Tag Archives: #artistsontwitter

Male Model And Paper Mills

20 Sep

fat dave 2

Here’s a completed piece in charcoal I did at last Thursday’s life drawing group at Swansea Print Workshop. It was the first session since lockdown began in March and it was so good to be back. Because of the current restrictions, we were only able to have 5 drawers plus the model and it was fully booked straight away. I managed to get a place at the last minute after someone pulled out. It’s so much better than drawing from the televised and Zoom sessions that have been available. They’re ok, but there’s something missing. Our model has grown an enormous lockdown beard since we last saw him so drawing that as well as a mask was new!

fat dave 1

It also gave me a chance to use some lovely vintage paper from the W. H. Saunders mill, which no longer exists. It’s a shame that so many paper mills have been lost in the UK, there used to be loads but now there are just a few left in the English county of Somerset. St. Cuthbert’s Mill, dating from the 1700s, makes a lot of the traditional papers we use at Swansea Print Workshop and there’s another, more recent one, the Two Rivers Mill, that I’m keen to try out. And there’s a small mill at Wookey Hole, which has been operating since at least 1610, and currently uses Victorian machinery. I think I’ll have to do a road trip to Somerset and trek around the paper mills. That’s my idea of a good time. I’m such a geek.

 

A Chance To Own One Of My Artworks

I have some small screenprints for sale, inspired by my drawings of the taxidermy collection at Swansea Museum. I have given these antique artifacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

To buy my work on the Swansea Print Workshop site please click the image to the left.

In this one, I combined the image of the bird with snippets of text of things my Nana used to say. She used to take me to Swansea Museum a lot when I was small and I could hear her voice in the back of my head as I was sitting and drawing the birds and bugs.

20 percent of the cost of each screenprint sold goes to support Swansea Print Workshop, which receives no public funding.

 

Friday’s Faking Fields

18 Sep

fields 4

And Friday rolls around again, so quickly, and it’s the the lunchtime Cheese and Wine Painting Club. I set myself some lockdown challenges early in the pandemic and one of them was to improve my painting skills. I found this great painting session on Facebook, where the artist Ed Sumner guides us in painting from a work by a great artist.

Today it’s David Hockney’s “Wheatfield Near Fridaythorpe”. I love Hockney’s work and this was a joy to do. I still need to spend another hour or two, adding details and refining the composition. I’m learning so much from doing these each week – this is the 16th!  I’m using Liquitex heavy body acrylics, mostly transparent ones, with a couple of opaque and plenty of white.

 

 

A Chance To Own One Of My Artworks

I have some small screenprints for sale, inspired by my drawings of the taxidermy collection at Swansea Museum. I have given these antique artifacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

To buy my work on the Swansea Print Workshop site please click the image to the left.

In this one, I combined the image of the bird with snippets of text of things my Nana used to say. She used to take me to Swansea Museum a lot when I was small and I could hear her voice in the back of my head as I was sitting and drawing the birds and bugs.

20 percent of the cost of each screenprint sold goes to support Swansea Print Workshop, which receives no public funding.

 

Masked Life Drawing

17 Sep

fat dave 1

Just back from life drawing at Swansea Print Workshop – first time I’ve been in ages, even before lockdown I hadn’t been in a while. I’m really tired so more tomorrow. Na night, nos da 🙂

 

 

Carrying On Carrying On

15 Sep

trees 1 step f

I carried on working on a painting I started a couple of weeks ago, based on a charcoal drawing I did en plein air into my Khadi sketchbook. I am trying to develop a style of my own – I’ve never done much painting and it’s my lockdown challenge. I really like the German Expressionists and am finding that I’m being influenced by them. But I’ve recently reached a stage where I don’t know how – or if – to progress with the painting. I’m happy with the composition and the broad colour scheme but it feels a bit unfinished to me.

trees 1 step f detail

So I just had a quick go yesterday, developing the brushwork and putting in a creamy colour to replaced the stark white bare canvas in the previous stage. Here’s a close up. I like the quick, gestural brushstrokes but I also want to add a bit more depth and richness, not necessarily more detail.

 

 

 

A Chance To Own One Of My Artworks

I have some small screenprints for sale, inspired by my drawings of the taxidermy collection at Swansea Museum. I have given these antique artifacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

To buy my work on the Swansea Print Workshop site please click the image to the left.

In this one, I combined the image of the bird with snippets of text of things my Nana used to say. She used to take me to Swansea Museum a lot when I was small and I could hear her voice in the back of my head as I was sitting and drawing the birds and bugs.

20 percent of the cost of each screenprint sold goes to support Swansea Print Workshop, which receives no public funding.

Herstory And The Artist Support Pledge

14 Sep

kathe-final-2

A while back I did a series of screenprint portraits, I call them “Herstory”, of women artists I greatly admire. I don’t like to have favourites but perhaps top of my list – just – is the incomparable Käthe Kollwitz, active in Germany from the late 19th century to the end of World War 2. Her life, her work and her politics are fascinating and I think that she should be far better known than she is. But unfortunately that’s true of many women artists. Her work is profoundly moving. She suffered the tragedy of losing her son in World War 1 and her grandson in WW2 and her war memorial, ‘The Grieving Parents’ in the Vladsio German War Cemetery is imbued with a terrible sadness and hopelessness. But she was also an energetic political campaigner and social rights activist. A wonderful artist and human being.

SONY DSC

These are the original 8, I’ve always intended that the series will be ongoing and I’ll be adding to them soon. I’ve only exhibited them a couple of times – so many galleries don’t want a series of work, just one or two pieces. I’m going to be releasing these for sale over the next couple of months, beginning with Käthe this week, through the  Artist Support Pledge which was set up to help artists sell work through these uncertain Covid19 times.

 

 

 

Faking Cezanne

13 Sep

marseilles final

Finally finished Friday’s fake. It’s By Cezanne and it’s the Bay of Marseilles. One of my lockdown challenges has been to improve my painting skills. I’m not a motivated painter so I joined an online painting class, Facebook’s Cheese and Wine Painting Club on Friday lunchtimes. This is my fifteenth painting and we usually copy a work by a famous artist.   It’s led by Ed Sumner and as well as being fun, I’m learning a lot. I’ve painted this in Liquitex heavy body acrylics onto stretched canvas.

 

 

A Chance To Own One Of My Artworks

I have some small screenprints for sale, inspired by my drawings of the taxidermy collection at Swansea Museum. I have given these antique artifacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

To buy my work on the Swansea Print Workshop site please click the image to the left.

In this one, I combined the image of the bird with snippets of text of things my Nana used to say. She used to take me to Swansea Museum a lot when I was small and I could hear her voice in the back of my head as I was sitting and drawing the birds and bugs.

20 percent of the cost of each screenprint sold goes to support Swansea Print Workshop, which receives no public funding.

Faking Friday On Saturday

12 Sep

marseilles 6

I didn’t do my usual Faking Friday yesterday because Husb and I were looking after a 2 year old maniac and I was fit for nothing afterwards. So today, I caught up with the Cheese and Wine Painting Club on Facebook, led by artist Ed Sumner and this week we copied a Cezanne. There’s still a way to go so I’ll finish it tomorrow.

 

 

A Chance To Own One Of My Artworks

I have some small screenprints for sale, inspired by my drawings of the taxidermy collection at Swansea Museum. I have given these antique artifacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

To buy my work on the Swansea Print Workshop site please click the image to the left.

In this one, I combined the image of the bird with snippets of text of things my Nana used to say. She used to take me to Swansea Museum a lot when I was small and I could hear her voice in the back of my head as I was sitting and drawing the birds and bugs.

20 percent of the cost of each screenprint sold goes to support Swansea Print Workshop, which receives no public funding.

Let’s Get Ready To Crumble!

11 Sep

Apple raspberry 2

Had a very domestic day today, first babysitting a family toddler – a small, cute, adorable maniac. Then I made an allotment crumble with Bramley apples, raspberries and wild strawberries.

Apple raspberry 1

It didn’t last long – when it comes to crumble, Husb takes no prisoners!

 

 

A Chance To Own One Of My Artworks

I have some small screenprints for sale, inspired by my drawings of the taxidermy collection at Swansea Museum. I have given these antique artifacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

To buy my work on the Swansea Print Workshop site please click the image to the left.

In this one, I combine some of the images with snippets of text of things my Nana used to say. She used to take me to Swansea Museum a lot when I was little and I could hear her voice in the back of my head as I was sitting and drawing the birds and bugs.

20 percent of the cost of each screenprint sold goes to support Swansea Print Workshop, which receives no public funding.

Bare Bones

10 Sep

9 Oystermouth

I started doing charcoal drawings into this Khadi sketchbook a few weeks after lockdown started. When I realised that the pandemic was going to be here for a while, I found that I was struggling to do any creative work so I decided to focus on improving skills instead. I have been doing a weekly online painting class – 15 weeks now. And I started to use up some boxes of willow charcoal I’d been given. I had never liked using charcoal before but I thought now’s the time to get over it and practice. I’ve nearly finished the sketchbook and my drawings have changed. I was trying to cram in too much detail at the beginning but now I’m concentrating on the bare bones of the composition, trying to make satisfactory shapes and balancing light and dark rather than doing loads of details.

 

A Chance To Own One Of My Artworks

I have some small screenprints for sale, inspired by my drawings of the taxidermy collection at Swansea Museum. I have given these antique artifacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

 

To buy my work on the Swansea Print Workshop site please click the image to the left.

In this one, I combine some of the images with snippets of text of things my Nana used to say. She used to take me to Swansea Museum a lot when I was little and I could hear her voice in the back of my head as I was sitting and drawing the birds and bugs.

20 percent of the cost of each screenprint sold goes to support Swansea Print Workshop, which receives no public funding.

Quick, Short And Angry

9 Sep

9 Cwmdonkin

I was in a really foul mood this evening, caught the bad side of Twitter and was raging. So Husb dragged me out for a long, fast walk.  We ended up in Cwmdonkin Park which has been one of my favourite places for drawing en plein air during the pandemic. I was still in a temper when I did the drawing, the marks I made with the charcoal are quick, short and angry ….. a bit like me.

 

A Chance To Own One Of My Artworks

I have some small screenprints for sale, inspired by my drawings of the taxidermy collection at Swansea Museum. I have given these antique artifacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

 

To buy my work on the Swansea Print Workshop site please click the image to the left.

In this one, I combine some of the images with snippets of text of things my Nana used to say. She used to take me to Swansea Museum a lot when I was little and I could hear her voice in the back of my head as I was sitting and drawing the birds and bugs.

20 percent of the cost of each screenprint sold goes to support Swansea Print Workshop, which receives no public funding.

 

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