Tag Archives: monotype

Chine Collé

24 Oct

chine 1

 

I spent the afternoon down at Swansea Print Workshop preparing some chine collé to use with a vinyl block I made some months ago. I’ve tried printing it in several ways and I want to keep on experimenting with it. The image is based on a drawing of a stream bed I did on a field trip up towards the source of the River Tawe in the Brecon Beacons with colleagues from Swansea University’s FIRE Lab . First, I cut some Hosho paper to size from a roll I bought from Intaglio Printmakers in London.

 

chine 2

Then I cut the chine collé from monotypes I made using Gelli plates a couple of weeks ago, creating abstract imagery using rubbish – used bubble wrap, fruit nets and old newspapers.

 

I’ll print the block over the weekend…….

 

 

Birds And Bugs, Rubbish And Rugby

29 Sep

full set

I’ve just finished an exhausting three days working with Edinburgh-based Australian artist Kelly Stewart to develop a boxed set of small screenprints based on drawings we did from the Swansea Museum archives – taxidermy birds and invertebrates. I also included some imagery based on rubbish – the sort that ends up in our rivers and seas. I wanted to link the two types of images together.

 

Kelly took the group of us through the demanding technical challenge of producing so many multi-layered pieces in a relatively short time. She’s the consumate professional, and a really good sport. She wasn’t at all put out by Wales beating Australia in the Rugby World Cup as we worked. She had tea and Welsh Cakes to console her.

Birds And Bugs

28 Sep

bird 3

 

I spent yesterday drawing at Swansea Museum with a group of artists led by Edinburgh-based artist Kelly Stewart. It was arranged by Swansea Print Workshop who worked with staff from the Museum stores to select antique taxidermy specimens from their collection – a range of birds and bugs. I drew herons, a hawk, cockchafers and beetles.

 

 

I used different papers – Khadi hand-made, Winsor & Newton watercolour, Daler Rowney cartridge – and drawing materials – conté crayons, carbon and my home-made walnut ink.

 

bugs 1

 

Today our group moved to the print workshop to do a two-day screenprint session with Kelly. I took my bugs and birds and the Gelli plate monotypes I did recently and developed the drawings into designs, made them into transparencies and then onto photosensitised silkscreens ready for printing tomorrow. That’s a lot of work done and a lot more to come……..

 

I’m currently artist-in-residence at the FIRE Laboratory in Swansea University, a scientific research project examining the ecology of the River Tawe. If you want to find out more about local freshwater fauna, check this out ….

Rubbish

27 Sep

mono 2

 

I’ve just done a dozen or so monotypes using rubbish. I recently became the artist in residence with the FIRE Lab at Swansea University and I’ve been going out on field trips with the science team along the River Tawe, looking at its ecosystem, which includes noting the rubbish. We used some rubbish we found to make cyanotypes a few weeks ago and I really liked the result, so I decided to try out a different printmaking technique with rubbish and Gelli plates.

 

mono 3

 

I started by inking a Gelli plate with a thin layer of Process Yellow Safewash ink from Caligo Cranfield and stretched a net fruit bag over it. Then I put a piece of Hosho Japanese lightweight paper on top and pressed it with my hands, to lift the ink. I repeated the process with another dozen sheets, putting different pieces of rubbish onto the Gelli plates, including ripped newspaper and old bubblewrap.

 

mono 4

Then I cleaned the equipment (in hot soapy water – so easy) and inked up in Process Red, using fresh pieces of rubbish placed at random on the Gelli plate. I put the yellow-printed papers face down and rubbed so the monotypes became yellow, red and orange.

 

mono 5

 

Finally, after cleaning everything, I repeated the whole thing with Process Blue.

 

mono 6

 

I think the rubbish looks pretty good ……

 

mono 1

…… I have plans for these ……..

Printopia

2 Jul

poster

Shameless!

Another shameless plug for the Printopia exhibition of work by members of Swansea Print Workshop at The Seaside Gallery, Volcano, High Street, Swansea. It opens on Thursday 4th July, with cake and nibbles and a pay bar, and continues until 26th July.

Here Be Dragons

The Big ‘Un

And my great big woodcut, “Here Be Dragons” has finally been framed and is lording it over the little prints nearby. It’s a Big ‘Un alright!

 

 

 

PRINTOPIA

1 Jul

wordpress

PRINTOPIA, The Swansea Print Workshop annual member’s show is coming up in a few days, opening at Volcano on High Street on July 4th from 6.30 – 9.30 and running until the end of the month.

It’s not all creativity, being an artist. There’s loads of other stuff to do, like getting things ready for exhibiting. I’ve spent the morning cutting mounts (mattes) and slotting my monotypes into frames. I based the monotypes on sketchbook drawings I did en plein air.

Do drop in and see the show if you’re out and about in Swansea.

 

 

 

Root And Branch: Gwreiddyn A Changen

3 Jan

banner.jpg

Coming up February 16th and 17th, I’ll be running a 2 day printmaking masterclass at Swansea’s Glynn Vivian Art Gallery inspired by the forthcoming exhibition PHYTOPIA.

The creative imagery of the tree is rooted in the ancient oak forests of Britain, growing through the ages to branch into the present. From ancient Druidic and Celtic art to present-day fractal pop imagery, the concept of the tree rooting, growing and branching has inspired artists, designers and craftspeople for thousands of years.

If you fancy coming along, I’ll be using two printmaking techniques, with additional chine collé and watercolour, and exploring the Phytopia exhibition, to produce a small edition of drypoint etchings and at least one monotype inspired by the history and influence of trees in our culture.

The course costs £80 for the weekend and includes all the materials. Pre-booking is essential as there are not many places. Please click here to book. Hope to see you there.

yew tree

The Defynnog Yew from the petition set up by Janis Fry

And if you like trees, please sign this petition here to get protected status for Britain’s ancient yew trees which currently are unprotected. Thank you.

 

Mae delweddaeth greadigol y goeden yn deillio o goedwigoedd derw hynafol Prydain, gan dyfu drwy’r oesoedd i oroesi hyd heddiw. O gelf y Derwyddon a’r Celtiaid i ddelweddaeth ffractal y presennol, mae’r cysyniad o goeden yn cael ei gwreiddio, yn tyfu ac yn brigo wedi ysbrydoli artistiaid, dylunwyr a chrefftwyr am filoedd o flynyddoedd.
Gan ddefnyddio dwy dechneg gwneud printiau, yn ogystal â chine-collé a dyfrlliw, a chan archwilio’r arddangosfa Phytopia, byddwch yn gweithio gyda’r artist/printiwr Rose Davies i gynhyrchu argraffiad bach o ysgythriadau sychbwynt ac o leiaf un monoteip wedi’u hysbrydoli gan hanes a dylanwad coed yn ein diwylliant.

Cadwch eich lle’n gynnar i osgoi cael eich siomi. Rhaid cadw lle £80 am ddau ddiwrnod Dosbarth Meistr Gwneud Printiau. Darperir yr holl ddeunyddiau. 16+

 

 

The Swansea Open

29 Nov

mari siglo

The Swansea Open, December 8th to February 2nd 2019, Glynn Vivian art gallery.

I just heard today that I have had 2 artworks accepted into the Swansea Open exhibition and I’m chuffed to bits as Swansea is full of talented artists and the competition is stiff. I submitted two monotypes of the Mari Lwyd, based on drawings I did in my sketchbook at the end of last year. The Mari Lwyd is an ancient Welsh tradition, where groups of revellers wander the streets and pubs accompanied by a life size puppet constructed around a decorated horse’s skull. It may hark back to the worship of the Celtic horse goddess, Epona and has links with Wassailing, May Day hobby horses and Yule celebrations..

Mari thumbnail

The two pieces are intaglio prints – an etching and a mezzotint – that I made during a weekend course with accomplished printmaker Andrew Baldwin at Trefeglwys Print Studios a couple of months ago. It’s a beautiful studio in an ancient building in Powys and I learnt so much from Andrew. He has developed an innovative low toxicity etching ground – B.I.G. – that can be used in both traditional and inventive ways. You can find out more about it here.

Now The Printmakers

23 Aug
banner

From left to right: Andrew Baldwin, Rose Davies, John Abell

 

Opening Friday 21st September from 17.30 to 20.00 and continuing 10.30 – 4.30 September 22nd to 29th EXCEPT Monday 24th.

Swansea Print Workshop, a hidden gem, is exhibiting original prints as part of “Nawr Yr Arwr / Now The Hero“, inspired by World War 1 artists Frank Brangwyn and Käthe Kollwitz with work by artist members alongside three featured Welsh printmakers:

John Abell (Cardiff), woodcuts from “The Diary of a Dead Officer” published by Old Stile Press

Andrew Baldwin (Trefeglwys, Powys), etchings and mezzotints inspired by the World War 1 battlefield

And me! Rose Davies / Rosie Scribblah (Swansea), monotypes and etchings from “The Warrior”, a series from my 10 year working relationship with Captain David Williams, a serving soldier and life model, who also features in Nawr yr Arwr.

 

Here’s a short video of me and my model working on a new monotype for “Nawr Yr Arwr / Now The Hero”

 

Frank Brangwyn and Käthe Kollwitz were accomplished multidisciplinary artists, both lived and worked through World War 1, and both excelled in the medium of printmaking. Drawing inspiration from the wealth of print media in which they worked, including etching, woodcut and lithography, Swansea Print Workshop’s exhibition will respond to the rich visual wealth of the sumptuous Brangwyn panels and the recent Glynn Vivian Art Gallery exhibition of Käthe Kollwitz prints.

 

The Starting Point

18 Aug

The Warrior Turns small

Yesterday I posted about the upcoming immersive art event in Swansea in September – Nawr yr Arwr / Now the Hero. I will be exhibiting some of the work I have been doing over the past decade with a young , now not so young, soldier who is also a life model. I’ve been looking through it all and it’s a big body of work. The starting point is life drawings, which I do most weeks at Swansea Print Workshop.

Warrior Turns print l

From the hundreds of drawings I have in sketchbooks and portfolios, I select some for development, usually into original prints. This one started as a pastel sketch on a canvas sheet and I developed it into a full-colour monotype (see my Techie section for how to do it). Very early on, I started to investigate the idea of The Warrior and this is reflected in the work I’ve done. This was done near the start of our working relationship and it’s called ,”The Warrior Turns To Face The Darkness“.

 

 

%d bloggers like this: