Tag Archives: landscape drawing

Scraping And Scribbling

27 Mar
Scribbling on top of scrapings.

I’m feeling a bit better each day as the Covid19 symptoms are going and I’m getting a bit stronger, and today was the first since the illness started 10 days ago that I’ve been able to think about doing anything remotely arty.

Scraping leftover paint.

Whenever I do a painting, I scrape any leftover acrylic paint onto spare canvasses or heavy textured papers, to form a base, or ground, for further work. I’ve had this piece of A4 sized hand-made Khadi paper around so today I had a bit of a scribble on top with some Daler Rowney soft oil pastels.

I based this exercise on a few drawings I’d done en plein air of the view over Swansea from a hill in the Waun Wen area of the city. It’s isn’t an accurate representation, I’m just having a play with the materials and the shapes, seeing what I can do with them.

A Chance To Own One Of My Artworks

I have some small screenprints for sale, inspired by my drawings of the antique taxidermy collection at Swansea Museum. I have given these vintage artifacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

To buy my work on the Swansea Print Workshop site please click the image to the left.

20 percent of the cost of each screenprint sold goes to support Swansea Print Workshop, which receives no public funding.

Scribbling In The Wind

23 Oct

Nice day so went for a walk out of the city, along the Pennard Pill valley route to Three Cliffs Bay. It was cloudy and very windy so I only stopped to do a quick scribble, with Daler Rowney soft pastels onto Khadi paper. There’s a stone spiral, called by locals “the labyrinth” where the valley meets the beach, so I scribbled this with the hillside in the background, a blaze of russet and rich browns against the overcast purpley-blue sky.

My lovely nephew (in the middle) along with these other wonderful young people have benefitted from the Children In Need charity and now they’re giving something back. They’re the Surprise Squad (more about them here) and you can follow their adventures on BBC1s “The One Show“, 15th – 18th November. I know that times are hard, but if you can spare a quid or two, please consider donating to Children In Need (here). They really do make a difference to young lives. Thank you xxx

Scribbling And Song In The Old Quarry

7 May

Lockdown is easing and things are starting to happen. Husb and I went to Rosehill Quarry at tea time to listen to Swansea folk musician, Angharad Jenkins, perform her recent song about the Quarry. It was a lovely sunny and warm Spring afternoon and Angharad sang to a group of local people of all ages against a backdrop of lush trees and shrubs. I used lots of mark-making to represent the foliage and I like the contrast with the simple line drawing of the figure. If you’re in the area, check it out, it’s a gorgeous nature reserve so close to the heart of the city.

A Chance To Own One Of My Artworks

I have some small screenprints for sale, inspired by my drawings of the taxidermy collection at Swansea Museum. I have given these antique artifacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

To buy my work on the Swansea Print Workshop site please click the image to the left and to see the complete image.

20 percent of the cost of each screenprint sold goes to support Swansea Print Workshop, which receives no public funding.

Finishing A Sketchbook

29 Sep

1cefnbrynbrain

A few weeks into the pandemic lockdown, when it became obvious that it was going to last a long while, I set myself some lockdown challenges. One is to improve my painting skills, which I’ve been doing with the Friday Cheese and Wine Painting Club on Facebook, practising faking well known paintings. Another is to do Tai Chi every day, which I’ve pretty much managed. A third is to have cold showers – my family have all got into Wim Hof so I’m giving it a try – it’s hell! And I also wanted to practise charcoal drawing, something I’ve avoided for years because I didn’t like the messiness. A friend gave me a lovely Khadi sketchbook for Xmas, the paper is heavy and rough and it really suits my Daler Rowney willow charcoal.

Husb and I took a drive to the Brecon Beacons on Saturday and stopped the car to look at the magnificent view and I made the last drawing in my book – number 30. The day was brilliantly sunny but also very cold and windy, so the sketch was quick and, well, sketchy. My shadow looms darkly in the bottom left of the scene.

Here’s a short video showing what it’s like drawing at the top of a mountain.

View this post on Instagram

Working in wild windy Wales.

A post shared by Rose Davies (@rosiescribblah) on

 

 

 

A Chance To Own One Of My Artworks

I have some small screenprints for sale, inspired by my drawings of the taxidermy collection at Swansea Museum. I have given these antique artifacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

To buy my work on the Swansea Print Workshop site please click the image to the left.

In this one, I combined the image of the bird with snippets of text of things my Nana used to say. She used to take me to Swansea Museum a lot when I was small and I could hear her voice in the back of my head as I was sitting and drawing the birds and bugs.

20 percent of the cost of each screenprint sold goes to support Swansea Print Workshop, which receives no public funding.

 

Carrying On Carrying On

15 Sep

trees 1 step f

I carried on working on a painting I started a couple of weeks ago, based on a charcoal drawing I did en plein air into my Khadi sketchbook. I am trying to develop a style of my own – I’ve never done much painting and it’s my lockdown challenge. I really like the German Expressionists and am finding that I’m being influenced by them. But I’ve recently reached a stage where I don’t know how – or if – to progress with the painting. I’m happy with the composition and the broad colour scheme but it feels a bit unfinished to me.

trees 1 step f detail

So I just had a quick go yesterday, developing the brushwork and putting in a creamy colour to replaced the stark white bare canvas in the previous stage. Here’s a close up. I like the quick, gestural brushstrokes but I also want to add a bit more depth and richness, not necessarily more detail.

 

 

 

A Chance To Own One Of My Artworks

I have some small screenprints for sale, inspired by my drawings of the taxidermy collection at Swansea Museum. I have given these antique artifacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

To buy my work on the Swansea Print Workshop site please click the image to the left.

In this one, I combined the image of the bird with snippets of text of things my Nana used to say. She used to take me to Swansea Museum a lot when I was small and I could hear her voice in the back of my head as I was sitting and drawing the birds and bugs.

20 percent of the cost of each screenprint sold goes to support Swansea Print Workshop, which receives no public funding.

Bare Bones

10 Sep

9 Oystermouth

I started doing charcoal drawings into this Khadi sketchbook a few weeks after lockdown started. When I realised that the pandemic was going to be here for a while, I found that I was struggling to do any creative work so I decided to focus on improving skills instead. I have been doing a weekly online painting class – 15 weeks now. And I started to use up some boxes of willow charcoal I’d been given. I had never liked using charcoal before but I thought now’s the time to get over it and practice. I’ve nearly finished the sketchbook and my drawings have changed. I was trying to cram in too much detail at the beginning but now I’m concentrating on the bare bones of the composition, trying to make satisfactory shapes and balancing light and dark rather than doing loads of details.

 

A Chance To Own One Of My Artworks

I have some small screenprints for sale, inspired by my drawings of the taxidermy collection at Swansea Museum. I have given these antique artifacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

 

To buy my work on the Swansea Print Workshop site please click the image to the left.

In this one, I combine some of the images with snippets of text of things my Nana used to say. She used to take me to Swansea Museum a lot when I was little and I could hear her voice in the back of my head as I was sitting and drawing the birds and bugs.

20 percent of the cost of each screenprint sold goes to support Swansea Print Workshop, which receives no public funding.

Quick, Short And Angry

9 Sep

9 Cwmdonkin

I was in a really foul mood this evening, caught the bad side of Twitter and was raging. So Husb dragged me out for a long, fast walk.  We ended up in Cwmdonkin Park which has been one of my favourite places for drawing en plein air during the pandemic. I was still in a temper when I did the drawing, the marks I made with the charcoal are quick, short and angry ….. a bit like me.

 

A Chance To Own One Of My Artworks

I have some small screenprints for sale, inspired by my drawings of the taxidermy collection at Swansea Museum. I have given these antique artifacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

 

To buy my work on the Swansea Print Workshop site please click the image to the left.

In this one, I combine some of the images with snippets of text of things my Nana used to say. She used to take me to Swansea Museum a lot when I was little and I could hear her voice in the back of my head as I was sitting and drawing the birds and bugs.

20 percent of the cost of each screenprint sold goes to support Swansea Print Workshop, which receives no public funding.

 

Carry On Painting….

7 Sep

I’m carrying on today with a painting I started a couple of weeks ago. I left it alone for a while because I wasn’t sure how to develop it so I had a break to look at it with fresh eyes.

It’s based on a charcoal drawing I did en plein air into my Khadi sketchbook. I’ve been practicing painting a lot throughout the lockdown, it’s been my challenge to myself as I wanted to improve my skills. I’m a great admirer of the German Expressionists, especially Gabrielle Munter, so I’m using colour to invoke mood and atmosphere rather than trying to be naturalistic. I’m using Liquitex heavy body acrylic paints, mostly transparent, onto a primed Winsor & Newton canvas. Here are the previous stages below…

 

A Chance To Own One Of My Artworks

I have some small screenprints for sale, inspired by my drawings of the taxidermy collection at Swansea Museum. I have given these antique artifacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

 

To buy my work on the Swansea Print Workshop site please click the image to the left.

In this one, I combine some of the images with snippets of text of things my Nana used to say. She used to take me to Swansea Museum a lot when I was little and I could hear her voice in the back of my head as I was sitting and drawing the birds and bugs.

20 percent of the cost of each screenprint sold goes to support Swansea Print Workshop, which receives no public funding.

 

A Patchwork Of Landscape

6 Sep

Brynamman

Husb and I went to visit family in the countryside a few miles out of the city earlier. I wanted to do some charcoal drawing in my Khadi sketchbook so we drove up above Brynamman into the hills. The area is large and bleak, with few significant features which made it hard to draw as there is no particular focus. I concentrated on the shapes formed by natural, agricultural and industrial features. They’ve all left an imprint on a vast scale, turning the landscape into a patchwork of abstract shapes and patterns.

 

A Chance To Own One Of My Artworks

I have some small screenprints for sale, inspired by my drawings of the taxidermy collection at Swansea Museum. I have given these antique artifacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

 

To buy my work on the Swansea Print Workshop site please click the image to the left.

In this one, I combine some of the images with snippets of text of things my Nana used to say. She used to take me to Swansea Museum a lot when I was little and I could hear her voice in the back of my head as I was sitting and drawing the birds and bugs.

20 percent of the cost of each screenprint sold goes to support Swansea Print Workshop, which receives no public funding.

 

Visiting Friends

31 Aug

1 CraigCefnParc

Husb and I visited some friends today. Nothing remarkable in that normally, but these aren’t normal times. We had tea and cake out in the open, well apart from each other, no hugs or handshakes, no cuddles for their magnificent Bengal cat. It was great to be able to see them after all these months but also a bit unsettling in these circumstances. It reminded me of the freedoms we used to take for granted.

1 CraigCefnParcb

They live right out in the countryside and the light was fabulous, bright, clear, so much contrast. I had a scribble with a stick of charcoal into my Khadi sketchbook, a quick one because it was getting quite cold.

 

 

 

A Chance To Own One Of My Artworks

I have some small screenprints for sale, inspired by my drawings of the taxidermy collection at Swansea Museum. I have given these antique artifacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

To buy my work on the Swansea Print Workshop site please click the image to the left.

In this one, I combined the image of the bird with snippets of text of things my Nana used to say. She used to take me to Swansea Museum a lot when I was small and I could hear her voice in the back of my head as I was sitting and drawing the birds and bugs.

20 percent of the cost of each screenprint sold goes to support Swansea Print Workshop, which receives no public funding.

 

%d bloggers like this: