Tag Archives: still life painting

Lockdown 2.0: Still Faking And Baking

24 Oct

mountain 5

Wales is in hard lockdown again, like we were in March, we’re going to be more or less housebound for the next two weeks. So plenty of time to fill up. Today I did another session with the Cheese and Wine Painting Club over on Facebook, learning how to copy a painting, this week we did a Bob Ross. I love old Bob. I can’t say I’m that keen on his work, but he had great technical skill and he was a wonderful broadcaster. I could watch him all day. I haven’t finished yet – the trees on the right look a bit post-apocalyptic and need some foliage. I also need to put in a few happy little bushes and some more reflections. Maybe another hour or so.

As well as faking, I also did some baking – an upside down mango elderflower drizzle cake – mixing up my genres there. Tasted very nice though, especially warm with cream. Next week’s painting session, hosted by the very talented and entertaining Ed Sumner, is Monet’s “The Magpie”.

mango and elderflower

A Chance To Own One Of My Artworks

I have some small screenprints for sale, inspired by my drawings of the taxidermy collection at Swansea Museum. I have given these antique artifacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

To buy my work on the Swansea Print Workshop site please click the image to the left and to see the complete image.

In this one, I combined snippets of a bird and discarded plastic with the image of a bug, part of the Museum’s fascinating vintage collection.

20 percent of the cost of each screenprint sold goes to support Swansea Print Workshop, which receives no public funding.

 

The Finishing Touch: 2

20 Oct

Cezanne still life final

I’ve had this fake Cezanne on my easel for nearly a fortnight now. It was almost finished but it took me a while to get around to doing the final touches as I wasn’t quite sure what still needed to be done and when to call a halt. It helped to have a break, without looking at it. In the end, it didn’t need much more, some highlights and lowlights and tidying up the lines around everything.

I photographed the stages of the painting (above) from the first squirt of bright pink to set a hot background (on a recycled canvas), through filling in the main shapes, adding the background and foreground and eventually touching in the fine details.

Cezanne still life final detail

Here’s a close up of a detail. Cezanne characteristically applied the paint quite roughly and put outlines around the forms. I’ve been practicing painting with the Cheese and Wine Painting Club on Facebook, which has just switched to Saturday lunchtimes, from Fridays. It’s led by Ed Sumner who takes us through the techniques of the artist we’re studing over an hour and a half. Please follow the link above for more information.

 

 

 

A Chance To Own One Of My Artworks

I have some small screenprints for sale, inspired by my drawings of the taxidermy collection at Swansea Museum. I have given these antique artifacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

To buy my work on the Swansea Print Workshop site please click the image to the left and to see the complete image.

In this one, I combined snippets of a bird and discarded plastic with the image of a bug, part of the Museum’s fascinating vintage collection.

20 percent of the cost of each screenprint sold goes to support Swansea Print Workshop, which receives no public funding.

 

Double Faking

11 Oct

cliffs still life combo

I spent some time faking today, doing more work on the fake Monet I started on Friday and the fake Cezanne from the previous Friday. I’m a bit behind, never mind. I’m following the Cheese and Wine painting Club on Facebook, painting a weekly fake as one of my lockdown challenges, to improve my painting skills. I’m learning loads, including patience! Most of the painters I’ve been studying build their painting up in layers, many layers, painstakingly. Even those that look dashed off are not. Maybe a couple more hours needed on these – I’ll work on them tomorrow. I’m using Liquitex Heavy Body acrylic paint onto prepared canvases from Wilkinsons.

 

A Chance To Own One Of My Artworks

I have some small screenprints for sale, inspired by my drawings of the taxidermy collection at Swansea Museum. I have given these antique artifacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

To buy my work on the Swansea Print Workshop site please click the image to the left and to see the complete image.

In this one, I combined snippets of a bird and discarded plastic with the image of a bug, part of the Museum’s fascinating vintage collection.

20 percent of the cost of each screenprint sold goes to support Swansea Print Workshop, which receives no public funding.

 

The Underlying Barbie-ness

5 Oct

cezanne still life 6

I started this fake Cézanne last Friday at the lunchtime Cheese and Wine Painting Club on Facebook. It’s my 17th fake – one of the lockdown challenges I set myself was to improve my painting skills and I love studying the work of other artists.

I began with a pink background, which was a bit of a shock at first but was soon muted by layers of colour which took on the intense warmth of the underlying Barbie-ness. Another couple of hours should see it finished. I’m using Liquitex Heavy Body acrylic paint onto a primed canvas from Wilkinsons. This particular canvas was recycled with a layer of gesso after I rejected the previous week’s fake 😀

Next up at the Cheese and Wine Painting Club is Monet’s “Cliffs At Etretat”. Come and join in, it’s fun and you get to learn a lot. Suitable for beginners and children.

 

 

A Chance To Own One Of My Artworks

I have some small screenprints for sale, inspired by my drawings of the taxidermy collection at Swansea Museum. I have given these antique artifacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

To buy my work on the Swansea Print Workshop site please click the image to the left and to see the complete image.

In this one, I combined snippets of a bird and discarded plastic with the image of a bug, part of the Museum’s fascinating vintage collection.

20 percent of the cost of each screenprint sold goes to support Swansea Print Workshop, which receives no public funding.

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