Tag Archives: Glynn Vivian Art Gallery

Fun With The Family

2 Feb

glyn viv 2019

Husb and I took two young relatives to the Glynn Vivian art gallery in Swansea today. Every Saturday there’s a free, family-friendly art session with a resident artist who encourages people to draw and paint, inspired by artists in the gallery collection. This week focused on the artist Ceri Richards and the poet Vernon Watkins.

It was lovely doing art for fun. It rarely happens for me because it’s my profession and it’s usually a very serious thing but today it was great to chill out and have a play. Husb’s interpretation of the poetry managed to include the USS Starship Enterprise. Sometimes I wonder about him.

 

 

 

Root And Branch: Gwreiddyn A Changen

3 Jan

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Coming up February 16th and 17th, I’ll be running a 2 day printmaking masterclass at Swansea’s Glynn Vivian Art Gallery inspired by the forthcoming exhibition PHYTOPIA.

The creative imagery of the tree is rooted in the ancient oak forests of Britain, growing through the ages to branch into the present. From ancient Druidic and Celtic art to present-day fractal pop imagery, the concept of the tree rooting, growing and branching has inspired artists, designers and craftspeople for thousands of years.

If you fancy coming along, I’ll be using two printmaking techniques, with additional chine collé and watercolour, and exploring the Phytopia exhibition, to produce a small edition of drypoint etchings and at least one monotype inspired by the history and influence of trees in our culture.

The course costs £80 for the weekend and includes all the materials. Pre-booking is essential as there are not many places. Please click here to book. Hope to see you there.

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The Defynnog Yew from the petition set up by Janis Fry

And if you like trees, please sign this petition here to get protected status for Britain’s ancient yew trees which currently are unprotected. Thank you.

 

Mae delweddaeth greadigol y goeden yn deillio o goedwigoedd derw hynafol Prydain, gan dyfu drwy’r oesoedd i oroesi hyd heddiw. O gelf y Derwyddon a’r Celtiaid i ddelweddaeth ffractal y presennol, mae’r cysyniad o goeden yn cael ei gwreiddio, yn tyfu ac yn brigo wedi ysbrydoli artistiaid, dylunwyr a chrefftwyr am filoedd o flynyddoedd.
Gan ddefnyddio dwy dechneg gwneud printiau, yn ogystal â chine-collé a dyfrlliw, a chan archwilio’r arddangosfa Phytopia, byddwch yn gweithio gyda’r artist/printiwr Rose Davies i gynhyrchu argraffiad bach o ysgythriadau sychbwynt ac o leiaf un monoteip wedi’u hysbrydoli gan hanes a dylanwad coed yn ein diwylliant.

Cadwch eich lle’n gynnar i osgoi cael eich siomi. Rhaid cadw lle £80 am ddau ddiwrnod Dosbarth Meistr Gwneud Printiau. Darperir yr holl ddeunyddiau. 16+

 

 

The Swansea Open

29 Nov

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The Swansea Open, December 8th to February 2nd 2019, Glynn Vivian art gallery.

I just heard today that I have had 2 artworks accepted into the Swansea Open exhibition and I’m chuffed to bits as Swansea is full of talented artists and the competition is stiff. I submitted two monotypes of the Mari Lwyd, based on drawings I did in my sketchbook at the end of last year. The Mari Lwyd is an ancient Welsh tradition, where groups of revellers wander the streets and pubs accompanied by a life size puppet constructed around a decorated horse’s skull. It may hark back to the worship of the Celtic horse goddess, Epona and has links with Wassailing, May Day hobby horses and Yule celebrations..

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The two pieces are intaglio prints – an etching and a mezzotint – that I made during a weekend course with accomplished printmaker Andrew Baldwin at Trefeglwys Print Studios a couple of months ago. It’s a beautiful studio in an ancient building in Powys and I learnt so much from Andrew. He has developed an innovative low toxicity etching ground – B.I.G. – that can be used in both traditional and inventive ways. You can find out more about it here.

A Head In The Audience

15 Oct Drawing of a female head from the side with glasses pushed up

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Husb and I went to our local art gallery, the Glynn Vivian, last week to listen to the artist Simon Periton, currently exhibiting at Galerie Simpson, speak about his art practice. Of course, I had to have a scribble……

 

Art, Cake, Cake, Art

19 Sep

 

Invite Now The Printmakers a

 

Such a lot happening over the next week or so in Swansea and it all kicks off this Friday with the opening of the exhibition, “Now The Printmakers” at 5.30 pm at Swansea Print Workshop. Inspired by the work of Frank Brangwyn and Kathe Kollwitz, the show focusses on the work of three contemporary print artists – John Abell, Andrew Baldwin and yours truly as well as a group show of a dozen or so of our artist members. I’ll be there at 5.30 – with lashings of cake – but within the hour I’ve got to shoot across the city centre to the start of my Open Studio event at Volcano, also with lashings of cake…..

 

Invite Here Be Dragons a

And there are other exhibitions opening across the city that night – at Mission Gallery, Galerie Simpson and the Glynn Vivian, with the opening times staggered so art lovers can get around and see lots of them. It’s all leading up to next weeks major international art festival, “Now The Hero / Nawr Yr Arwr”, but more about that tomorrow……

If you’re out and about in Swansea on Friday 21st September, please pop in to one or more of the venues and get yourself some art and cake. There will be bara brith, banana cake, spiced apple cake and Victoria Sandwich……

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Traditional home-made bara brith

 

 

 

 

Marc, Frank And Victoria (Sandwich)

6 Sep

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I’m back in the house for about 20 minutes between hearing the marvellous artist Marc Rees give a talk at the Glynn Vivian Art Gallery about his upcoming art extravaganza “Now The Hero / Nawr Yr Arwr” and heading off to life drawing at Swansea Print Workshop with my Samsung Galaxy Note 8 tablet (which I used to do this drawing) and a Victoria Sandwich. As you do.

Marc spoke in front of a backdrop of projected images, including many of the glorious panels by Frank Brangwyn, which are an integral part of Nawr Yr Arwr, so he’s in silhouette. I had to have a scribble. It’s what I do….

 

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Now The Printmakers

23 Aug
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From left to right: Andrew Baldwin, Rose Davies, John Abell

 

Opening Friday 21st September from 17.30 to 20.00 and continuing 10.30 – 4.30 September 22nd to 29th EXCEPT Monday 24th.

Swansea Print Workshop, a hidden gem, is exhibiting original prints as part of “Nawr Yr Arwr / Now The Hero“, inspired by World War 1 artists Frank Brangwyn and Käthe Kollwitz with work by artist members alongside three featured Welsh printmakers:

John Abell (Cardiff), woodcuts from “The Diary of a Dead Officer” published by Old Stile Press

Andrew Baldwin (Trefeglwys, Powys), etchings and mezzotints inspired by the World War 1 battlefield

And me! Rose Davies / Rosie Scribblah (Swansea), monotypes and etchings from “The Warrior”, a series from my 10 year working relationship with Captain David Williams, a serving soldier and life model, who also features in Nawr yr Arwr.

 

Here’s a short video of me and my model working on a new monotype for “Nawr Yr Arwr / Now The Hero”

 

Frank Brangwyn and Käthe Kollwitz were accomplished multidisciplinary artists, both lived and worked through World War 1, and both excelled in the medium of printmaking. Drawing inspiration from the wealth of print media in which they worked, including etching, woodcut and lithography, Swansea Print Workshop’s exhibition will respond to the rich visual wealth of the sumptuous Brangwyn panels and the recent Glynn Vivian Art Gallery exhibition of Käthe Kollwitz prints.

 

An Inspirational Talk

25 Jul

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Husb and I went to a talk by the veteran artist Hanlyn Davies at our local art gallery, The Glynn Vivian, this evening. I really appreciated it and learnt a lot. I’ve been trying to break away from always working directly from life, tapping into my imagination, but I’ve been finding it hard going. Watching Hanlyn run through a slide show of over 50 years work has given me a bit of confidence to let go a bit and keep experimenting. I added a bit of red paint to the canvas board I started painting last week, when I was using up leftover Liquitex acrylic paints at the end of a teaching session. There wasn’t much left this week. It’s going to be interesting to see how this develops, I’ll keep it intuitive.

 

Scribbling Bollywood

20 Jul

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Husb and I went to the Glynn Vivian art gallery in Swansea this evening for their monthly late opening night. As well as the exhibitions, they put on some activities and events. This evening we had a Bollywood Dance Performance & Workshop by Sarita Sood to complement the current main exhibition, “Facing” by N. S. Harsha.

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It’s always difficult to draw people in motion, you have to suspend the desire to record detail and instead draw the barest minimum to convey what’s in front of you. Very good practice though.

 

 

 

 

Something Of Myself

18 Jun

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I have always done a lot of teaching with adults and I think that an important part of my  technique is demonstration. I always work alongside the people I teach, going through the same processes as them, and facing the same highs and lows.

 

I was running a weekend course at the Glynn Vivian Art Gallery, linked to their Käthe Kollwitz exhibition. We went into the gallery to draw from her work and then went back into the studio to develop drypoint plates and woodblocks inspired by her prints. I drew directly onto a paper drypoint plate with a fineline pen, studying a small section of her etching ‘Raped’ from 1908, a few square inches around a foot and some sunflowers. Once I had incised the lines into the surface of the plate, I inked it up (Intaglio Printmaker’s Drypoint Shop Mix) and printed it onto wet paper (Somerset) and while it was still damp, I worked into it with some light watercolour washes (Winsor & Newton). Her original is monochrome so I’ve put something of myself into it.

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