Tag Archives: Daler Rowney

Putting It Together

26 Aug

Making an artwork can sometimes be quick and spontaneous but is often a set of processes that finally come together. That’s the way I developed the collage that I made yesterday at the Mill Lane Arts Week in Cardiff. I rummaged around in my plans chest for old discarded prints that hadn’t worked out to my satisfaction, linocuts and screenprints, the paper is too good to waste so they get squirreled away to be reused.

Millane 3

I worked on top of a large discarded linocut and collaged a fragment of a two-colour screenprint that hadn’t worked out.

 

Over the previous week, I had been scribbling over some unused screenprints and also some vintage papers with Daler Rowney soft pastels, working randomly building up layers of colour and texture. I used these extensively to build up detail on my collage.

 

So my final piece started some years ago with disappointment in the print studio – happy accidents.

Millane 4

 

 

A lot of my artwork is available on my Artfinder gallery.  If you’d like to have a look, please click on the image below or the Artfinder link at the top right of this page.

Urban Shredder

25 Aug

Millane 1

Husb and I spent the day in Cardiff at the Mill Lane Arts Week en plein air public art event. Most of the artists there today were painting but I don’t really ‘get’ paint so I did a collage. I’ve been preparing collage papers all week ( please see the last few blog posts) and I got stuck into shredding and sticking the urban cityscape in front of me.

Millane 2

I worked onto a discarded print, a large linocut that hadn’t worked out but turned on its side, it was a good starting point. Then I added some large-ish areas of colour and texture from some unwanted screen prints, then began shredding in earnest to build up detail. I had wondered about working in some linear details with conté crayon or oil bars, but in the end I liked the rough abstract nature of it.

Loads of artists have been working en plein air throughout the week and our work is on display on Level 2, 10, Mill Lane, Cardiff for the next few days, if you’re anywhere near.

 

 

A lot of my artwork is available on my Artfinder gallery.  If you’d like to have a look, please click on the image below or the Artfinder link at the top right of this page.

Ready To Go

24 Aug

e Step 4

Here’s the last of the scribbly experiments I’ve been doing lately, using Daler Rowney pastels onto vintage papers. I’ve been thinking about how I can use these pieces in cityscape collages tomorrow in Cardiff Arts Week. I’ll be drawing / collaging en plein air around Mill Lane and The Hayes, so please come and have a chat if you’re passing.

 

A lot of my artwork is available on my Artfinder gallery.  If you’d like to have a look, please click on the image below or the Artfinder link at the top right of this page.

Sounds Like A Plan…

23 Aug

d Step 1

Still experimenting with pastels on paper today, this time using a beautiful mid-weight vintage paper from a British mill that no longer exists. I wanted to be a bit more specific with the colours so I started working with various blue Daler Rowney soft pastels, using both hands to make randomised marks on the paper and then getting grubby with my fingers, rubbing away at some of the areas to soften the lines and intensify the hues.

Then I divided the paper with a fold and worked into one half with a black pastel and into the other with pale blue and white. I’m starting to get some ideas for using these papers. I will be working en plein air on Friday this week at the Cardiff Arts Week festival in Mill Lane. I think that most of the artists involved will be painting but I don’t paint. Messy stuff. So I thought I’d use these prepared papers to do some collaged cityscapes, working in the details with something intense like carbon. Sounds like a plan to me.

 

 

 

A lot of my artwork is available on my Artfinder gallery.  If you’d like to have a look, please click on the image below or the Artfinder link at the top right of this page.

Three Papers

16 Nov

kollwitz-nettle

A while back, I did some drawings of artists who inspire me and from those drawings I made some silkscreen stencils and printed up a series of nine images. Then I scanned a couple of those screenprints and had them made into small rubber stamps and that’s what I’m working with now, experimenting and seeing what I can come up with. A few weeks ago I went to a short paper-making course at Swansea’s City Farm and the paper, although lovely, isn’t particularly good for drawing so I’ve been trying to come up with some uses for it. So here’s a mashup of a little stamp of Käthe Kollwitz on Japanese Shiohara paper set onto a piece of hand made nettle paper mounted onto Daler Rowney Ebony paper. Oooohhh three papers in one little piece. Lovely.

 

Cool Sea. Hot Sky.

21 Jun

2016 Midsummer

 

Husb and I went out to look for the Midsummer sunset this evening from the top of one of the city’s hills. I had a bit of a scribble, looking South West across Swansea Bay. The still sea was misty and smudged into layers of pale cool blues interspersed with pinky-purply smears. I drew into my Daler Rowney ‘Ebony’ sketchbook with Daler Rowney artist pastels,

Midsummer

I turned around to face North West and just had time to take a couple of photos of the sun setting over the hill, throwing fire across the sky. And from now on, the nights will be drawing in again. Ho hum.

 

I’ve been travelling around South Wales with archaeologist Dewi Bowen, who is researching his new book on Neolithic / Bronze Age monuments. His previous book on the stones of Ancient Siluria (South East Wales) can be found here. Also with us  is film maker Melvyn Williams, recording a documentary about our experiences. Some of Melvyn’s short films can be seen here. If you want to see some of my other artworks, please click here.

On Midsummer’s Eve

20 Jun

Rhossili

 

One lovely thing about having visitors is that we get to take people around the great places locally; it’s easy to be complacent about your home and take it for granted. It’s good to see your locality through the eyes of others. Today I took my friend down to Rhossili Bay at the furthest point of the Gower Peninsula. Using Dewi Bowen’s archaeology book as a guide, we climbed up over Rhossili Downs to find ancient stones. Despite the gorgeous Midsummer sunshine, there was a brisk wind which made it difficult to draw. I settled into the heather at the top of the Downs, just past the Trig Point, with the three jagged points of a ruined burial chamber (one of the group called Sweyne’s Howes) in the foreground and the Worm’s Head seeming to swim out to sea in the background. It’s an absolutely glorious location; Rhossili is one of the top 10 beaches in the world and the ancestors sussed it about 5,000 years ago. I drew onto prepared Fabriano Accademica paper with Daler-Rowney artist’s soft pastels.

 

I’ve been travelling around South Wales with archaeologist Dewi Bowen, who is researching his new book on Neolithic / Bronze Age monuments. His previous book on the stones of Ancient Siluria (South East Wales) can be found here. Also with us  is film maker Melvyn Williams, recording a documentary about our experiences. Some of Melvyn’s short films can be seen here. If you want to see some of my other artworks, please click here.

Out Of The Gloom

29 Dec

window 2

I’m ploughing on with atmospheric sketches based on digital photos from the old church in Swansea that I visited a few weeks ago. I’m trying to keep it as minimal as possible, with more black than white, emphasising the chiaroscuro. I’m using conte crayon into an A4 ‘Ebony’ sketchbook by Daler Rowney. I took the photos on my Samsung phone and downloaded them into Adobe Photoshop where I did a bit of tweaking to bring up the black balance, then I drew from the adjusted photos.

Feeling It

26 Nov

nov 1

Just back from life drawing at Swansea Print Workshop. I started with a piece of charcoal but I wasn’t in a charcoal mood tonight and it didn’t feel right on the paper (Daler Rowney A3 sketch pad). So I switched to a lump of graphite and scribbled away. If felt better, it just felt right somehow. That’s something I don’t get when I do digital drawings, the feel of the drawing material dragging across the paper, the way it feels different depending on whether you use the point or the flat side. I experience art as a very physical thing; how materials feel, how they smell, how they sound – yes the sound of different drawing materials against different papers. It’s a sensory experience. In the spirit of “waste not, want not” I drew over the unsuccessful earlier drawings.

Experiments At Pentre Ifan

17 Oct

khadi

I spend a couple of days in Pembrokeshire drawing dolmens. I managed to get to 4 sites and did some sketching in the field, not easy as I forgot to take my drawing board so I was drawing on grass or even the stones themselves. I tried out some different techniques. These first two drawings at Pentre Ifan are drawn into my small Khadi handmade paper sketchbook that I had pre-coloured with a dark ink wash sploshed on randomly with a sponge. I drew with my Daler Rowney artist’s oil pastels, using white, pale blue and two tones of green. I filled in the negative spaces with the pastels – the dark stones are the ink-washed paper.

PI a

Pentre Ifan burial chamber, Nevern, Pembrokeshire, Wales

 

catacomb

Then I tried experimenting with a piece of Fabriano Accademica paper that I had already drawn on some months ago. I visited St. Paul’s catacombs in Malta last Winter and when I came back, I developed some of my sketches into larger drawings with my home-made walnut ink. I didn’t much care for most of them and I’ve been planning on re-using them and this is my first attempt, drawn with carbon and oil pastels, both by Daler Rowney. I like the idea of overlaying an ancient burial chamber onto an ancient burial site, but I’m not sure what I think of the drawing itself. I’ll sleep on it.

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