I printed up another lino block portrait with chine collé, this time with just a small fragment to highlight the moon; my last post showed a lino print with much more chine collé. I like to use shiny metallic foils, mostly from sweet (candy) wrappings. Unfortunately, fewer and fewer confectionery companies are using foils theseContinue reading “A Bit More Chine Collé”
Tag Archives: Cranfield Safe Wash
Using Chine Collé
This is one of my most recent series of linocuts, based on original portrait drawings. I had printed her before in black and white and yesterday, at a marathon printing session at Swansea Print Workshop, I printed her with some chine collé using gold and pink foils, black litho/relief ink by Cranfield and Hosho paper.Continue reading “Using Chine Collé”
Artist In Residence: Day 15 – Nearly Finished Proofing
I’ve done first proofs of 11 newly carved lino blocks. I have a bit more carving to do on number 12 but I think I should be able to proof that one as well soon. I’ve done all these during my artist residency at Swansea’s Urban HQ . I only have 2 more days left before theContinue reading “Artist In Residence: Day 15 – Nearly Finished Proofing”
Artist In Residence: Day 13 – Printing At Last!
Day 13 of my artist residency at Swansea’s Urban HQ and I started to take proof prints from my little portrait lino blocks using Cranfield Caligo Safe-Wash ink. This is the first one. I recently visited Cranfield’s pigment factory near Newport, Gwent. It was fascinating and smelled gorgeous. It was busy again today at Urban HQ, with 11Continue reading “Artist In Residence: Day 13 – Printing At Last!”
Last Week To See…
It’s the last week to see the Queen Street Gallery Open Art show 2026. There’s so much excellent artwork there, as well as a gallery shop and lovely café right next to the gallery (Number 46). The gallery is just a few minutes walk from Neath railway station, which is on the mainline from LondonContinue reading “Last Week To See…”
The Process Of The Portrait: 3
I did a first proof of my new linocut portrait this week. I did as much carving as I thought necessary, following my decision to almost treat the flesh like a geographical feature (see here), and decided to print one to see what I had. I’m not 100% happy with it but I think I’mContinue reading “The Process Of The Portrait: 3”
Proofing A Portrait Print
I transferred my portrait drawing to a block of traditional grey lino this week, carved it and took the first proof print from it. I’m quite pleased with the resule. I’m being very strict with time and I did this process from the first pencil mark on paper, through 9 drawings, carving the block andContinue reading “Proofing A Portrait Print”
Mulberry Paper And The Ghost Prints
Here are some of my little linocuts on the drying rack at Swansea Print Workshop. I’ve printed the block, “Should Bill Get Some Bacon?”, with a golden yellow mulberry paper as chine collé but I also took secondary, or “ghost” prints each time onto tissue paper to prevent the build-up of ink on the block.Continue reading “Mulberry Paper And The Ghost Prints”
And More Legs Inked And Printed.
I didn’t stop at one pair of heavy metal legs, oh no, I did another (and I’ve got a third pair on the go). I’ve been drawing loads of them at gigs and I’m having a bit of fun carving them into lino and printing them up. They’re different to the ones I posted yesterday.Continue reading “And More Legs Inked And Printed.”
Legs – Inked And Printed.
Here’s the first print of my little linocut “Heavy Metal Legs” that I based on many sketches of legs at heavy metal gigs in recent years. It’s a 10 x 10 cm square ready for submission to Miniprint Cymru.
scribblah 