for sale, inspired by my drawings of the taxidermy collection at Swansea Museum. I have given these antique artifacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

To buy my work on the Swansea Print Workshop site please click the image to the left and to see the complete image.

20 percent of the cost of each screenprint sold goes to support Swansea Print Workshop, which receives no public funding.

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