Tag Archives: Daler Rowney

Drawing On Rubbish

28 Jul

I tried something different for the final, one hour, pose at life drawing last week. I had these four pieces of paper that had been coated with yellow printing ink. I’d fished them out of a bin and they’d been knocking around for ages. So I loosely taped them to my drawing board and drew our model right across them, with conte crayon and Daler Rowney soft pastels. I liked doing it, drawing over the separate pieces sort of distracted me and I didn’t obsess so much about it. The rough texture of the paint adds something as well. I also like recycling stuff, I never throw anything away. I’m always surprised at the amount of stuff that ends up thrown away as rubbish in the bin at the workshop.

A Chance To Own One Of My Artworks

I have some small screenprints for sale, inspired by my drawings of the taxidermy collection at Swansea Museum. I have given these antique artifacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

To buy my work on the Swansea Print Workshop site please click the image to the left and to see the complete image.

20 percent of the cost of each screenprint sold goes to support Swansea Print Workshop, which receives no public funding.

Like Marmite ….

25 Jul

These reclining poses are like Marmite in our Thursday night life drawing sessions at Swansea Print Workshop. People love ’em or hate ’em. Personally I can’t get enough of ’em, I love the foreshortening, I’m a glutton for punishment. I used Daler Rowney artist’s soft pastels for this 30 minute drawing, onto a heavy vintage paper.

This one below is a 10 minute pose, drawn with conte crayon. I’m not happy with it, it’s out of proportion and it shouldn’t be – I had enough time to check it but it still went wrong. Oh well, it happens.

A Chance To Own One Of My Artworks

I have some small screenprints for sale, inspired by my drawings of the taxidermy collection at Swansea Museum. I have given these antique artifacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

To buy my work on the Swansea Print Workshop site please click the image to the left and to see the complete image.

20 percent of the cost of each screenprint sold goes to support Swansea Print Workshop, which receives no public funding.

Framing The Model

4 Jul

Here’s the last life drawing I did at this week’s session, it’s a 50 minute pose and I used Daler Rowney Artist’s soft pastels onto a heavyweight vintage paper. It’s always a bit of a problem fitting the model onto the paper, so framing the subject is important. I decided to put our model into the background so I could fit him all in and emphasised the geometric shapes of the materials and cushions he was sitting on to fill up the rest of the paper.

The pastels are gorgeous. They’re nice to scribble with but they really shine with saturated pigment when I rub them with my fingers, releasing the oils and vibrant colours. Rubbing emphasises the rough texture of the beautiful paper as well.

A Chance To Own One Of My Artworks

I have some small screenprints for sale, inspired by my drawings of the taxidermy collection at Swansea Museum. I have given these antique artifacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

To buy my work on the Swansea Print Workshop site please click the image to the left and to see the complete image.

20 percent of the cost of each screenprint sold goes to support Swansea Print Workshop, which receives no public funding.

Cutting Off Your Nose …

20 Oct

summar1

 

I was listening to Summar Ackery at a spoken word event at the Glynn Vivian Art Gallery recently. She was doing a humorous but relevant piece about a life experience, when a chap refused to get intimate because she was unshaven.  What an idiot! Talk about cutting off your nose to spite your face! I did this drawing as I listened to her, using Daler Rowney pastels onto vintage paper.

 

 

Visceral

19 Oct

RM2

 

Another drawing I did recently at a spoken word event at the Glynn Vivian Art Gallery, with Rufus Mufasa, David Pitt and Eleanor Shaw amongst others, using surrealist drawing  techniques. I did this drawing while listening to one of the contributor’s telling the story of her experience of giving birth. Her words created very powerful and abstract imagery and I worked with Daler Rowney pastels onto vintage paper. It was a visceral experience and not one I’m used to as I normally work directly from life. It’s good to be pushed out of my comfort zone.

 

Splatter!

14 Oct

splatter 1

I work part-time for a national homelessness charity, just a few hours a week where I run fine art courses for people who use the service. Today I started an acrylics painting course. I like to jump straight in with something practical so I did a group abstract painting exercise. After a quick explanation of what ‘impasto’ is, I laid a canvas roll onto the table and everyone – there were six of us – grabbed a pot of Daler Rowney System 3 paint and, using either a palette knife or fingers (rubber gloves provided), splattered paint onto the canvas as we walked around the table.

splatter 2

After we’d all done one circuit, we changed our pots of colour and went round the table again, splattering as we went. And a few more times, building up random layers of colour. Finally, we put the paint down and spent a minute or so scraping and scratching through the paint layers, revealing the colours underneath.

splatter 4

 

Then we used some old window mounts to look through and work out the compositions we liked best. This led to a discussion about what makes good art – controversial – and I’d taken some examples of Jackson Pollock’s work to look at, to get a theoretical and historical perspective.

The Daler Rowney System 3 acrylic paint, mixed with screenprint medium, was kindly donated by Swansea Print Workshop. They let us have acrylic paints left over after their screenprint courses, which is great because they’re expensive quality paints. We worked in a room kindly lent by the National Waterfront Museum.

Responding To A Story

12 Oct

DP1

 

I went to the Glynn Vivian art gallery last week, to do some live drawing at an event involving poets, storytellers and musicians. I normally draw directly from life but I went right out of my comfort zone for this one, allowing the words, music and spoken rhythms to flow into my hands and direct the marks I made onto vintage paper with Daler Rowney artists pastels. This drawing was done in response to David Pitt’s story about a caged songbird and a desert.

Impression Of Heat

21 Dec

hot earth 2

I did some quick, impressionistic sketches while I was walking around on my visit to Portugal a couple of weeks ago. The earth is stratified, horizontally and vertically and made up of bright hot colours, reds, oranges, yellows and browns which contrast so vividly with the brilliant blue of the sky and sea.

I used Daler Rowney artist quality soft pastels into a 15cm square Khadi paper sketchbook, The paper is lovely, very textured, heavy and deckle-edged. I think it’s worth paying out for really good quality materials because a little goes a long way. These pastels have lasted me ages and there’s plenty more pigment left.

Hot Earth

14 Dec

hot earth

 

Here’s another drawing I did into my little Khadi sketchbook last week on the coast of Portugal. The colours were incredible, bright blue sky and sea and hot red and orange earths veined with dark greys. Extraordinary geology. There were also a lot of rock balancing sculptures in a little cove just to the east of Praia de Oura. It only just occurred to me that I should have tried drawing with the coloured earths! I’ll just have to go back.

 

rock stacks 1

 

 

The Last Experiment (for now)

8 Nov

caligo 8

I’ve been experimenting doing monotypes on a gel plate from Gelli Arts, trying out different inks and paints over the last week or so. I’ve finished for the time being, ending up with Caligo Safe Wash oil-based printing inks. I used Process Yellow, Magenta and Cyan mixed approximately 50:50 with the brand’s Extender for translucency and to make it easier to roll. It gave good coverage over the gel plate, held texture well, printed with vibrant colours and also produced a decent ‘ghost’ (secondary) print.

 

I’ve tried out 6 different inks / paints, all printed in two layers onto Daler Rowney cartridge paper (90gsm). I think the best for my own professional use are the Caligo Safe Wash oil-based printing ink and the Liquitex Heavy Body acrylic paint.

 

For teaching, I would be happy to use both the Essdee and the Seawhites of Brighton water-based printing inks. And the other 2 media I used, Winsor & Newton Galeria acrylic paint and Liquitex acrylic inks were both too liquid to give satisfactory results on this brand of gel plate, so I’ll be keeping them for other projects.

 

 

 

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