Tag Archives: monotype

Drawn To Monotype

5 Jun

sleeping woman

I’ve been searching through my older work today. I do it from time to time because I find it helps me to analyse what I’m doing now. And also it reminds me what I have tucked away in my plans chest, often things I had forgotten.

SONY DSC

These two reminded me how crucial drawing is to my art practice. The first was done during the weekly life drawing session at Swansea Print Workshop. I liked the composition so much that I used it to develop this monotype, a technique I often use when I want to work in colour. I’ve never been particularly interested in painting, I’d rather use a printmaking process any day. You can find out more about this process in my Techie Stuff section here.

 

WAM night June 2018

Just a reminder about this night coming up fast in the Rhonddda Valley

May Day, Beltane And The Horse

1 May

mono 11 chine

It’s May Day, Beltane, and in some parts of Britain the Hobby Horse, or ‘Obby ‘Oss, is part of the festivities marking the beginning of Springtime fertility. There is a long tradition, predating Christianity, of celebrations involving horses, possibly linked to the ancient Celtic horse goddess, Epona. Here in Wales we have the Mari Lwyd, or Grey Mare, although this is a New Year tradition. Here’s a monotype from sketches of the Ystrad Mari I did earlier this year.

Mother And Daughter

17 Mar

Lynne B

I organised an exhibition and event for International Women’s Day last week at Swansea’s Cinema & Co, showcasing women artists, makers and entrepreneurs from the Swansea area. Mother and daughter Lynne and Leila Bebb are featured. Lynne Bebb is a sculptor and printmaker and has exhibited a trio of screenprinted monotypes with her daughter Leila as the subject. Leila is a performance artist and we showed this film of her contemporary dance piece, “Shattering“. So much talent in one family.

Shattering from Lynne Bebb on Vimeo.

 

The film was choreographed by Jessie Brett with original music by Jered Sorkin and supported by The Welfare, Ystradgynlais.

 

Randomness Ensued

28 Nov

caligo 1

I did an afternoon of experiments at The Workers Gallery last week, trying out different combinations of inks and papers on a Gelli Arts gelatine printing plate. I want to print papers for collage. I did some basic experiments a few weeks ago and I wanted to do something a bit more advanced to see what the technique is capable of.

tissue net

I used two different types of pigment – Caligo Safewash ink (oil-based) and Liquitex paint (acrylic) and two papers to print on – Daler Rowney cartridge paper and Hosho Japanese tissue. I also used ripped tissue paper and fruit net bags as stencils to add variation to colour and texture. I took two prints from each inking – a full colour one and a paler ‘ghost secondary image.

 

The Caligo inks had greater translucency and depth but in future I’ll try the Liquitex with a medium to thin it out a bit and see if I can get a more translucent paint. I prefer the Hosho paper, it gives much more luminosity than the Daler Rowney cartridge. The stencils – tissue and fruit net – worked really well and it was exciting when I took the paper off the plate to see what randomness endued.

 

 

 

Translucent Overlays

26 Nov

caligo ghost 1

I’ve been experimenting with Gelli Art gelatine plates for printmaking again. This time I used Caligo Safewash oil-based printing inks mixed with extender to make them translucent and overlaid the monotype three times, once in Process Yellow, then Process magenta and finally Process Cyan. I’ll explain the process in tomorrow’s blog. This is one of the pieces that I liked best, it is delicate and the overlays have produced so many subtle colours. I’m trying out this process to see if it will produce interesting papers for collage.

 

 

Chuffed To Bits

22 Nov

mono 10 chine

 

I just heard today that I have had 2 artworks accepted into the Swansea Open exhibition, running from December the 3rd to January the 6th. It’s returned after a gap of about 5 years, while the Glynn Vivian Art Gallery was closed and being refurbished, and it’s great to see it back. I’m chuffed to bits as Swansea is full of talented artists and the competition is stiff.

 

mari 2

 

I submitted two monotypes of the Mari Lwyd, based on drawings I did in my sketchbook at the end of last year. The Mari Lwyd is an ancient Welsh tradition, where groups of revellers wander the streets and pubs accompanied by a life size puppet constructed around a decorated horse’s skull. It may hark back to the worship of the Celtic horse goddess, Epona.

Open For Art, Cake And Amazing Machines

22 May

Coming soon, an open weekend at Swansea Print Workshop with guided tours around our Tardis-like studios, demonstrations of expert techniques on the Saturday and Sunday, our fabulous antique and modern printing machines, cakes and original art for sale and an exhibition that runs all week. I’ll be doing a demo of monotype techniques on Sunday 4th at 11.00.

Rose working 1JPG

Here I am working on a monotype at Wingtip Press in Boise, Idaho, USA

 

SWANSEA PRINT WORKSHOP | 19A CLARENCE ST. | SWANSEA | SA13QR

Demonstrations, exhibitions and sale of original prints | cards |drawings and handmade items

SATURDAY JUNE 3 | 10.30 TO 4.30

Demonstrations of techniques |2.00 | DRYPOINT |Dave Barron| 11.00 | LINOCUT | Alan Figg |

SUNDAY JUNE 4 | 10.30 TO 4.30

Demonstrations of techniques 11.00 | Monotype printing | Rose Davies |11.30 | Screenprinting | Sarah Hopkins | 2.00 | Watercolour Woodblock | Judith Stroud |2.30 | Inking up and printing an etching plate |Ian Fisher |

 

open day 2017

 

This is an opportunity to buy original prints at very reasonable prices, to watch demonstrations of how these prints are made and help support a community asset. Bring your friends along and enjoy a homemade cake and a drink. We run courses if you want to learn a process and if you are a member, have the opportunity to exhibit your work.

SALE of original prints by children on our Outreach programmes

WHERE TO FIND US We are located opposite the main Bus Station and the Quadrant in the centre of Swansea. There is an hour free parking in Clarence Street and several of the adjacent streets.

For more information about the event please refer to our website  www.swanseaprintworkshop.org.uk

REFRESHMENTS AVAILABLE ALL DAY

Come in, have a drink and a cake and browse the prints. Original prints and artists cards are for sale at very reasonable prices. Artist members have donated prints which allows us to offer a limited number below gallery prices.

 

 

The Sinister Skull

27 Jan

mono-12

I thought I had blogged all the monotypes I made from my Mari Lwyd drawings but I overlooked this one. It was the last that I did that day and maybe because I was tired and hungry, it’s probably the most sinister of the series. Mari Lwyd is actually quite a fun tradition, with lots of banter, drinking and skittishness although people unfamiliar with it are often spooked by the horse’s skull!

 

 

I am putting my series of drawings of ancient Welsh monuments on Artfinder.  If you want to buy one, you can see them by clicking on the image below or the Artfinder link at the top right of this page.

St Elvis

The Last Mari For Now

20 Jan

mono-11-chine

Here’s the last of the monotypes I made recently at Swansea Print Workshop based on my drawings of the Mari Lwyd. I used a vintage paper made by J Green and Sons supplied by the rather wonderful company The Vintage Paper Co in The Orkneys. The ink is Caligo Easy Wash Relief and the chine collé is hand made recycled sari paper stuck on with YES Paste. I used cotton buds (Q Tips), wooden barbecue skewers, scrim (tarlatan) and cotton rags for the mark making.

 

 

I am putting my series of drawings of ancient Welsh monuments on Artfinder.  If you want to buy one, you can see them by clicking on the image below or the Artfinder link at the top right of this page.

St Elvis

The Right Combo

17 Jan
mono-10-chine

Mari Lwyd (with chine colle)

Spent the day at Swansea Print Workshop making more monotypes based on the drawings I did while I followed around two local Mari Lwyd in December and January. I’m experimenting to find the right combination of ink, paper and glue (for the chine collé). I originally used Bockingford, Somerset then switched to a vintage paper by J Green & Sons (supplied by the Vintage Paper Co in Orkney). Today I just used the J Green paper which doesn’t need soaking, just a little spritz of clean water

Last time I tried out Intaglio Printmaker’s Litho / Relief oil-based ink with varying amounts of Extender but found it too tacky, it was quite hard to work the drawing onto the plate and it didn’t want to release the chine collé when it went through the press, so today I gave Caligo Easy Wash Relief ink a go. It worked much better although it was too loose to hold fine detail through the printing press.

Previously, I tried Pritt for the chine collé but today I used ‘YES’ paste which was much easier to apply and stuck the light tissues to the main print perfectly. Very impressed with it. I’ve changed everything from my starting point, it can take some time and experimentation to get the right combo.

mono-10-ghost

The ‘ghost’ print

After taking the first print with chine collé, I put another sheet of the dampened J Green paper onto the plate and took a ‘ghost’ print which I will work into with artist-quality oil pastels or maybe collage.

 

 

I am putting my series of drawings of ancient Welsh monuments on Artfinder.  If you want to buy one, you can see them by clicking on the image below or the Artfinder link at the top right of this page.

St Elvis

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