Tag Archives: Liquitex acrylic

Background Painting

17 Aug

I carried on working on the background in my family zoom quiz painting, putting in the bit of the living room I could see over the upper edge of my laptop. I like it better than my original idea of having the individual ‘boxes’ just hanging in blackness.

A Chance To Own One Of My Artworks

I have some small screenprints for sale, inspired by my drawings of the taxidermy collection at Swansea Museum. I have given these antique artifacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

To buy my work on the Swansea Print Workshop site please click the image to the left and to see the complete image.

20 percent of the cost of each screenprint sold goes to support Swansea Print Workshop, which receives no public funding.

A Painting Now In A Minute

13 Aug

I painted a seascape a few weeks ago – here’s a timelapse video of me doing it – all in just a minute – I wish!

A Chance To Own One Of My Artworks

I have some small screenprints for sale, inspired by my drawings of the taxidermy collection at Swansea Museum. I have given these antique artifacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

To buy my work on the Swansea Print Workshop site please click the image to the left and to see the complete image.

20 percent of the cost of each screenprint sold goes to support Swansea Print Workshop, which receives no public funding.

I Thought I’d Finished …. I Was Wrong

9 Aug

I decided to do some more work on the big Family Pandemic Zoom Quiz painting I (thought I’d) completed earlier in the year. The original had a plain black border, but in reality the laptop sits on my lap (the clue’s in the name) and I can see part of my living room over the top. There’s also a load of digital gubbins at the bottom of the screen and then there’s what’s on the top of the keyboard bit as well. So more complicated and more real is the way to go. I’ve just started sketching in the living room bit at the top of the painting at the moment – lots of work to do, might be almost as demanding as the set of portraits. Here’s the original below.

A Chance To Own One Of My Artworks

I have some small screenprints for sale, inspired by my drawings of the taxidermy collection at Swansea Museum. I have given these antique artifacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

To buy my work on the Swansea Print Workshop site please click the image to the left and to see the complete image.

20 percent of the cost of each screenprint sold goes to support Swansea Print Workshop, which receives no public funding.

Choppy Texture

4 Aug

Here’s the latest fake I did with Ed Sumner’s Cheese and Wine Painting Club on Facebook. Ed started the weekly lunchtime sessions at the start of Covid19 lockdown in March last year and he’s done about 70 so far. This week it’s a copy of a painting by David Hockney. I think the original shows that Hockney may be very influenced by van Gogh. I used a recycled canvas that had been painted on before; this gave me a lot of choppy texture to start with which I think fitted in well with the layered, fractured style of the original.

A Chance To Own One Of My Artworks

I have some small screenprints for sale, inspired by my drawings of the taxidermy collection at Swansea Museum. I have given these antique artifacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

To buy my work on the Swansea Print Workshop site please click the image to the left and to see the complete image.

20 percent of the cost of each screenprint sold goes to support Swansea Print Workshop, which receives no public funding.

Painting My Plums A Bit More

3 Aug

I started to paint a still life of plums from a food photo I took way back at the beginning of the Covid19 lockdown last Spring. I was cooking like a maniac and my creativity was channelled into photographing what I was doing. The photo is from a recipe called “Hot Buttered Plums” – here it is. It tastes lovely, even if I do say so myself.

I’ve built up layers of translucent glazes of Liquitex Heavy Body acrylic paint over the original layers of opaque colours. I’m trying to get the renaissance-y look of the original photo so there’s a long way to go yet.

A Chance To Own One Of My Artworks

I have some small screenprints for sale, inspired by my drawings of the taxidermy collection at Swansea Museum. I have given these antique artifacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

To buy my work on the Swansea Print Workshop site please click the image to the left and to see the complete image.

20 percent of the cost of each screenprint sold goes to support Swansea Print Workshop, which receives no public funding.

Painting My Plums

27 Jul

Back at the beginning of lockdown, about 16 months ago now, I lost all interest in doing art but got obsessively into cooking. I took photos of what I was doing as I went along and blogged them. Then I found Ed Sumner’s Cheese and Wine Painting Club on Facebook and got stuck into doing a weekly fake. A few people have suggested that I should try painting still lifes from some of my cookery photos. So I though, “Why not, eh?” So I’m starting with my plums. I think the photo looks a bit Northern Renaissance, so lets see if I can recreate that.

Here are the first two stages, using Liquitex Heavy Body acrylic paint onto a stretched canvas. The colours are Mars Black, Magenta and Unbleached Titanium and they’re all opaque. I’ll try layering translucent paints on top later.

A Chance To Own One Of My Artworks

I have some small screenprints for sale, inspired by my drawings of the taxidermy collection at Swansea Museum. I have given these antique artifacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

To buy my work on the Swansea Print Workshop site please click the image to the left and to see the complete image.

20 percent of the cost of each screenprint sold goes to support Swansea Print Workshop, which receives no public funding.

Bit Of A Curate’s Egg

24 Jul

Here’s my latest from Ed Sumner’s Friday sessions at the Cheese and Wine Painting Club on Facebook. Normally Ed chooses an old master (or mistress) to copy but this week we did something different and painted from a photograph. I’ve got mixed feelings about it, it’s a bit of a curate’s egg, but I’m learning so …. I used Liquitex Heavy Body acrylic paint onto a stretched canvas.

A Chance To Own One Of My Artworks

I have some small screenprints for sale, inspired by my drawings of the taxidermy collection at Swansea Museum. I have given these antique artifacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

To buy my work on the Swansea Print Workshop site please click the image to the left and to see the complete image.

20 percent of the cost of each screenprint sold goes to support Swansea Print Workshop, which receives no public funding.

Cutting My Losses

20 Jul

Sometimes things just don’t work and you have to decide whether to carry on struggling or cut your losses and pack it in. That’s where I am with this copy of Claude Monet’s “Landscape on the Ile Saint Martin (1881) that I started with Ed Sumner’s Cheese and Wine Painting Club on Facebook last week. I often reach a “wall” when I’m working on something but with this, I don’t particularly like the original and I’m not keen on plugging away in this punishing heatwave when I’ve no heart for it. I won’t paint over it just yet, I’ll turn it to the wall for a few weeks and see how I feel about it when the weather is cooler.

A Chance To Own One Of My Artworks

I have some small screenprints for sale, inspired by my drawings of the taxidermy collection at Swansea Museum. I have given these antique artifacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

To buy my work on the Swansea Print Workshop site please click the image to the left and to see the complete image.

20 percent of the cost of each screenprint sold goes to support Swansea Print Workshop, which receives no public funding.

Faking A Vincent

13 Jul

Finally finished faking Friday’s masterpiece, Sunset at Wheat Field by Vincent van Gogh, painted in 1888. I started it with Ed Sumner’s Cheese and Wine Painting Club on Facebook. Ed’s been running these sessions since lockdown started in March last year, to help people find a focus in these weird times. I’ve now completed over 60! I’m using Liquitex acrylic paint onto stretched canvas.

A Chance To Own One Of My Artworks

I have some small screenprints for sale, inspired by my drawings of the taxidermy collection at Swansea Museum. I have given these antique artifacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

To buy my work on the Swansea Print Workshop site please click the image to the left and to see the complete image.

20 percent of the cost of each screenprint sold goes to support Swansea Print Workshop, which receives no public funding.

A Landscape Of Flesh

7 Jul

Here’s the latest “fake” that I’ve done with Ed Sumner’s Cheese and Wine Painting Club on Facebook. It’s a sunset by the Norvegian artist Edvard Munch. The original is weird, the landscape looks like it’s made from flesh, but it’s the sort of thing you’d expect from Munch. We used an interesting technique where the acrylic paints are mostly used thinly like watercolours. It reminds me a bit of the style of British artist William Blake. Here are the stages I went through, using Liquitex paints onto a stretched canvas.

A Chance To Own One Of My Artworks

I have some small screenprints for sale, inspired by my drawings of the taxidermy collection at Swansea Museum. I have given these antique artifacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

To buy my work on the Swansea Print Workshop site please click the image to the left and to see the complete image.

20 percent of the cost of each screenprint sold goes to support Swansea Print Workshop, which receives no public funding.

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