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Woman In Gold In A Minute And Lots Of Fakes

8 Apr

For most of the past year, since the first lockdown began, I have been painting fakes on Fridays with Ed Sumner’s Cheese and Wine Painting Club on Facebook. Here are the first 28 – I’ve got about another 20 since I did these.

And here’s a timelapse video of me painting Gustav Klimt’s Woman In Gold in a minute!!!! Yes, a minute. Klimt took 4 years! 😀

Timelapse Tretchikoff

31 Mar

Here’s a short timelapse video of me copying Tretchikoff’s Green Lady – I wish I could do it this fast!!!

 

A Chance To Own One Of My Artworks

I have some small screenprints for sale, inspired by my drawings of the taxidermy collection at Swansea Museum. I have given these antique artifacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

To buy my work on the Swansea Print Workshop site please click the image to the left and to see the complete image.

Inspired by drawings of the taxidermy collection at Swansea Museum. I have given these antique artefacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

20 percent of the cost of each screenprint sold goes to support Swansea Print Workshop, which receives no public funding.

Timelapse Sunflowers

27 Mar

Here’s a short timelapse film of the van Gogh painting of Sunflowers I recently copied. It’s got a really noisy soundtrack so watch out! I wish I could paint it this fast in real life – he was a very complex painter and the works take a long time to do.

 

A Chance To Own One Of My Artworks

I have some small screenprints for sale, inspired by my drawings of the taxidermy collection at Swansea Museum. I have given these antique artifacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

To buy my work on the Swansea Print Workshop site please click the image to the left and to see the complete image.

Inspired by drawings of the taxidermy collection at Swansea Museum. I have given these antique artefacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

20 percent of the cost of each screenprint sold goes to support Swansea Print Workshop, which receives no public funding.

The Making Of A Pandemic Painting

22 Mar

Here’s a short video, under 5 minutes, showing how I made this family Zoom painting, “18 people, 2 Dogs and a Cat”, from floundering at the beginning of lockdown in March 2020, through 9 months of faking famous paintings, to my first large scale original painting reflecting our family’s response to the pandemic. It’s subtitled as well. I hope you like it 😀

 

A Chance To Own One Of My Artworks

I have some small screenprints for sale, inspired by my drawings of the taxidermy collection at Swansea Museum. I have given these antique artifacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

To buy my work on the Swansea Print Workshop site please click the image to the left and to see the complete image.

Inspired by drawings of the taxidermy collection at Swansea Museum. I have given these antique artefacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

20 percent of the cost of each screenprint sold goes to support Swansea Print Workshop, which receives no public funding.

Timelapse Turner

21 Mar

I recently finished faking a painting by JMW Turner, “Storm at Sea” and Husb made a timelapse video of me doing it. Here it is if you fancy seeing how it developed. I’ve been faking more or less every Friday throughout the pandemic lockdown, almost a year now, with Ed Sumner’s Cheese and Wine Painting Club on Facebook.

 

A Chance To Own One Of My Artworks

I have some small screenprints for sale, inspired by my drawings of the taxidermy collection at Swansea Museum. I have given these antique artifacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

To buy my work on the Swansea Print Workshop site please click the image to the left and to see the complete image.

Inspired by drawings of the taxidermy collection at Swansea Museum. I have given these antique artefacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

20 percent of the cost of each screenprint sold goes to support Swansea Print Workshop, which receives no public funding.

Long Haul Faff

7 Mar

I carried on faking “Storms at Sea” by Joseph Mallord William Turner today. It’s a long haul, it’s built up of many textures and layers of paint and it’s quite hard to see these in the print-out I have. I discovered a new way (new to me anyway) to apply the paint today, using thick undiluted paint that has been loaded onto the very end of a square shaped brush and dabbing it lightly on the canvas. It’s starting to get to the range of textures in the original.

Turner himself used to apply the paint in all sorts of ways, even spitting onto the canvas. Here’s a trailer of the film Mr. Turner made by Mike Leigh with Timothy Spall as Turner. The film shows a lot of his painting technique.

I began the painting on Friday a my weekly session with Ed Sumner’s Cheese and Wine Painting Club. Ed’s been running this since the beginning of the first lockdown, almost a year now, and it’s free or a donation for those who can afford it.

 

A Chance To Own One Of My Artworks

I have some small screenprints for sale, inspired by my drawings of the taxidermy collection at Swansea Museum. I have given these antique artifacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

To buy my work on the Swansea Print Workshop site please click the image to the left and to see the complete image.

Inspired by drawings of the taxidermy collection at Swansea Museum. I have given these antique artefacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

20 percent of the cost of each screenprint sold goes to support Swansea Print Workshop, which receives no public funding.

Faking With The Cat – The Film

25 Feb

Here’s a speeded up video of me painting a copy of Andre Derain’s “Charing Cross Bridge”, painted in 1906 in the Fauvist style. With Sparta Puss, the cat. She likes to muscle in on the action. There’s about 3 hours of action compressed into 3 minutes.

I started painting it in the Cheese and Wine Painting Club run by painter Ed Sumner every Friday on Facebook. He’s been running it since the start of the first lockdown almost a year ago. It’s free or a donation if you can afford and it’s great fun. Here’s a link to the next one ….. it’s a Monet.

 

A Chance To Own One Of My Artworks

I have some small screenprints for sale, inspired by my drawings of the taxidermy collection at Swansea Museum. I have given these antique artifacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

To buy my work on the Swansea Print Workshop site please click the image to the left and to see the complete image.

Inspired by drawings of the taxidermy collection at Swansea Museum. I have given these antique artefacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

20 percent of the cost of each screenprint sold goes to support Swansea Print Workshop, which receives no public funding.

And The Cat Came Back ….

18 Feb

This was the very first painting I did with The Cheese And Wine Painting Club on Facebook, way back in May last year, a few weeks after the painter Ed Sumner started it up to relieve the boredom of the first lockdown. Two lockdowns and almost a year later, it’s still going because the pandemic is still with us. I was really nervous doing this copy of Matisse’s Cat And Goldfish as I hadn’t done any painting since my first year in art college back in the 1970s. My first attempt took me ages as I didn’t have any confidence in what I was doing, although I liked the finished painting. But I thought I’d try it again, now I have had 9 months of practice and done nearly 40 paintings. I’m much more confident and it’s going faster than first time round. I did more than half of it in under an hour a couple of days ago and I think I’ll have it finished tomorrow. Here’s a timelapse video of it so far.

 

A Chance To Own One Of My Artworks

I have some small screenprints for sale, inspired by my drawings of the taxidermy collection at Swansea Museum. I have given these antique artifacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

To buy my work on the Swansea Print Workshop site please click the image to the left and to see the complete image.

Inspired by drawings of the taxidermy collection at Swansea Museum. I have given these antique artefacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

20 percent of the cost of each screenprint sold goes to support Swansea Print Workshop, which receives no public funding.

Barcud: Red Kite: Milvus Milvus

17 Nov

kites 1

Husb and I went to Ceredigion for an overnighter, just to get out of the city. We haven’t escaped the area since lockdown started in March so it was a relief to get away, even for such a short time. We called in to the Red Kite Feeding Centre, near Rhayader. Barcud is the Welsh word for red kite, milvus milvus in Latin. They’re amazing birds. We hired a hide because it was raining and I wanted to draw and Husb wanted to film.

kites 2

It wasn’t easy drawing so many moving creatures – they’re really fast! And there were hundreds of them. They’re beautiful and it’s great to see so many; not so long ago they were almost extinct in Wales. I drew quickly, just aiming to get impressions of their flight rather than details. I used white and sanguine conté crayons with a touch of black into a brown paper sketchbook. Here’s a short video of these lovelies in flight.

 

 

A Chance To Own One Of My Artworks

I have some small screenprints for sale, inspired by my drawings of the taxidermy collection at Swansea Museum. I have given these antique artifacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

To buy my work on the Swansea Print Workshop site please click the image to the left and to see the complete image.

Inspired by drawings of the taxidermy collection at Swansea Museum. I have given these antique artefacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

20 percent of the cost of each screenprint sold goes to support Swansea Print Workshop, which receives no public funding.

Finishing A Sketchbook

29 Sep

1cefnbrynbrain

A few weeks into the pandemic lockdown, when it became obvious that it was going to last a long while, I set myself some lockdown challenges. One is to improve my painting skills, which I’ve been doing with the Friday Cheese and Wine Painting Club on Facebook, practising faking well known paintings. Another is to do Tai Chi every day, which I’ve pretty much managed. A third is to have cold showers – my family have all got into Wim Hof so I’m giving it a try – it’s hell! And I also wanted to practise charcoal drawing, something I’ve avoided for years because I didn’t like the messiness. A friend gave me a lovely Khadi sketchbook for Xmas, the paper is heavy and rough and it really suits my Daler Rowney willow charcoal.

Husb and I took a drive to the Brecon Beacons on Saturday and stopped the car to look at the magnificent view and I made the last drawing in my book – number 30. The day was brilliantly sunny but also very cold and windy, so the sketch was quick and, well, sketchy. My shadow looms darkly in the bottom left of the scene.

Here’s a short video showing what it’s like drawing at the top of a mountain.

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Working in wild windy Wales.

A post shared by Rose Davies (@rosiescribblah) on

 

 

 

A Chance To Own One Of My Artworks

I have some small screenprints for sale, inspired by my drawings of the taxidermy collection at Swansea Museum. I have given these antique artifacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

To buy my work on the Swansea Print Workshop site please click the image to the left.

In this one, I combined the image of the bird with snippets of text of things my Nana used to say. She used to take me to Swansea Museum a lot when I was small and I could hear her voice in the back of my head as I was sitting and drawing the birds and bugs.

20 percent of the cost of each screenprint sold goes to support Swansea Print Workshop, which receives no public funding.

 

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