Tag Archives: painting

A Faking Failure

30 Sep

goodwin 4

I’ve been faking paintings for about 4 months now, one of my lockdown challenges is to improve my painting skills. This last one (number 17) defeated me. Some of the others have been tough but this one, the original is by William Goodwin, is the first I’ve thought was a complete failure.  I just couldn’t take to it at all. So, waste not, want not – I painted the whole thing out with gesso and I’ll start another one with the Cheese and Wine Painting Club on Facebook on Friday. This week is a Cezanne still life. Looking forward to it.

A Chance To Own One Of My Artworks

I have some small screenprints for sale, inspired by my drawings of the taxidermy collection at Swansea Museum. I have given these antique artifacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

To buy my work on the Swansea Print Workshop site please click the image to the left and to see the complete image.

In this one, I combined snippets of a bird and discarded plastic with the image of a bug, part of the Museum’s fascinating vintage collection.

20 percent of the cost of each screenprint sold goes to support Swansea Print Workshop, which receives no public funding.

 

Finally Finished Mockney

28 Sep

mockney fields final

This has taken me ages to finish. It’s a copy of a painting by David Hockney – someone on Facebook, I forget who, called it my Mockney. One of my lockdown challenges has been to improve my painting skills so I joined the Cheese and Wine Painting Club on Facebook and learn by copying a work by a famous artist every Friday lunchtime. The original has so many layers of paint, put on in loads of dots and dashes and that’s why it has taken me so long. I’ve really enjoyed it though, I’ve been completely in the zone with it. I think it’s the 16th I’ve done so far.

 

 

A Chance To Own One Of My Artworks

I have some small screenprints for sale, inspired by my drawings of the taxidermy collection at Swansea Museum. I have given these antique artifacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

To buy my work on the Swansea Print Workshop site please click the image to the left.

In this one, I combined the image of the bird with snippets of text of things my Nana used to say. She used to take me to Swansea Museum a lot when I was small and I could hear her voice in the back of my head as I was sitting and drawing the birds and bugs.

20 percent of the cost of each screenprint sold goes to support Swansea Print Workshop, which receives no public funding.

 

Faking It. Baking It.

22 Sep

fields 7

Still working on the fake Hockney I began last Friday with the weekly Cheese and Wine Painting Club on Facebook, led by the artist Ed Sumner. One of my lockdown challenges was to improve my painting skills and I think it’s working. I feel like I’m learning a lot. This is my sixteenth fake and I normally finish them on the day or over the weekend, but the last few days have been a bit hectic, so I’ve been carrying on with it today. There’s still more to do, perhaps an hour or so. But whenever I say that, it usually stretches to 2 or 3.

 

And I did some baking as well, the first in a while. I made a standard loaf, 80% strong white flour and 20% strong wholemeal, and also some savoury Chelsea Buns. They’re filled with a mixture of butter, parmesan cheese, fresh marjoram and finely chopped roast garlic.

bread

 

 

A Chance To Own One Of My Artworks

I have some small screenprints for sale, inspired by my drawings of the taxidermy collection at Swansea Museum. I have given these antique artifacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

To buy my work on the Swansea Print Workshop site please click the image to the left.

In this one, I combined the image of the bird with snippets of text of things my Nana used to say. She used to take me to Swansea Museum a lot when I was small and I could hear her voice in the back of my head as I was sitting and drawing the birds and bugs.

20 percent of the cost of each screenprint sold goes to support Swansea Print Workshop, which receives no public funding.

 

Friday’s Faking Fields

18 Sep

fields 4

And Friday rolls around again, so quickly, and it’s the the lunchtime Cheese and Wine Painting Club. I set myself some lockdown challenges early in the pandemic and one of them was to improve my painting skills. I found this great painting session on Facebook, where the artist Ed Sumner guides us in painting from a work by a great artist.

Today it’s David Hockney’s “Wheatfield Near Fridaythorpe”. I love Hockney’s work and this was a joy to do. I still need to spend another hour or two, adding details and refining the composition. I’m learning so much from doing these each week – this is the 16th!  I’m using Liquitex heavy body acrylics, mostly transparent ones, with a couple of opaque and plenty of white.

 

 

A Chance To Own One Of My Artworks

I have some small screenprints for sale, inspired by my drawings of the taxidermy collection at Swansea Museum. I have given these antique artifacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

To buy my work on the Swansea Print Workshop site please click the image to the left.

In this one, I combined the image of the bird with snippets of text of things my Nana used to say. She used to take me to Swansea Museum a lot when I was small and I could hear her voice in the back of my head as I was sitting and drawing the birds and bugs.

20 percent of the cost of each screenprint sold goes to support Swansea Print Workshop, which receives no public funding.

 

Carrying On Carrying On

15 Sep

trees 1 step f

I carried on working on a painting I started a couple of weeks ago, based on a charcoal drawing I did en plein air into my Khadi sketchbook. I am trying to develop a style of my own – I’ve never done much painting and it’s my lockdown challenge. I really like the German Expressionists and am finding that I’m being influenced by them. But I’ve recently reached a stage where I don’t know how – or if – to progress with the painting. I’m happy with the composition and the broad colour scheme but it feels a bit unfinished to me.

trees 1 step f detail

So I just had a quick go yesterday, developing the brushwork and putting in a creamy colour to replaced the stark white bare canvas in the previous stage. Here’s a close up. I like the quick, gestural brushstrokes but I also want to add a bit more depth and richness, not necessarily more detail.

 

 

 

A Chance To Own One Of My Artworks

I have some small screenprints for sale, inspired by my drawings of the taxidermy collection at Swansea Museum. I have given these antique artifacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

To buy my work on the Swansea Print Workshop site please click the image to the left.

In this one, I combined the image of the bird with snippets of text of things my Nana used to say. She used to take me to Swansea Museum a lot when I was small and I could hear her voice in the back of my head as I was sitting and drawing the birds and bugs.

20 percent of the cost of each screenprint sold goes to support Swansea Print Workshop, which receives no public funding.

Faking Cezanne

13 Sep

marseilles final

Finally finished Friday’s fake. It’s By Cezanne and it’s the Bay of Marseilles. One of my lockdown challenges has been to improve my painting skills. I’m not a motivated painter so I joined an online painting class, Facebook’s Cheese and Wine Painting Club on Friday lunchtimes. This is my fifteenth painting and we usually copy a work by a famous artist.   It’s led by Ed Sumner and as well as being fun, I’m learning a lot. I’ve painted this in Liquitex heavy body acrylics onto stretched canvas.

 

 

A Chance To Own One Of My Artworks

I have some small screenprints for sale, inspired by my drawings of the taxidermy collection at Swansea Museum. I have given these antique artifacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

To buy my work on the Swansea Print Workshop site please click the image to the left.

In this one, I combined the image of the bird with snippets of text of things my Nana used to say. She used to take me to Swansea Museum a lot when I was small and I could hear her voice in the back of my head as I was sitting and drawing the birds and bugs.

20 percent of the cost of each screenprint sold goes to support Swansea Print Workshop, which receives no public funding.

Faking Friday On Saturday

12 Sep

marseilles 6

I didn’t do my usual Faking Friday yesterday because Husb and I were looking after a 2 year old maniac and I was fit for nothing afterwards. So today, I caught up with the Cheese and Wine Painting Club on Facebook, led by artist Ed Sumner and this week we copied a Cezanne. There’s still a way to go so I’ll finish it tomorrow.

 

 

A Chance To Own One Of My Artworks

I have some small screenprints for sale, inspired by my drawings of the taxidermy collection at Swansea Museum. I have given these antique artifacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

To buy my work on the Swansea Print Workshop site please click the image to the left.

In this one, I combined the image of the bird with snippets of text of things my Nana used to say. She used to take me to Swansea Museum a lot when I was small and I could hear her voice in the back of my head as I was sitting and drawing the birds and bugs.

20 percent of the cost of each screenprint sold goes to support Swansea Print Workshop, which receives no public funding.

Carry On Painting….

7 Sep

I’m carrying on today with a painting I started a couple of weeks ago. I left it alone for a while because I wasn’t sure how to develop it so I had a break to look at it with fresh eyes.

It’s based on a charcoal drawing I did en plein air into my Khadi sketchbook. I’ve been practicing painting a lot throughout the lockdown, it’s been my challenge to myself as I wanted to improve my skills. I’m a great admirer of the German Expressionists, especially Gabrielle Munter, so I’m using colour to invoke mood and atmosphere rather than trying to be naturalistic. I’m using Liquitex heavy body acrylic paints, mostly transparent, onto a primed Winsor & Newton canvas. Here are the previous stages below…

 

A Chance To Own One Of My Artworks

I have some small screenprints for sale, inspired by my drawings of the taxidermy collection at Swansea Museum. I have given these antique artifacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

 

To buy my work on the Swansea Print Workshop site please click the image to the left.

In this one, I combine some of the images with snippets of text of things my Nana used to say. She used to take me to Swansea Museum a lot when I was little and I could hear her voice in the back of my head as I was sitting and drawing the birds and bugs.

20 percent of the cost of each screenprint sold goes to support Swansea Print Workshop, which receives no public funding.

 

Faking Friday Once Again

4 Sep

step 4

It’s Faking Friday again and this week’s subject was Monet’s “Fields In The Spring”. I really enjoyed this one, it’s the third Monet I’ve studied and I’m getting the hang of him. These painting sessions are hosted by The Cheese and Wine Painting Club on Facebook, taught by London-based artist Ed Sumner, and are free or a donation if you can afford it. I think this is the twelfth or thirteenth I’ve done throughout the pandemic lockdown – I decided a few weeks in to try and improve my painting techniques and this has really helped. I’m looking forward to next weeks – “The Bay Of Marseille” by Cézanne.

 

 

 

A Chance To Own One Of My Artworks

I have some small screenprints for sale, inspired by my drawings of the taxidermy collection at Swansea Museum. I have given these antique artifacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

To buy my work on the Swansea Print Workshop site please click the image to the left.

In this one, I combined the image of the bird with snippets of text of things my Nana used to say. She used to take me to Swansea Museum a lot when I was small and I could hear her voice in the back of my head as I was sitting and drawing the birds and bugs.

20 percent of the cost of each screenprint sold goes to support Swansea Print Workshop, which receives no public funding.

Scribbling With Paint

30 Aug

coll 12

I normally scribble with pens, pencils, charcoal, graphite but as I’m doing a lot of painting recently, my pandemic challenge is to improve my painting skills, I sometimes end up with leftover paint. So I’ve been rummaging around in my drawers for leftover paper and use mostly palette knives to scribble the paint onto lovely papers – this is a Bockingford which has a very heavy texture.

 

 

A Chance To Own One Of My Artworks

I have some small screenprints for sale, inspired by my drawings of the taxidermy collection at Swansea Museum. I have given these antique artifacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

To buy my work on the Swansea Print Workshop site please click the image to the left.

In this one, I combined the image of the bird with snippets of text of things my Nana used to say. She used to take me to Swansea Museum a lot when I was small and I could hear her voice in the back of my head as I was sitting and drawing the birds and bugs.

20 percent of the cost of each screenprint sold goes to support Swansea Print Workshop, which receives no public funding.

 

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