Tag Archives: monotype
2 Jul

poster

Shameless!

Another shameless plug for the Printopia exhibition of work by members of Swansea Print Workshop at The Seaside Gallery, Volcano, High Street, Swansea. It opens on Thursday 4th July, with cake and nibbles and a pay bar, and continues until 26th July.

Here Be Dragons

The Big ‘Un

And my great big woodcut, “Here Be Dragons” has finally been framed and is lording it over the little prints nearby. It’s a Big ‘Un alright!

 

 

 

PRINTOPIA

1 Jul

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PRINTOPIA, The Swansea Print Workshop annual member’s show is coming up in a few days, opening at Volcano on High Street on July 4th from 6.30 – 9.30 and running until the end of the month.

It’s not all creativity, being an artist. There’s loads of other stuff to do, like getting things ready for exhibiting. I’ve spent the morning cutting mounts (mattes) and slotting my monotypes into frames. I based the monotypes on sketchbook drawings I did en plein air.

Do drop in and see the show if you’re out and about in Swansea.

 

 

 

Root And Branch: Gwreiddyn A Changen

3 Jan

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Coming up February 16th and 17th, I’ll be running a 2 day printmaking masterclass at Swansea’s Glynn Vivian Art Gallery inspired by the forthcoming exhibition PHYTOPIA.

The creative imagery of the tree is rooted in the ancient oak forests of Britain, growing through the ages to branch into the present. From ancient Druidic and Celtic art to present-day fractal pop imagery, the concept of the tree rooting, growing and branching has inspired artists, designers and craftspeople for thousands of years.

If you fancy coming along, I’ll be using two printmaking techniques, with additional chine collé and watercolour, and exploring the Phytopia exhibition, to produce a small edition of drypoint etchings and at least one monotype inspired by the history and influence of trees in our culture.

The course costs £80 for the weekend and includes all the materials. Pre-booking is essential as there are not many places. Please click here to book. Hope to see you there.

yew tree

The Defynnog Yew from the petition set up by Janis Fry

And if you like trees, please sign this petition here to get protected status for Britain’s ancient yew trees which currently are unprotected. Thank you.

 

Mae delweddaeth greadigol y goeden yn deillio o goedwigoedd derw hynafol Prydain, gan dyfu drwy’r oesoedd i oroesi hyd heddiw. O gelf y Derwyddon a’r Celtiaid i ddelweddaeth ffractal y presennol, mae’r cysyniad o goeden yn cael ei gwreiddio, yn tyfu ac yn brigo wedi ysbrydoli artistiaid, dylunwyr a chrefftwyr am filoedd o flynyddoedd.
Gan ddefnyddio dwy dechneg gwneud printiau, yn ogystal â chine-collé a dyfrlliw, a chan archwilio’r arddangosfa Phytopia, byddwch yn gweithio gyda’r artist/printiwr Rose Davies i gynhyrchu argraffiad bach o ysgythriadau sychbwynt ac o leiaf un monoteip wedi’u hysbrydoli gan hanes a dylanwad coed yn ein diwylliant.

Cadwch eich lle’n gynnar i osgoi cael eich siomi. Rhaid cadw lle £80 am ddau ddiwrnod Dosbarth Meistr Gwneud Printiau. Darperir yr holl ddeunyddiau. 16+

 

 

The Swansea Open

29 Nov

mari siglo

The Swansea Open, December 8th to February 2nd 2019, Glynn Vivian art gallery.

I just heard today that I have had 2 artworks accepted into the Swansea Open exhibition and I’m chuffed to bits as Swansea is full of talented artists and the competition is stiff. I submitted two monotypes of the Mari Lwyd, based on drawings I did in my sketchbook at the end of last year. The Mari Lwyd is an ancient Welsh tradition, where groups of revellers wander the streets and pubs accompanied by a life size puppet constructed around a decorated horse’s skull. It may hark back to the worship of the Celtic horse goddess, Epona and has links with Wassailing, May Day hobby horses and Yule celebrations..

Mari thumbnail

The two pieces are intaglio prints – an etching and a mezzotint – that I made during a weekend course with accomplished printmaker Andrew Baldwin at Trefeglwys Print Studios a couple of months ago. It’s a beautiful studio in an ancient building in Powys and I learnt so much from Andrew. He has developed an innovative low toxicity etching ground – B.I.G. – that can be used in both traditional and inventive ways. You can find out more about it here.

Now The Printmakers

23 Aug
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From left to right: Andrew Baldwin, Rose Davies, John Abell

 

Opening Friday 21st September from 17.30 to 20.00 and continuing 10.30 – 4.30 September 22nd to 29th EXCEPT Monday 24th.

Swansea Print Workshop, a hidden gem, is exhibiting original prints as part of “Nawr Yr Arwr / Now The Hero“, inspired by World War 1 artists Frank Brangwyn and Käthe Kollwitz with work by artist members alongside three featured Welsh printmakers:

John Abell (Cardiff), woodcuts from “The Diary of a Dead Officer” published by Old Stile Press

Andrew Baldwin (Trefeglwys, Powys), etchings and mezzotints inspired by the World War 1 battlefield

And me! Rose Davies / Rosie Scribblah (Swansea), monotypes and etchings from “The Warrior”, a series from my 10 year working relationship with Captain David Williams, a serving soldier and life model, who also features in Nawr yr Arwr.

 

Here’s a short video of me and my model working on a new monotype for “Nawr Yr Arwr / Now The Hero”

 

Frank Brangwyn and Käthe Kollwitz were accomplished multidisciplinary artists, both lived and worked through World War 1, and both excelled in the medium of printmaking. Drawing inspiration from the wealth of print media in which they worked, including etching, woodcut and lithography, Swansea Print Workshop’s exhibition will respond to the rich visual wealth of the sumptuous Brangwyn panels and the recent Glynn Vivian Art Gallery exhibition of Käthe Kollwitz prints.

 

The Starting Point

18 Aug

The Warrior Turns small

Yesterday I posted about the upcoming immersive art event in Swansea in September – Nawr yr Arwr / Now the Hero. I will be exhibiting some of the work I have been doing over the past decade with a young , now not so young, soldier who is also a life model. I’ve been looking through it all and it’s a big body of work. The starting point is life drawings, which I do most weeks at Swansea Print Workshop.

Warrior Turns print l

From the hundreds of drawings I have in sketchbooks and portfolios, I select some for development, usually into original prints. This one started as a pastel sketch on a canvas sheet and I developed it into a full-colour monotype (see my Techie section for how to do it). Very early on, I started to investigate the idea of The Warrior and this is reflected in the work I’ve done. This was done near the start of our working relationship and it’s called ,”The Warrior Turns To Face The Darkness“.

 

 

A Group Together

13 Aug

 

I ran a two-day teaching session in full-colour monotype at Swansea Print Workshop this weekend. I enjoy working with other artists who want to learn a new technique, they’re so motivated and they don’t baulk at cleaning up. Although everyone was doing the same process, there is a huge diversity of style and content.

group

 

 

 

Different Techniques

12 Aug

Rose

Sometimes I like to take images through into different techniques. I’ve recently been doing digital drawings from digital photographs I took up people’s noses and from one of those drawings I’ve done a monotype over this weekend.

So, from a digital photograph to a digital drawing to a full-colour monotype. What next? Shall I try a painting? Or a woodcut? Hmmmmm….

For more information on how to do this particular technique, please see the Techie Stuff section of my blog here.

 

 

The Melted Rocks

24 Jul

Paviland wordpress

One of my favourite places is Paviland, a strange otherworldly cove on the coast of the Gower Peninsula which is the site of the Goat’s Hole Cave, famous for the skeleton of the  “Red Lady of Paviland“, which is actually a young man. From the main road, it’s a fair walk across fields via a marked footpath before the ground drops sharply and narrows into a steep rocky valley down to the beach. The slippery and difficult rocks look as if they have been melted and are splashed with colour from mosses and lichens and veins of different minerals coursing through them. I always take a sketchbook when I visit and I made this large monotype from one of my sketches.

 

Returning Children

23 Jul

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I usually work from drawings done from life, only occasionally from a photograph and this is one of the rare original prints, a monotype, done entirely from a photo. I took the original image on a digital camera when I first visited Pakistan back in 2007, an amazing, life-changing journey. We travelled up the Khyber Pass, with an armed guard, and I saw this refugee family returning to Afghanistan. The security situation was much better then and I often wonder what happened to them, whether they were able to stay or whether they had to leave their home again. If you want to see how this monotype technique is done, click here….  I’m also running a short course in it at Swansea Print Workshop, please check on the right …..

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