Tag Archives: #artistsontwitter

A Quick Head

21 Oct

Swansea Fringe 3

Here’s a sketch I did a couple of weeks ago at the Swansea Fringe. Husb and I went to the Swansea Storytelling event; it’s good for drawing faces because people are usually focused and concentrating. I used a 6B graphite pencil into my A5 lined notebook.

Patchwork Blanket

20 Oct

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(Not so) Little Nephew is having a sleepover this evening so I scribbled him as he watched Gogglebox, tucked under a crocheted patchwork blanket made my Mam-inLaw. He’s growing so fast, he’s now taller than me by a good few inches. I’ve been drawing him since he was a baby, it’s nice to have that record of him growing up. I used my Samsung Galaxy Note 8 tablet with a free Markers app.

Life Drawing And Lemon Cake

19 Oct

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Just back from life drawing at Swansea Print Workshop. I drew with my Samsung Galaxy Note 8 tablet with the free Markers app. The pose was for an hour and I built up the drawing gradually. I saved every few seconds and I’m going to edit all the saved drawings together to make an animation, Husb is going to teach me how to edit on Adobe Premiere Pro. I made a sponge cake filled with lemon buttercream for the tea break. With proper butter of course. And fresh lemons.

 

Animated Muses

18 Oct

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I posted last week about a digital animation I made of some of my life drawings of female models who inspire me, my muses. It appeared last week at the FiLiArt conference and exhibition in London. I didn’t want to put it up until it had premiered at FiLiArt, but that’s over now so here is the animation, working with seven terrific artists’ models.

 

 

 

It’s the first time I have exhibited something like this and I’m pleased with it. I have a love/hate relationship with digital drawing but this seems like a good way of using it. I use a Samsung Galaxy Note 8 with a free Markers app.

 

Warming Up

17 Oct

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Here’s a quick warm-up sketch I did at life drawing last week at Swansea Print Workshop. After this I worked on a portrait study for an hour, but I find I need to have a quick scribble to start with, to get used to the model and pose before committing myself to a longer study.

 

Although it was done quickly, I really like the immediacy of it. I find that when I tell myself that something is just a warm-up or a practice, I am much freer and less inhibited in my approach.

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I worked onto my Samsung Galaxy Note 8 tablet with a free Markers app, sometimes with a stylus and sometimes with my finger.

Close Up

16 Oct

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Although my visit to Avebury on Friday was a quick one, I spent some time looking closely at the magnificent stones there. They are covered with fantastic growths of lichens and the surface of the stones has been weathered and eroded across the millenia. I took a close-up drawing of a section of this stone.

Formidable

12 Oct

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At the end of tonight’s life drawing session at Swansea Print Workshop, our model asked if she always looked ‘cross’ when she posed. I don’t think she looks cross at all, so I explained about what younger people call a “resting bitch face”. I roared with laughter when I first heard that phrase, but it really does sum up what happens when our faces relax. I’ve drawn hundreds of people and it isn’t possible to keep a natural smile going for very long, then our faces relax down into “resting bitch” mode. She has a great face, strong, formidable, full of character. I drew onto my Samsung Galaxy Note 8 tablet with a free Markers app.

Warts And All

11 Oct

HopeI’m working part-time for a charity, running arts sessions for people who have housing problems. Some of the people who come along are experienced artists and enjoy a few hours in a warm, safe place to get absorbed in their art. But some have very little experience of making art and I often hear, “Oh no. I can’t draw” and panic when I get out a bit of paper. It’s a pity that this is ingrained into so many adults – children are usually much more willing to have a go. I think that one of the reasons that people are so fearful of drawing is because they think it’s innate, god-given, a born talent rather than years and years of practice and striving.

I think that we artists have become disassociated from our craft. People see perfectly formed artworks in tasteful frames on pristine gallery walls and it’s easy to buy into the idea that these magnificent objects spring forth from a bottomless pool of artistic genius. WRONG! They’re the result of blood, sweat and tears …. and endless mistakes …. and frustration! That’s one of the reasons I do a lot of art in public, en plein air, in streets, shop windows, anywhere that people can see art being made … warts and all.

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When someone said to me today that they couldn’t draw, I said, “It’s not drawing, it’s writing”. That made it better. I asked the people I’m working with to think of one positive word, then write it down, then start playing with different ways of making the letters, colouring them, adding patterns. Then we redrew our words onto a roll of primed canvas and started painting a banner.

I work alongside them so they can see my mistakes and the bits that are rubbish and hopefully understand that making a drawing or painting is a process that starts small and builds and builds over time into a finished piece ….. and that they shouldn’t judge themselves so harshly. More next week…..

 

 

A lot of my artwork is available on my Artfinder gallery.  If you’d like to have a look, please click on the image below or the Artfinder link at the top right of this page.

A Snazzy Eggcup

10 Oct

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I have a bit of a thing for eggcups. I buy unusual ones when I can afford to. I don’t collect them as such, I just like having weird eggcups around. I don’t use them either in case I break them. I have some really cheap, expendable ones for my soft-boiled eggs and Marmite soldiers. I drew this ceramic one for the 40 Day Drawing Challenge, using my Samsung Galaxy Note 8 tablet and a free app called Markers. I’m pushing out of my comfort zone by doing still-life studies and using digital media. I’m much more comfortable with paper, pens and charcoal.

 

My Muses In London

9 Oct

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I’ve just emailed a digital artwork that’s going into an exhibition in London this weekend. It’s an animated sequence of some of the female models I work with and it’s called “My Muses”. It’s made up of life drawings that I’ve done on my Samsung Galaxy Note 8 tablet with a free Markers app. I’ve been hitting the ‘Save’ button frequently, every few seconds, to build up a record of the drawings as they progress. Husb transferred them onto a desktop and edited them together in Adobe Premiere Pro.

 

The animation is appearing at the FiLiA annual conference at The Institute of London near Russell Square this weekend. I am so lucky to be able to work with such exceptional women. Artists’ models are rarely given the recognition they deserve, it’s not an easy job, there’s more to it than just sitting still, they inspire us.

 

The women I work with are older, middle-aged, younger; large and small; black and white; a student, a teacher, a soldier, an artist, a stay-at-home-mother, a free spirit; employed and unemployed; from all walks of life. They have one thing in common – they are My Muses.

I won’t post the animation just yet as it’s getting its debut at the FiLiA conference, so I’ll post it next week.

 

The FiLiA conference is at the Institute of Education, Bedford Way, London WC1H 0AL (nearest tube stations: Russell Square, Euston) on Saturday 21st and Sunday 22nd October. Please follow the links below for more information.

https://filia.org.uk/welcome/ 

@FiLiArtivism

 

A lot of my artwork is available on my Artfinder gallery.  If you’d like to have a look, please click on the image below or the Artfinder link at the top right of this page.

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