Tag Archives: Glynn Vivian Art Gallery

Scribbling In The Gallery

20 Nov

Today was the start of the Swansea Open 2021 show at the Glynn Vivian Art Gallery. It’s been going for many years but had to be put on hold last year because of Covid19. There’s usually a big opening event but this year people had to book time slots and although it was busy, it wasn’t crowded. As I get older I suffer more and more from “museum fatigue”, walking very slowly and standing and looking for a few hours is surprisingly tiring, so I sat for a while and had a bit of a scribble just before we left. There’s my painting on the bottom right – “Eighteen People, Two Dogs And A Cat”. It’s a painting based on our family Zoom quizzes during Covid19 lockdown. I’m chuffed it got in.

A Chance To Own One Of My Artworks

I have some small screenprints for sale, inspired by my drawings of the antique taxidermy collection at Swansea Museum. I have given these vintage artifacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

To buy my work on the Swansea Print Workshop site please click the image to the left.

20 percent of the cost of each screenprint sold goes to support Swansea Print Workshop, which receives no public funding.

Got A Bit Of Culture

1 Aug

Husb and I got a bit of culture today. We booked a slot at the Glynn Vivian Art Gallery to see the new show, Terra Ferma by Carlos Bunga and to check in with the permanent collections, always something new to see there. I had a scribble through the door to the main gallery, with ballpoint pen into my A6 leather-bound sketchbook. It was lovely, slowly getting back to doing things in the real world.

A Chance To Own One Of My Artworks

I have some small screenprints for sale, inspired by my drawings of the taxidermy collection at Swansea Museum. I have given these antique artifacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

To buy my work on the Swansea Print Workshop site please click the image to the left and to see the complete image.

20 percent of the cost of each screenprint sold goes to support Swansea Print Workshop, which receives no public funding.

That’s How I Roll

13 Mar

bedwyr williams

So I went to the Glynn Vivian art gallery this evening for a talk by the artist Bedwyr Williams. I sat at the back because there was a light on there in the otherwise dark room and I though “Ah, I can use that light to draw into my small but perfectly formed sketchbook.” Just as I started a scribble, the artist asked for the light to be turned off so I was left in pitch darkness. But I carried on drawing. Because that’s how I roll.

 

The Turk In The Dark

15 Nov

Gavin Turk

Husb and I went to the Glynn Vivian Art Gallery this evening to a talk by the artist Gavin Turk which was fun and provocative. It was very hot and very dark. Of course, I had to have a scribble. It was hard to see him as I was right at the back and it was so dark that I could only just see the page in my sketchbook, but I like a challenge. Oh yes.

Cutting Off Your Nose …

20 Oct

summar1

 

I was listening to Summar Ackery at a spoken word event at the Glynn Vivian Art Gallery recently. She was doing a humorous but relevant piece about a life experience, when a chap refused to get intimate because she was unshaven.  What an idiot! Talk about cutting off your nose to spite your face! I did this drawing as I listened to her, using Daler Rowney pastels onto vintage paper.

 

 

Visceral

19 Oct

RM2

 

Another drawing I did recently at a spoken word event at the Glynn Vivian Art Gallery, with Rufus Mufasa, David Pitt and Eleanor Shaw amongst others, using surrealist drawing  techniques. I did this drawing while listening to one of the contributor’s telling the story of her experience of giving birth. Her words created very powerful and abstract imagery and I worked with Daler Rowney pastels onto vintage paper. It was a visceral experience and not one I’m used to as I normally work directly from life. It’s good to be pushed out of my comfort zone.

 

Surrealist Drawing

18 Oct

RM6

A few weeks ago I did some live drawing at a spoken word event at the Glynn Vivian Art Gallery, with Rufus Mufasa, David Pitt and Eleanor Shaw amongst others. I normally work directly from life, but this time I let my hands be influenced by the rhythm and meaning of the words and music and just drew. This is similar to surrealist drawing and really pushed me out of my comfort zone. I did this – almost – automatic drawing while listening to one of the contributor’s story about her nervous breakdown. Her words were graphically visual.

Window Licking Good?

13 Oct

Husb and I regularly babysit one of our very young relatives and last week I took him on his first trip to the Glynn Vivian Art Gallery. There’s a fabulous exhibition from their archives at the moment – a wonderful and quirky selection of artwork.

windowlicker

I find babies very hard to draw. The proportions of their faces are really weird – they’re like little aliens. And they don’t stop wriggling. I tried my best, sketching quickly using the continuous line method. Maybe I should try when he’s asleep. Anyway, I took him round the exhibition, mostly I let him crawl – he was really quick on the polished floors. The bit he liked best though was when we went to the (excellent, new) cafe on the ground floor and he crawled over to the big window that looks out onto the street, pulled himself up and gave the window a good licking. I tried my best.

Responding To A Story

12 Oct

DP1

 

I went to the Glynn Vivian art gallery last week, to do some live drawing at an event involving poets, storytellers and musicians. I normally draw directly from life but I went right out of my comfort zone for this one, allowing the words, music and spoken rhythms to flow into my hands and direct the marks I made onto vintage paper with Daler Rowney artists pastels. This drawing was done in response to David Pitt’s story about a caged songbird and a desert.

Picking Up The Ambience

7 Oct

RM5

I spent a couple fo hours at the Glynn Vivian art gallery on Saturday morning, drawing at a spoken word event, @peoplespeakup, which was part of the Swansea Fringe, with Rufus Mufasa, David Pitt and Eleanor Shaw amongst others. I like drawing in public, I think it’s good for people to be able to see how an artist works. When people go into a gallery and see perfect works of art on a white wall, they don’t get to appreciate all the hard work, practice, mistakes and rubbish drawings that preceded it.

RM4

I did some warm up drawings in my sketchbook, using a Faber Castell Pitt drawing pen and the continuous line technique. This helped me to centre myself in the space and pick up on the ambience of the surroundings.

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