Tag Archives: screenprinting

The Beginnings Of An Idea

18 Mar

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Creative ideas come from all over the place. My Aunty got my Husb a bottle of Tomato Ketchup with Garlic from The Garlic Farm on the Isle of Wight, he loves it and she likes giving him presents. Anyway, as he unwrapped it I squealed in delight at the packaging! Lovely brown cardboard cut into patterns. It’s calling out to me!

Scanned it, Photoshopped it, had a play with it, got some ideas forming. I think it’s heading towards a screen print ………..

The Final Touch

25 Feb

finished

 

The mixed media print I’ve been working on for the past couple of weeks is now finished! I did the final touches this evening. “Dragon’s Revenge” is designed by Jamie Reid and commissioned by GS Artists and is a combination of archival digital print (the pale blue background and the word DRAGONS), screenprint (the red Welsh dragon and the blue Saint George), lino cut (the word REVENGE) and a separate digital print (the words MAE HEDDWCH YN GALED).

I collaged the final pieces this evening. It’s great to see an artwork in two languages; Mae Heddwch Yn Galed means Peace Is Hard.

 

dragons-revenge

 

An exhibition of the political works of anarchic artist Jamie Reid, is at GS Artists on Swansea’s High Street until March 1st.

 

 

Messy!

18 Feb

printing 1

I’m onto the messy stages of screenprinting now … squeegeeing ink through the stencil on the silk mesh on to the paper below. I’m almost half way through the edition, hope to have it finished by the end of the week.

printing 2

 

Here’s a short video of me using the vacuum screenpress to print the image at Swansea Print Workshop.

 

 

I’m developing an edition of mixed media prints for GS Artists from an original by Jamie Reid. There is a great exhibition of his work running until March 1st and here’s some more info about the show and the prints, which will be in a limited edition of 75.

dragons-revenge

Step By Step

15 Feb

knight screen

 

Building a screenprint step by step. It’s a lot of processes and each one has to be exact and tried out as a trial proof at each stage. Here’s the photoscreen of the little knight (above) and here he is printed in cobalt blue (below). I’m happy with the little chap.

 

knoght

 

I’m developing an edition of mixed media prints for GS Artists from an original by Jamie Reid. There is a great exhibition of his work running until March 1st and here’s some more info about the show and the prints, which will be in a limited edition of 75.

dragons-revenge

 

 

A Soft Squeegee And A Vacuum Press

11 Feb

trial 2

 

I cracked on with my trial proofs today at Swansea Print Workshop. I exposed and developed the screens yesterday, and today I mixed up some inks and tried out the screens. I’m very pleased with the quality and resolution. I’m using aluminium screens with 120 mesh from Screenstretch and Azocol photosensitive liquid stencil.

 

trial 1

 

There’s a large vacuum press for silkscreens at Swansea Print Workshop, which makes printing run a lot more smoothly. I’m using Daler Rowney System 3 acrylic paint mixed 40:60 with screenprint medium. I’ve experimented with two different squeegees – a soft and a medium. The soft squeegee presses more ink through but loses some resolution while the medium squeegee pushes less ink through, giving very good detail but loses some colour intensity. Decisions have to be made tomorrow.

 

dragons-revenge

I’m developing an edition of mixed media prints for GS Artists from an original design by Jamie Reid. There is a great exhibition of his work running until March 1st and here’s some more info about the show and the prints, which will be in a limited edition of 75.

 

The Bugs

6 Oct

 

Here’s a selection of bugs from my series of silkscreened postcard-sized prints I did recently at Swansea Print Workshop. One’s a cockchafer and the other a violet ground beetle from a collection at Swansea Museum’s archives.

 

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I printed some onto paper prepared with chine collé. I had printed sheets of handmade paper made from recycled saris, using a Gelli plate, Caligo relief inks and discarded fruit nets to create patterns. Please click here to find out more. They’re busy little critters ….

A Tissue Issue

5 Oct

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Workibng with Kelly Stewart at Swansea Print Workshop last week, I experimented with different ways to screenprint my range of drawings. I’ve always liked the chine collé technique especially with handmade paper made from recycled saris. I get it from the haberdashers in Swansea Market and it has a great texture and a some juicy colours.

 

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I used Japanese Nori glue to stick it down – it’s made with seaweed. The sari paper is quite thin, but very strong, so it was easy to silkscreen over it – thicker paper might have caused some technical problems. The term chine collé is French for tissue collage and these fine papers have traditionally been imported from Chine, Japan and the Indian subcontinent.

 

The Bits In The Middle

4 Oct

d-1.jpg

The first stage in producing my recent set of screenprints was doing the drawings.

 

c-1.jpg

Then came the bit in the middle. I had to produce a set of transparencies. Some were photocopied from the original drawings onto a special Overhead Projector (OHP) acetate – the two bugs and the heron.

 

b-1.jpg

Some were redrawn onto cellophane using a brush and black acrylic paint – the two snipe. One was photocopied directly onto good quality tracing paper – the fruit net. And the text was handwritten onto Trugrain film using a Faber Castell Pitt drawing pen.

 

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The final stage is to transfer the transparencies onto a silkscreen.

work station

 

Beginning To End

3 Oct

snipe

I started with an ink and wash sketch of a snipe (using my homemade walnut ink at Swansea Museum) drawn with brushes.

 

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Then, at Kelly Stewart’s screenprinting session at Swansea Print Workshop, I redrew it onto cellophane with brushes and black acrylic paint. These are the transparencies I used to create photoscreens.

 

work station

And then I screened them onto different papers, Fabriano and Somerset, with Daler Rowney System 3 Acrylic paint, mixed with Screenprint medium in an 80:20 paint to medium ratio.

 

That’s it from beginning to end.

The Cheeky Cockchafer

2 Oct

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Another of the small silkscreen prints I did recently. I started off by redrawing a little sketch of a snipe, but this time I did it onto cellophane with black acrylic paint. That formed a transparency for transferring to a photoscreen. I wanted to incorporate bits of rubbish to reflect the environment that much of our wildlife has to put up with. I used the net from a bag of fruit and put it through a photocopier onto a piece of good quality tracing paper. This became another transparency. I printed with Daler Rowney System 3 acrylic mixed 80:20 with screenprint medium onto Fabriano paper.

 

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Here’s a variation on the theme, with a cheeky cockchafer sneaking in ….

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