Tag Archives: Cardiff

Hanging With Camille Claudel

11 Nov

Camille

I’m exhibiting at “The Uncredited Woman” at Llanover Hall in Cardiff CF5 1FH until December 8th. Here I am at the opening of the Women’s Arts Association annual show, with the work I submitted, a screenprint of the French sculptor Camille Claudel. I used the liquid stencil method to prepare the screen, working from one of my drawings of her. If you want to find out more about the process, please click here.

 

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madeinroath

7 Oct

With my fellow Plebeian Printmakers I’ll be making street prints at the madeinroath festival in Cardiff on Saturday October the 21st so if you’re about, please come and see us in action between 11.00 and 15.00.

The theme of this year’s festival is ‘When You Have More Than You Need, Build A Longer
Table, Not A Higher Fence’ and in keeping with this, we will take prints from manholes and metal covers from local roads and pavements, in a variety of colours, onto paper doilies and napkins that will be used as place settings on the “Longer Tables Street Party” on Plasnewydd Road throughout the day. Here’s a copy of the madeinroath brochure – there’s loads going on throughout the week.

Some of The Plebeian Printmakers – Melvyn Williams, Patricia McKenna-Jones, Hannah Lawson and Chris Harrendence. Kara Seaman will be joining us at madeinroath. And I’ll be there too….

 

The Plebeian Printmakers is a very visible group of artists experienced in working and interacting with the public and we give people the opportunity to talk as well as observe what we’re doing, encouraging them to immerse themselves in their surroundings, to slow down and appreciate what’s often overlooked in the built environment. We use non-toxic, washable materials so that people can join in and make their own print if they want.

We recently did some street printmaking in Swansea at the Troublemakers Festival and one of our members, Melvyn Williams, made this short film of us at it.

 

 

 

MiR-PubPK-dates-logos-2017

 

 

A lot of my artwork is available on my Artfinder gallery.  If you’d like to have a look, please click on the image below or the Artfinder link at the top right of this page.

Artes Mundi

12 Sep

Husb and I were at g39 in Cardiff this evening at the announcement of the Artes Mundi shortlist. This is an internationally focused arts organisation that “identifies, recognises and supports contemporary visual artists who engage with the human condition, social reality and lived experience.” It’s possibly best known for its biennial international Exhibition and Prize which awards a £40,000 prize to the winner.

Of course, I had a scribble…..

artes mundi

Then my pen ran out …..

 

A lot of my artwork is available on my Artfinder gallery.  If you’d like to have a look, please click on the image below or the Artfinder link at the top right of this page.

Gors Fawr, near Mynachlog-ddu in the Preseli mountains, a lush green bog fringed with glowing hills.

 

Putting It Together

26 Aug

Making an artwork can sometimes be quick and spontaneous but is often a set of processes that finally come together. That’s the way I developed the collage that I made yesterday at the Mill Lane Arts Week in Cardiff. I rummaged around in my plans chest for old discarded prints that hadn’t worked out to my satisfaction, linocuts and screenprints, the paper is too good to waste so they get squirreled away to be reused.

Millane 3

I worked on top of a large discarded linocut and collaged a fragment of a two-colour screenprint that hadn’t worked out.

 

Over the previous week, I had been scribbling over some unused screenprints and also some vintage papers with Daler Rowney soft pastels, working randomly building up layers of colour and texture. I used these extensively to build up detail on my collage.

 

So my final piece started some years ago with disappointment in the print studio – happy accidents.

Millane 4

 

 

A lot of my artwork is available on my Artfinder gallery.  If you’d like to have a look, please click on the image below or the Artfinder link at the top right of this page.

Urban Shredder

25 Aug

Millane 1

Husb and I spent the day in Cardiff at the Mill Lane Arts Week en plein air public art event. Most of the artists there today were painting but I don’t really ‘get’ paint so I did a collage. I’ve been preparing collage papers all week ( please see the last few blog posts) and I got stuck into shredding and sticking the urban cityscape in front of me.

Millane 2

I worked onto a discarded print, a large linocut that hadn’t worked out but turned on its side, it was a good starting point. Then I added some large-ish areas of colour and texture from some unwanted screen prints, then began shredding in earnest to build up detail. I had wondered about working in some linear details with conté crayon or oil bars, but in the end I liked the rough abstract nature of it.

Loads of artists have been working en plein air throughout the week and our work is on display on Level 2, 10, Mill Lane, Cardiff for the next few days, if you’re anywhere near.

 

 

A lot of my artwork is available on my Artfinder gallery.  If you’d like to have a look, please click on the image below or the Artfinder link at the top right of this page.

Ready To Go

24 Aug

e Step 4

Here’s the last of the scribbly experiments I’ve been doing lately, using Daler Rowney pastels onto vintage papers. I’ve been thinking about how I can use these pieces in cityscape collages tomorrow in Cardiff Arts Week. I’ll be drawing / collaging en plein air around Mill Lane and The Hayes, so please come and have a chat if you’re passing.

 

A lot of my artwork is available on my Artfinder gallery.  If you’d like to have a look, please click on the image below or the Artfinder link at the top right of this page.

Sounds Like A Plan…

23 Aug

d Step 1

Still experimenting with pastels on paper today, this time using a beautiful mid-weight vintage paper from a British mill that no longer exists. I wanted to be a bit more specific with the colours so I started working with various blue Daler Rowney soft pastels, using both hands to make randomised marks on the paper and then getting grubby with my fingers, rubbing away at some of the areas to soften the lines and intensify the hues.

Then I divided the paper with a fold and worked into one half with a black pastel and into the other with pale blue and white. I’m starting to get some ideas for using these papers. I will be working en plein air on Friday this week at the Cardiff Arts Week festival in Mill Lane. I think that most of the artists involved will be painting but I don’t paint. Messy stuff. So I thought I’d use these prepared papers to do some collaged cityscapes, working in the details with something intense like carbon. Sounds like a plan to me.

 

 

 

A lot of my artwork is available on my Artfinder gallery.  If you’d like to have a look, please click on the image below or the Artfinder link at the top right of this page.

Golden Light

30 Nov

I saw a brief interview on the television this evening with the actor Timothy Spall talking about his role in Mike Leigh’s film, Mr. Turner. He did a lot of art training for it and said that one of the things that has lasted is that he now looks hard at everything around him, noticing far more than he did before. And I think that’s something that artists do, we look more than most people and the more you look, the more you see. I took these photos this evening as I was walking home from the print workshop. The light from the low winter sun was gorgeous, golden and sparkling and illuminating the dingy urban alleyways.

 

I have some work in both the exhibitions below, if you’re passing through The Rhondda Valley or Cardiff, please pop in…..

Redraw, Reinterpret

28 Nov

 

ty-n-selar

I’m redrawing into my sketchbook from the series of drawings I did of Neolithic monuments across South Wales earlier this year. It gives me a chance to reinterpret the original work and see what comes out of it. I’m thinking maybe lino cuts?

Paring It Down

27 Nov

paring-down

I did a series of drawings en plein air throughout the year, travelling across South Wales to draw Neolithic and Bronze Age stone monuments. I’m now redrawing them into a sketchbook because I want to pare them down, get to the essence of them, see what the vital details are and see what I come up with. Purely experimental at this stage but already I’m getting ideas for etchings and lino cuts. hmmmmm

 

I have some work in both the exhibitions below, if you’re passing through The Rhondda Valley or Cardiff, please pop in…..

 

 

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