Tag Archives: silkscreen

Pollution And The Seagull

28 Jul

 

gull 2

I spent the morning at Swansea Print Workshop – we are doing a very limited re-opening now that the Covid19 restrictions are relaxing. I want to finish an edition of screenprints I made from a drawing of a stuffed seagull back last Autumn. I printed a load of seagulls on newsprint while I was getting the strength of the ink right so I used a couple of these today to try out different backgrounds. I’m thinking of making a photoscreen from fruit nets to create the background. There’s so much rubbish in the environment, loads of plastic pollution, so I’m going to use some with the seagull. I’m not necessarily going to use these colours but at the moment I’m trying to get the composition right.

 

Messy!

18 Feb

printing 1

I’m onto the messy stages of screenprinting now … squeegeeing ink through the stencil on the silk mesh on to the paper below. I’m almost half way through the edition, hope to have it finished by the end of the week.

printing 2

 

Here’s a short video of me using the vacuum screenpress to print the image at Swansea Print Workshop.

 

 

I’m developing an edition of mixed media prints for GS Artists from an original by Jamie Reid. There is a great exhibition of his work running until March 1st and here’s some more info about the show and the prints, which will be in a limited edition of 75.

dragons-revenge

Step By Step

15 Feb

knight screen

 

Building a screenprint step by step. It’s a lot of processes and each one has to be exact and tried out as a trial proof at each stage. Here’s the photoscreen of the little knight (above) and here he is printed in cobalt blue (below). I’m happy with the little chap.

 

knoght

 

I’m developing an edition of mixed media prints for GS Artists from an original by Jamie Reid. There is a great exhibition of his work running until March 1st and here’s some more info about the show and the prints, which will be in a limited edition of 75.

dragons-revenge

 

 

A Soft Squeegee And A Vacuum Press

11 Feb

trial 2

 

I cracked on with my trial proofs today at Swansea Print Workshop. I exposed and developed the screens yesterday, and today I mixed up some inks and tried out the screens. I’m very pleased with the quality and resolution. I’m using aluminium screens with 120 mesh from Screenstretch and Azocol photosensitive liquid stencil.

 

trial 1

 

There’s a large vacuum press for silkscreens at Swansea Print Workshop, which makes printing run a lot more smoothly. I’m using Daler Rowney System 3 acrylic paint mixed 40:60 with screenprint medium. I’ve experimented with two different squeegees – a soft and a medium. The soft squeegee presses more ink through but loses some resolution while the medium squeegee pushes less ink through, giving very good detail but loses some colour intensity. Decisions have to be made tomorrow.

 

dragons-revenge

I’m developing an edition of mixed media prints for GS Artists from an original design by Jamie Reid. There is a great exhibition of his work running until March 1st and here’s some more info about the show and the prints, which will be in a limited edition of 75.

 

Exposing The Dragon

10 Feb

screen 4

 

After the block printing over the weekend, I moved on to the next phase of the multi-media print designed by the artist Jamie Reid. I worked with Kara Seaman at Swansea Print Workshop to coat two silkscreens with Azocol photosensitive solution and after they dried, exposed them each with a transparency in the UV Unit.

 

 

Once they had been exposed for 2 minutes, they were washed to develop the image and then into the drying cupboard. Next stage is to do some colour tests and a couple of trial proofs – tomorrow ….

dragons-revenge

 

I’m developing an edition of mixed media prints for GS Artists from an original by Jamie Reid. There is a great exhibition of his work running until March 1st and here’s some more info about the show and the prints, which will be in a limited edition of 75.

 

Looking Forward To It

4 Jul

Kelly's course

I’m really looking forward to Swansea Print Workshop’s one-day course with Edinburgh-based artist Kelly Stewart at Swansea Museum tomorrow. Kelly’s expertise is helping artists to develop our drawings for screenprint , how to take original material into print using layers of colour, which can also be applied to a whole range of print processes.

Swansea Museum Stores has kindly allowed access to items from their collection that are not usually available to the public and Kelly has chosen a selection of small birds from the taxidermy collection. I can’t wait, I won’t sleep!!!!

 

 

 

Pop Goes The Bluestone

10 Aug

Circle 1

This is the final drawing I did last week on our two-day drawing  / archaeology / filming trip to Pembrokeshire. It’s a beautiful site, Gors Fawr, near Mynachlog-ddu in the Preseli mountains, a lush green bog fringed with glowing hills, dotted with a stone circle and two outliers constructed from bluestone. It’s the last drawing I’ll be doing for a few weeks as I must now concentrate on getting the work ready for my solo show next month, but we hope to resume our hunt for wild megaliths throughout the Autumn. You can see Dewi Bowen, archaeologist and Melvyn Williams, filmaker in the photo above. We’ve been doing this for seven months and there are still plenty more ancestral monuments to visit, draw, film and write about.

Circle 2

Each monument, each ancient site, affects me in different ways and this carries over into my drawings. It’s easier to draw a standing stone or chambered tomb than a stone circle  as the subject is smaller, more focused, not spread across a large area, so I’ve tended towards far more abstraction with the circles. I work quickly and intuitively and don’t really see what I’ve done until it’s finished. This was a surprise – it’s quite Pop Art. I’m starting to think that it might translate nicely into a silkscreen print. But not until the Autumn!

wild flowers

Purple ling and yellow gorse at Carn Llidi near St. Davids.

Since February, I have been travelling across South Wales with Rhondda-born archaeologist Dewi Bowen and Swansea film maker Melvyn Williams; cold and stormy, hot and humid, up mountains, through slurry, mud and bog, in all weathers accompanied by my portable drawing board, portfolio of Fabriano paper and a bag full of assorted artist’s materials.  Dewi is researching his latest book on Neolithic monuments and Melvyn is making a documentary film of our literary and artistic adventures.

I’ve done around 50 drawings now and these will be exhibited in my solo show in The Worker’s Gallery in the Rhondda Valley in September. Please click here to find out more about it.

And if you want to see some of my other artwork, please click on the image below.

Quoit

Cake, Tea, Art

13 Dec
opening 1

The opening crowd at The SPace spied through my developing installation using my new rubber stamp and some Shiohara paper.

After three weeks of painting, cleaning, drilling, humping furniture, doing risk assessments, form filling, dealing with bureaucracy, getting rained on, labelling and putting artwork onto walls and into browsers, Swansea’s newest artspace, The SPace, formally opened with a Welsh tea on Friday evening.

opening 2

Some of my artwork, silkscreen prints and drawings, on the left. My work is available for sale through Artfinder, please click the link on my blog or search for Rosie Scribblah on Artfinder

It was great! Such a lovely atmosphere, lots of really lovely people, gorgeous art, Swansea Print Workshop’s new book (fully illustrated and a snip at £9.95), Welsh teatime delicacies bara brith and Welsh cakes, along with jammy tarts, chocolate brownies (gluten-free), mince pies, vol-au-vents (retro!), cheesy biscuits and lashings of tea and a spot of mulled wine as well. Lovely.

opening 3

Home-made Welsh teatime treats

It’s an offshoot of Swansea Print Workshop; a temporary collective of 14 of our members getting The SPace together for 12 weeks in a property owned by Coastal Housing Group at 217 High Street. The SPace is open Wednesdays to Saturdays, 11.30 – 5.00 between now and mid-February. Please pop in and see us if you’re in the city, or visit us at Swansea Print Workshop’s Facebook group here.

Get Over Yourself

3 Dec

her place 1

 

I recently had a rubber stamp made from a screen print I did a few months back (here) and tried it out today for the first time on some leftover pieces of lovely Shiohara paper. It came out like, well, a rubber stamp. Being a geeky and rather obsessive printmaker, I of course wanted it to be absolutely perfect, like a lino block through a fine Victorian Columbian press.

 

Then I got over myself! A rubber stamp is a completely different animal and the effect of stamping gives a very different finish to a press. And then I started enjoying myself, stamping away. I hung them to dry on my clothes airer, using plastic pegs and cotton wool pads. I’m not sure what I’ll do with them – maybe a 3D piece?

I did it at The SPace, a temporary artspace by Swansea Print Workshop at 217, High Street, Swansea. Open 11.30 – 5.00, Wednesdays to Saturdays until mid-February.

Return To Life

18 Jun

wpid-1434659342700.png

I’ve been so busy with the series of silkscreen prints over the past few weeks that I haven’t been to life drawing at Swansea Print Workshop for ages. So back to normal this evening and I did this head study using my Samsung Galaxy Tablet Note 8 with the free Markers app.

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I saved the drawing frequently so that I could put together a slideshow of the different stages of development. I got really scribbly.

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