Tag Archives: Glynn Vivian Art Gallery

The Turk In The Dark

15 Nov

Gavin Turk

Husb and I went to the Glynn Vivian Art Gallery this evening to a talk by the artist Gavin Turk which was fun and provocative. It was very hot and very dark. Of course, I had to have a scribble. It was hard to see him as I was right at the back and it was so dark that I could only just see the page in my sketchbook, but I like a challenge. Oh yes.

Cutting Off Your Nose …

20 Oct

summar1

 

I was listening to Summar Ackery at a spoken word event at the Glynn Vivian Art Gallery recently. She was doing a humorous but relevant piece about a life experience, when a chap refused to get intimate because she was unshaven.  What an idiot! Talk about cutting off your nose to spite your face! I did this drawing as I listened to her, using Daler Rowney pastels onto vintage paper.

 

 

Visceral

19 Oct

RM2

 

Another drawing I did recently at a spoken word event at the Glynn Vivian Art Gallery, with Rufus Mufasa, David Pitt and Eleanor Shaw amongst others, using surrealist drawing  techniques. I did this drawing while listening to one of the contributor’s telling the story of her experience of giving birth. Her words created very powerful and abstract imagery and I worked with Daler Rowney pastels onto vintage paper. It was a visceral experience and not one I’m used to as I normally work directly from life. It’s good to be pushed out of my comfort zone.

 

Surrealist Drawing

18 Oct

RM6

A few weeks ago I did some live drawing at a spoken word event at the Glynn Vivian Art Gallery, with Rufus Mufasa, David Pitt and Eleanor Shaw amongst others. I normally work directly from life, but this time I let my hands be influenced by the rhythm and meaning of the words and music and just drew. This is similar to surrealist drawing and really pushed me out of my comfort zone. I did this – almost – automatic drawing while listening to one of the contributor’s story about her nervous breakdown. Her words were graphically visual.

Window Licking Good?

13 Oct

Husb and I regularly babysit one of our very young relatives and last week I took him on his first trip to the Glynn Vivian Art Gallery. There’s a fabulous exhibition from their archives at the moment – a wonderful and quirky selection of artwork.

windowlicker

I find babies very hard to draw. The proportions of their faces are really weird – they’re like little aliens. And they don’t stop wriggling. I tried my best, sketching quickly using the continuous line method. Maybe I should try when he’s asleep. Anyway, I took him round the exhibition, mostly I let him crawl – he was really quick on the polished floors. The bit he liked best though was when we went to the (excellent, new) cafe on the ground floor and he crawled over to the big window that looks out onto the street, pulled himself up and gave the window a good licking. I tried my best.

Responding To A Story

12 Oct

DP1

 

I went to the Glynn Vivian art gallery last week, to do some live drawing at an event involving poets, storytellers and musicians. I normally draw directly from life but I went right out of my comfort zone for this one, allowing the words, music and spoken rhythms to flow into my hands and direct the marks I made onto vintage paper with Daler Rowney artists pastels. This drawing was done in response to David Pitt’s story about a caged songbird and a desert.

Picking Up The Ambience

7 Oct

RM5

I spent a couple fo hours at the Glynn Vivian art gallery on Saturday morning, drawing at a spoken word event, @peoplespeakup, which was part of the Swansea Fringe, with Rufus Mufasa, David Pitt and Eleanor Shaw amongst others. I like drawing in public, I think it’s good for people to be able to see how an artist works. When people go into a gallery and see perfect works of art on a white wall, they don’t get to appreciate all the hard work, practice, mistakes and rubbish drawings that preceded it.

RM4

I did some warm up drawings in my sketchbook, using a Faber Castell Pitt drawing pen and the continuous line technique. This helped me to centre myself in the space and pick up on the ambience of the surroundings.

Head Of Cod

18 Jun

June 1 a

I did some drawing this evening down at the Zoology Museum in Swansea University. It’s a small place but jam packed full of fascinating specimens. I did a reduction drawing of the skull of a large fish. There was some debate about whether it was a whiting, like the label said, or a cod.

 

I’d prepared some thick khadi paper in advance. First I cleaned off an old drawing board that had been used for paper stretching and make sure it was clean and smooth. Then I stretched the wet sheets of paper, sticking them down with brown paper gumstrip. Finally I gave them a couple of coats of white acrylic gesso, to give me a resilient surface to work on.

 

 

 

 

 

Scribbling Heads

17 Jun

Glynn Vivian 2

And here’s the last drawing I did at the Glynn Vivian art gallery in Swansea the other evening. Husb and I went to the private view and curators’ talk for the new drawing exhibition, “Hand Drawn Action Packed“. It’s a really good show and it’s free entry too. I scribbled these heads into my little A6 hardbacked sketchbook, using a ballpoint pen. I like ballpoint for sketchbook work, it flows easily and gives a lovely scribble … and that’s what I’m about.

Fitting It In

16 Jun

 

Glynn Vivian 1

Husb and I were at the preview of the new drawing exhibition, “Hand Drawn Action Packed” at Swansea’s most excellent Glynn Vivian art gallery the other evening. I scribbled of course, which was fitting, given that it’s a drawing exhibition.  I find it difficult to cram an entire subject onto the page – I was always criticised when I was in art college for this. I used to point out that Egon Schiele and Käthe Kollwitz often did the same – and if it’s okay for them ……. Anyway, I solved it by putting the bottom of her legs onto a different part of the page.

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