Tag Archives: chine colle

The Bugs

6 Oct

 

Here’s a selection of bugs from my series of silkscreened postcard-sized prints I did recently at Swansea Print Workshop. One’s a cockchafer and the other a violet ground beetle from a collection at Swansea Museum’s archives.

 

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I printed some onto paper prepared with chine collé. I had printed sheets of handmade paper made from recycled saris, using a Gelli plate, Caligo relief inks and discarded fruit nets to create patterns. Please click here to find out more. They’re busy little critters ….

A Tissue Issue

5 Oct

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Workibng with Kelly Stewart at Swansea Print Workshop last week, I experimented with different ways to screenprint my range of drawings. I’ve always liked the chine collé technique especially with handmade paper made from recycled saris. I get it from the haberdashers in Swansea Market and it has a great texture and a some juicy colours.

 

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I used Japanese Nori glue to stick it down – it’s made with seaweed. The sari paper is quite thin, but very strong, so it was easy to silkscreen over it – thicker paper might have caused some technical problems. The term chine collé is French for tissue collage and these fine papers have traditionally been imported from Chine, Japan and the Indian subcontinent.

 

That Beetle Is Toast!

30 Sep

Here’s a little screeprint I did at the weekend. The characters are a snipe and a beetle, printed onto a Fabriano paper with a fragment of chine colle. I think that beetle’s days are numbered!

The Haul

8 Jun

 

the haul

This year I entered the Leftovers IX print exchange, organised through Wingtip Press in Idaho, USA. It’s a great premise; use up all those lovely little leftover scraps of printmaking paper and produce a small edition of miniature prints; send them off to Boise, Idaho; wait a few months; get a dozen prints by other artists through the post to add to your art collection. A nice little haul.

I sent over an edition of my little Mari Lwyd linocut prints with chine collé.

Leftovers

An International Bunch

1 Apr

workstation

A Temporary Print Workstation. This is how I print small blocks at home. I use the top of my plans chest but you can use any surface – desk, table, kitchen work surface… Cover the area with old newspaper (or similar) stuck down with masking tape.

Left to right:

  1. Registration sheet (I blogged about this 2 days ago)
  2. Printing area – where you actually rub the paper onto the inked block – I use Japanese barens
  3. Gluing area – for preparing the chine collé (I use Pritt stick – always use really good glue). Click here to find out more about chine collé.
  4. The inking area – see yesterdays blog for more on this.
  5. At the back I’ve put the stack of pre-cut printmaking paper and the prepared chine collé papers.
  6. I use Cranfield Caligo Safewash relief ink (made in Wales); Hosho Japanese paper for the print; and for the chine collé I use Indian hand-made recycled sari paper. I’ve used vinyl for the block, inked with an excellent roller from Intaglio Printmaker in London. And chine collé is a French term translated as China collage. An international bunch.

 

Next Steps

27 Mar

Phew! Finally, my commission for Sky Arts TV channel’s UK-wide arts project, ART50, ended tonight with the broadcast of the visual arts films, including the one about my artwork, “Here Be Dragons”. And now I have to decide what my next creative steps will be. I liked working with giant woodblock and text and chine collé so I think I will develop some ideas that have been popping up in my head from out of the ether, I might develop a text piece in Welsh. I’ve been playing with my original on Photoshop, cutting, pasting and redefining segments to make a new image. I might bring this, or something similar, into the real world.

Dragon eye 2

And I want to pick up my figurative work as well. I haven’t done any formal work with nudes for well over a year but now I have some very definite ideas based around a particular model. Time to get back in the saddle and make some new art!

June 5

Andraste – The Warrior

So Excited!

25 Mar

I’m getting excited now. The Sky Arts TV project I started working on what seems like aeons ago …. about 9 months …. is finally being aired tomorrow, Tuesday March 26th, along with the other visual arts projects from 9pm.

 

I was commissioned to create a new flag for Britain – that’s opening up a can of wurms as I’m Welsh and we Welsh have never been represented on the Union flag. The film shows my creative process, how I researched and developed what eventually turned out to be a massive woodcut print. It’s called “Here Be Dragons” which not only reflects the dragon on the Welsh flag, but it’s also an ancient phrase that used to be written onto maps to mark “dangerous and unknown territory” which is where I feel we are in the UK now.

 

Here Be Dragons small

 

“Here Be Dragons” also works as a spoken word piece, read aloud and the colour is a combination of chine collé and specific inking. If you subscribe to Sky TV or NOW TV, please drop by tomorrow at 9 and have a look at it.

 

Tent City II

12 Mar

st paul's 2

Here’s another monotype I did recently with chine collé from an original sketchbook drawing at London’s “Tent City” a few years ago, the Occupy London protest outside Saint Paul’s Cathedral. My sketchbooks are full of scribbles from life and I don’t often find a way of using them, but recently I’ve done a small series of monotypes from the more political ones. The paper is vintage from the W. H. Saunders mill; the ink is Caligo Cranfield Safewash oil-based relief ink; and the chine collé is tissue paper.

It’s one of the artworks I’m exhibiting with the artist Patti McJones at Swansea’s Cinema & Co for the rest of this month as part of the celebration of International Women’s Day.

Monotype With Chine Collé

10 Mar

Tent City 1

Cinema & Co, Swansea, throughout March. Exhibition – The Revolting Women Present: The Personal Is Political.

A bit of technical stuff today, here’s a monotype I did recently with chine collé from an original sketchbook drawing. I was in London a few years back and wandered over to “Tent City”, the Occupy London protest outside Saint Paul’s Cathedral. My sketchbooks are full of scribbles from life and I don’t often find a way of using them, but recently I’ve done a small series of monotypes from the more political ones. I worked on a Perspex plate, putting it over an enlarged printout of the original on a light box. I also used the light box to accurately cut the chine collé and I stuck it onto the printing paper, with a Pritt Stick, before drawing the monotype.
Tent City 1 chine colle

I used a vintage W. H. Saunders paper for the main print and pieces of Indian paper handmade from recycled saris along with some tissue that my new Doctor Marten’s boots were wrapped in for the chine collé.

setting up

It’s one of the artworks I’m exhibiting with the artist Patti McJones at Swansea’s Cinema & Co for the rest of this month. We call ourselves The Revolting Women 😀

Root And Branch: Gwreiddyn A Changen

3 Jan

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Coming up February 16th and 17th, I’ll be running a 2 day printmaking masterclass at Swansea’s Glynn Vivian Art Gallery inspired by the forthcoming exhibition PHYTOPIA.

The creative imagery of the tree is rooted in the ancient oak forests of Britain, growing through the ages to branch into the present. From ancient Druidic and Celtic art to present-day fractal pop imagery, the concept of the tree rooting, growing and branching has inspired artists, designers and craftspeople for thousands of years.

If you fancy coming along, I’ll be using two printmaking techniques, with additional chine collé and watercolour, and exploring the Phytopia exhibition, to produce a small edition of drypoint etchings and at least one monotype inspired by the history and influence of trees in our culture.

The course costs £80 for the weekend and includes all the materials. Pre-booking is essential as there are not many places. Please click here to book. Hope to see you there.

yew tree

The Defynnog Yew from the petition set up by Janis Fry

And if you like trees, please sign this petition here to get protected status for Britain’s ancient yew trees which currently are unprotected. Thank you.

 

Mae delweddaeth greadigol y goeden yn deillio o goedwigoedd derw hynafol Prydain, gan dyfu drwy’r oesoedd i oroesi hyd heddiw. O gelf y Derwyddon a’r Celtiaid i ddelweddaeth ffractal y presennol, mae’r cysyniad o goeden yn cael ei gwreiddio, yn tyfu ac yn brigo wedi ysbrydoli artistiaid, dylunwyr a chrefftwyr am filoedd o flynyddoedd.
Gan ddefnyddio dwy dechneg gwneud printiau, yn ogystal â chine-collé a dyfrlliw, a chan archwilio’r arddangosfa Phytopia, byddwch yn gweithio gyda’r artist/printiwr Rose Davies i gynhyrchu argraffiad bach o ysgythriadau sychbwynt ac o leiaf un monoteip wedi’u hysbrydoli gan hanes a dylanwad coed yn ein diwylliant.

Cadwch eich lle’n gynnar i osgoi cael eich siomi. Rhaid cadw lle £80 am ddau ddiwrnod Dosbarth Meistr Gwneud Printiau. Darperir yr holl ddeunyddiau. 16+

 

 

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