Tag Archives: linocut

The First Proof

27 Dec

proof 1

I did some more carving on my new Mari Lwyd linocut this afternoon, more or less finishing the head. I thought I’d take a first proof print to see what else needs to be done to the head and to have a think about what, if anything, I might do to the rest of the block. I’m pleased with the head, but there are a couple of flaws on the surface of the lino which I will go over with a fine sandpaper.

 

 

A Chance To Own One Of My Artworks

I have some small screenprints for sale, inspired by my drawings of the taxidermy collection at Swansea Museum. I have given these antique artifacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

To buy my work on the Swansea Print Workshop site please click the image to the left and to see the complete image.

Inspired by drawings of the taxidermy collection at Swansea Museum. I have given these antique artefacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

20 percent of the cost of each screenprint sold goes to support Swansea Print Workshop, which receives no public funding.

Cheese And Trackie Bottoms …..

26 Dec

Cut 2

It’s Boxing Day. Yesterday was Christmas Day. I’m on holiday so mostly I’m stuffing my face with cheese and cherry liquer chocolates, slobbing around the house in trackie bottoms and watching Netflix. But I managed to drag myself off the settee for half an hour earlier to go for a socially distanced and masked walk because guilt was getting the better of me and then I had enough enthusiasm to do a bit more carving on my lino block. Not a lot but I can honestly say that I haven’t wasted the entire day. It’s the Mari Lwyd. This is the third year I have carved a lino of the Mari Lwyd. It will be printed up and sent out for the Hen Galan – the ancient New Year.

 

 

 

A Chance To Own One Of My Artworks

I have some small screenprints for sale, inspired by my drawings of the taxidermy collection at Swansea Museum. I have given these antique artifacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

To buy my work on the Swansea Print Workshop site please click the image to the left and to see the complete image.

Inspired by drawings of the taxidermy collection at Swansea Museum. I have given these antique artefacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

20 percent of the cost of each screenprint sold goes to support Swansea Print Workshop, which receives no public funding.

 

A Carving, A Cat, And A Horse’s Skull

23 Dec

Cut 1

After a long break, I did some lino cutting today. It’s been months ….. I don’t think I’ve gone as long as this without doing some printmaking. The pandemic has had a strange effect on me and although I’ve been doing loads of painting and drawing, I haven’t been able to work up the enthusiasm to do any printmaking. Until now.

It’s almost time for the Mari Lwyd to make an appearance. She’s an ancient tradition, based on a horse’s skull, and for the past couple of years I’ve made New Year greeting cards of her from lino cuts. So I got stuck in today and quickly got into the zone. Hope to have it finished in a couple of days and printed up, ready to send out in plenty of time for Hen Galan the “old” New Year.

And the cat “helped” me …….

Sparta helps 1

 

 

 

A Chance To Own One Of My Artworks

I have some small screenprints for sale, inspired by my drawings of the taxidermy collection at Swansea Museum. I have given these antique artifacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

To buy my work on the Swansea Print Workshop site please click the image to the left and to see the complete image.

Inspired by drawings of the taxidermy collection at Swansea Museum. I have given these antique artefacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

20 percent of the cost of each screenprint sold goes to support Swansea Print Workshop, which receives no public funding.

 

Looking Back (With A Kitten)

3 Sep

SONY DSC

Oh the glamour of being an artist. Sorting through my drawers. I decided to spend a bit of time this evening organising my plans chest, which meant rediscovering some of my older work. It was good, remembering how I’d done things a while back. This mixed media piece started as a drawing with a life model – my cat Sparta Puss, who was a kitten at the time, ran in playing with a ball of rolled up paper. I was going through a phase of preparing large sheets of beautiful paper – Bockingford, Somerset, BFK Rives, with random squeegeeing (a bit like Gerhard Richter) and screen prints to build up layers of background textures. Then I collaged and drew on top. The blanket that the model is lying on is made up of a ripped up linocut print that I ended up not liking. I painted all the little fragments with oil glazes before I stuck them down. Waste not, want not.

 

A Chance To Own One Of My Artworks

I have some small screenprints for sale, inspired by my drawings of the taxidermy collection at Swansea Museum. I have given these antique artifacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

To buy my work on the Swansea Print Workshop site please click the image to the left.

In this one, I combined the image of the bird with snippets of text of things my Nana used to say. She used to take me to Swansea Museum a lot when I was small and I could hear her voice in the back of my head as I was sitting and drawing the birds and bugs.

20 percent of the cost of each screenprint sold goes to support Swansea Print Workshop, which receives no public funding.

 

Kitty Scribbles

22 Jun

Sparta sketches

Had one of those bitty days today. I carried on carving small lino blocks and as a bit of light relief I had a quick scribble with willow charcoal as Sparta Puss was lazing around.

sparta tools

She has a houseful of beds, comfy chairs, cushions as well as a sunny garden bench with a blanket just for her, but no, she’d rather doze on my sharp lino cutting tools.

 

Baps, Blocks And Book

20 Jun

grow group

Had a bit of a spurt with block cutting today, I carved until my shoulder started hurting. As I age I am more and more aware of the physicality of making art and the need to keep healthy and exercise, especially my arms, hands, shoulders, neck and back. Well that’s most of me I guess 😀

baps

I did some more baking, bread dough, and made half a dozen baps and a pizza, which was a damn fine pizza even if I say so myself. It’s not really practical to go to the shop every day for bread and I’m getting right into making my own from scratch – whoever invented instant yeast deserves a medal.

Colour

And I read and made notes from one of my favourite books by Victoria Finlay, “Colour, Travels Through The Paintbox”. Husb and I are going to start a podcast, an arty one, but also one that’s not highbrow and this is what I’m hoping to base the first few on. We’re planning to go live with it sometime in the next week …. I’ll let you know 😀

 

 

Carving Blocks And Charcoal At The Castle

15 Jun

Lockcook 1

Today was pretty productive. I inked, traced and transferred seven texts onto little lino blocks and cut two of them. These are part of my series of words and phrases I’ve written down through the course of the Covid19 pandemic, from the first day of lockdown. Eventually, I’ll be printing them onto home-made cotton masks.

Lockcook 2

It was really hot and dry so Husb and I waited until early evening before we went down to our allotment. I did a quick sketch before we left the site, of Oystermouth Castle and it’s grounds using Winsor & Newton willow charcoal into a Khadi sketchbook.

4 oystermouth

I like working across two pages, especially with square sketchbooks. I take a can of fixative with me when I draw with charcoal, it’s manky and the drawing would smudge badly without being fixed.

 

 

Finally ….. Again ……

28 Jan

prints

I know I said a few days ago that I woudn’t post any more Mari Lwyds until next year, but then I found the little lino I cut before Xmas and forgotten about. So I printed up a few today at Swansea Print Workshop, using Caligo Cranfield Safe Wash ink in black onto Hosho paper. I used the back of a wooden spoon to take the print.

 

Nearly Done

8 Aug

c

Today I finished printing my 8 small, 2-colour lino (well, vinyl) blocks ready for my group exhibition at Oriel Ceri Richards at Taliesin Arts Centre in a couple of weeks. I still have to do the second colour on my remaining 4 larger blocks but that’s for tomorrow.

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I used Intaglio Printmaker’s oil-based litho/relief black ink mixed 50:50 with their extender and printed onto Hosho paper using an antique Victorian Columbian printing press at Swansea Print Workshop. I started with drawings and photos of a visit I made to the Holocaust Memorial in Berlin a couple of winters ago. The thick snow made the place even more surreal and inspired me to develop the imagery in drawing and printmaking. I like the way they’ve turned out, quite a departure for me but part of being an artist is to evolve and experiment.

If you want to find out more about the 15 Hundred Lives group show “People And Place”, please click here.

End Of A Long Hard Day

14 Jul

holo 2

I sent most of today at Swansea Print Workshop, working on some small reduction lino blocks. I printed on the Victorian Columbian press; it’s my favourite and it’s beautiful.

holo1

I used Intaglio Printmaker’s softblock for the cutting and a lightweight Japanese paper for taking the prints.

I was on my feet all day. Art is a very physical job and I’m shattered.

Goodnight 🙂

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