Tag Archives: collage

Randomness Ensued

28 Nov

caligo 1

I did an afternoon of experiments at The Workers Gallery last week, trying out different combinations of inks and papers on a Gelli Arts gelatine printing plate. I want to print papers for collage. I did some basic experiments a few weeks ago and I wanted to do something a bit more advanced to see what the technique is capable of.

tissue net

I used two different types of pigment – Caligo Safewash ink (oil-based) and Liquitex paint (acrylic) and two papers to print on – Daler Rowney cartridge paper and Hosho Japanese tissue. I also used ripped tissue paper and fruit net bags as stencils to add variation to colour and texture. I took two prints from each inking – a full colour one and a paler ‘ghost secondary image.

 

The Caligo inks had greater translucency and depth but in future I’ll try the Liquitex with a medium to thin it out a bit and see if I can get a more translucent paint. I prefer the Hosho paper, it gives much more luminosity than the Daler Rowney cartridge. The stencils – tissue and fruit net – worked really well and it was exciting when I took the paper off the plate to see what randomness endued.

 

 

 

Translucent Overlays

26 Nov

caligo ghost 1

I’ve been experimenting with Gelli Art gelatine plates for printmaking again. This time I used Caligo Safewash oil-based printing inks mixed with extender to make them translucent and overlaid the monotype three times, once in Process Yellow, then Process magenta and finally Process Cyan. I’ll explain the process in tomorrow’s blog. This is one of the pieces that I liked best, it is delicate and the overlays have produced so many subtle colours. I’m trying out this process to see if it will produce interesting papers for collage.

 

 

Letting People Play

30 Oct

tree cat

I’m working for a charity that supports very vulnerable people, running arts and craft sessions. I work in different venues across the city and I tailor the sessions to suit them and their clients. This evening was about letting people play. It wasn’t a formal session aiming to teach fine arts or enabling people to turn out a well-crafted item, but a chance to just mess around and have a bit of fun.

 

 

I took some lovely chine collé tissue papers made from recycled saris and a couple of boxes of stamps, the ones that kids use, and an ink pad. I encouraged people to try stamping the tissues repetitively to make a pattern and / or to overlay them to get a pictorial effect.

 

 

Then we put them into little ready-made mounts which set them off nicely. Quick, cheap, easy and fun. People need to play and those living in dire circumstances often don’t get that chance. Providing a safe space for arts and crafts can give them the opportunity.

Testing Testing One Two Three

29 Oct
SOB7

The final layered print

I tried out a new printmaking technique today, gel printing with a commercial Gelli plate. It’s part of the equipment I’ve been given for my part-time job running art sessions with people who are homeless and insecurely housed. The instructions just said to use paper and acrylic paint but were no more specific than that so I wanted to try out some of the different acrylic media I have hanging around to see which worked best. First off, water-based printing inks from Seawhite of Brighton. The inks blended well on the plate, took the textures I pressed into them, printed easily onto a basic Daler Rowney cartridge paper (90gms) and cleaned up really well. I used baby wipes on the gel plate and warm water on the roller. Easy peasy.

I also tried the process with two other acrylic media, Liquitex acrylic inks and Winsor & Newton’s Galeria acrylic paints.

SOB8

 

The Liquitex inks were too runny for this process and smeared rather than rolled across the plate. They didn’t take the texturing well and quite a bit of ink was left on the plate afterwards. It’s a pity because the colours are gorgeous. The makers recommend trying a heavier Liquitex paint.

 

Lastly, I used the Winsor & Newton acrylic paints. They felt quite dry while I was rollering them onto the Gelli plate but they seemed to take the textures well. However, the inks didn’t transfer well to the paper, they dried out very quickly and I had trouble cleaning the roller.

SOB9

The results are okay for a first session. I’m used to doing monotypes onto a hard perspex (plexiglass) surface and I’m not sure whether I would use this technique for my own printmaking, but I need to do more experiments. I can see me using this technique to produce collage papers though. Next time, I think I’ll try with my Caligo Easywash inks and Liquitex Heavy Body acrylic. I’ll let you know …..

 

I Love It

25 Oct

mansel

I work part time for a charity that works with vulnerable people, I run arts and craft sessions. I love it. I really love it. People come in, have a cuppa and some biscuits and do some arty stuff for a couple of hours in a warm, safe place.

 

 

We do all sorts of different things and of course, people work at different levels according to their experience. Some people haven’t done any art since school, others have been to art college. Today I set up a simple teaching session on collage (from the French collé meaning ‘to stick’). I cut out some simple stencil shapes for those that wanted to use them and we ripped up loads of small pixels of paper from a stack of magazines and old photographic diaries.

Some background card and a packet of glue sticks and we’re off! There’s a lovely mix of styles and approaches and people seemed genuinely pleased with the experience.

Nasty Women

18 Sep

Kathe Hillary

I have entered this little collage into a group show in London called ‘Nasty Women UK‘. I am hugely inspired by Käthe Kollwitz, the German feminist, socialist, anti-war artist who died in 1945, after a lifetime of using her art as political protest, being banned by both the First Reich and the Third Reich, a truly ‘nasty woman’ in the eyes of the corrupt establishment. Some time ago I produced a suite of screenprints, derived from original drawings of my artistic heroines. I converted the image of Kollwitz into a rubber stamp and have been experimenting by stamping her image onto Shiohara Japanese paper. In this collage, I have combined a stamped image of Kollwitz with a newspaper photo of Hillary Clinton getting ‘selfied’, two ‘nasty women’ together (Trump labelled Clinton a nasty woman).

The exhibition is this weekend, 22, 23, 24 October at the Stour Space in Hackney Wick, E3 2PA and is part of a while load of events.

 

 

 

A lot of my artwork is available on my Artfinder gallery.  If you’d like to have a look, please click on the image below or the Artfinder link at the top right of this page.

Gors Fawr, near Mynachlog-ddu in the Preseli mountains, a lush green bog fringed with glowing hills.

Putting It Together

26 Aug

Making an artwork can sometimes be quick and spontaneous but is often a set of processes that finally come together. That’s the way I developed the collage that I made yesterday at the Mill Lane Arts Week in Cardiff. I rummaged around in my plans chest for old discarded prints that hadn’t worked out to my satisfaction, linocuts and screenprints, the paper is too good to waste so they get squirreled away to be reused.

Millane 3

I worked on top of a large discarded linocut and collaged a fragment of a two-colour screenprint that hadn’t worked out.

 

Over the previous week, I had been scribbling over some unused screenprints and also some vintage papers with Daler Rowney soft pastels, working randomly building up layers of colour and texture. I used these extensively to build up detail on my collage.

 

So my final piece started some years ago with disappointment in the print studio – happy accidents.

Millane 4

 

 

A lot of my artwork is available on my Artfinder gallery.  If you’d like to have a look, please click on the image below or the Artfinder link at the top right of this page.

Urban Shredder

25 Aug

Millane 1

Husb and I spent the day in Cardiff at the Mill Lane Arts Week en plein air public art event. Most of the artists there today were painting but I don’t really ‘get’ paint so I did a collage. I’ve been preparing collage papers all week ( please see the last few blog posts) and I got stuck into shredding and sticking the urban cityscape in front of me.

Millane 2

I worked onto a discarded print, a large linocut that hadn’t worked out but turned on its side, it was a good starting point. Then I added some large-ish areas of colour and texture from some unwanted screen prints, then began shredding in earnest to build up detail. I had wondered about working in some linear details with conté crayon or oil bars, but in the end I liked the rough abstract nature of it.

Loads of artists have been working en plein air throughout the week and our work is on display on Level 2, 10, Mill Lane, Cardiff for the next few days, if you’re anywhere near.

 

 

A lot of my artwork is available on my Artfinder gallery.  If you’d like to have a look, please click on the image below or the Artfinder link at the top right of this page.

Ready To Go

24 Aug

e Step 4

Here’s the last of the scribbly experiments I’ve been doing lately, using Daler Rowney pastels onto vintage papers. I’ve been thinking about how I can use these pieces in cityscape collages tomorrow in Cardiff Arts Week. I’ll be drawing / collaging en plein air around Mill Lane and The Hayes, so please come and have a chat if you’re passing.

 

A lot of my artwork is available on my Artfinder gallery.  If you’d like to have a look, please click on the image below or the Artfinder link at the top right of this page.

Sounds Like A Plan…

23 Aug

d Step 1

Still experimenting with pastels on paper today, this time using a beautiful mid-weight vintage paper from a British mill that no longer exists. I wanted to be a bit more specific with the colours so I started working with various blue Daler Rowney soft pastels, using both hands to make randomised marks on the paper and then getting grubby with my fingers, rubbing away at some of the areas to soften the lines and intensify the hues.

Then I divided the paper with a fold and worked into one half with a black pastel and into the other with pale blue and white. I’m starting to get some ideas for using these papers. I will be working en plein air on Friday this week at the Cardiff Arts Week festival in Mill Lane. I think that most of the artists involved will be painting but I don’t paint. Messy stuff. So I thought I’d use these prepared papers to do some collaged cityscapes, working in the details with something intense like carbon. Sounds like a plan to me.

 

 

 

A lot of my artwork is available on my Artfinder gallery.  If you’d like to have a look, please click on the image below or the Artfinder link at the top right of this page.

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