Tag Archives: #ArtistsofTwitter

Greetings Humans

15 Nov

Sparta Puss

 

Greetings Humans. Sparta Puss here. I managed to get my paws on the furless she-ape’s pooter box while she’s washing my food bowls. And preparing my supper. And brushing excess fur from my favourite blankie. And going down the road to the hunting ground called the supermarket to hunt for my kitty biscuits. She’s a lazy mare!

Anyhoo, I was lying around on my second favourite blankie earlier and the female monkey was fiddling about with a stick with dirty stuff in it called a biro pen and she was moving it around and around on a bit of paper while staring at me. I like it when the hairless simians stare at me – it shows proper respect. Then she showed me all the bits of dirt on the paper and said it’s me! She’s an idiot.

book cover

Here I am reclining with the she-ape’s thing with paper in it. She calls it a sketchbook. It has cats over it. They don’t look as good as I do.

Wo/Man Buns

14 Nov

woman bunz

I was sitting on the bus to our local hospital to visit a relative this evening and a young man and woman sat in front of me. They were dressed in similar clothes and had identical hairstyles. Both had longer hair on top, drawn up into a bun, and shaved close to the head below. Both had pierced ears, the young woman had inserts about the size of a 10p piece while the young man’s were smaller and both had other piercings along their ears and in their noses. My late Dad would have said “Can’t tell the girls from the boys these days” but he said that back in the 1970s when I used to wear jeans, boots and a leather jacket and rode a motorbike, which he seriously disapproved of. There’s a lot of fuss about ‘gender fluidity’ lately but it isn’t really any different to our adulation in the ’70s for David Bowie and Marc Bolan, who pushed the boundaries of what was acceptable in male fashion and style. The sky didn’t fall on our heads back then and it won’t now.

City Of Poetic Culture

13 Nov

Poetry Slam

 

Husb and I went to The Hyst in Swansea’s High Street this evening for a poetry showcase put on by Swansea City Of Culture 2017. I’m not usually drawn to poetry but these performers were fantastic – Rufus Mufasa, Clare Ferguson-Walker, Gwion Iqbal Malik,  Julia Manser and Karl Beer. Of course, I had a scribble, like you do…..

 

The Last Experiment (for now)

8 Nov

caligo 8

I’ve been experimenting doing monotypes on a gel plate from Gelli Arts, trying out different inks and paints over the last week or so. I’ve finished for the time being, ending up with Caligo Safe Wash oil-based printing inks. I used Process Yellow, Magenta and Cyan mixed approximately 50:50 with the brand’s Extender for translucency and to make it easier to roll. It gave good coverage over the gel plate, held texture well, printed with vibrant colours and also produced a decent ‘ghost’ (secondary) print.

 

I’ve tried out 6 different inks / paints, all printed in two layers onto Daler Rowney cartridge paper (90gsm). I think the best for my own professional use are the Caligo Safe Wash oil-based printing ink and the Liquitex Heavy Body acrylic paint.

 

For teaching, I would be happy to use both the Essdee and the Seawhites of Brighton water-based printing inks. And the other 2 media I used, Winsor & Newton Galeria acrylic paint and Liquitex acrylic inks were both too liquid to give satisfactory results on this brand of gel plate, so I’ll be keeping them for other projects.

 

 

 

Jelly And Liquitex

5 Nov

liquitex 4

So, still experimenting with the Gelli Arts plate, this time trying out Liquitex Heavy Body acrylic paint. It gives excellent coverage and takes textures really well. Almost all the ink comes off onto the paper – Daler Rowney cartridge 90gsm – with gentle rubbing, leaving very little for a ‘ghost’ print. The only problem I think is that the colours are very intense, it’s high quality paint, and I either need to experiment with more subtle methods of removing and blending the paint on the plate or find some sort of medium to thin out the intensity of the colour without making the paint more watery.

 

More Jelly Experiments

4 Nov

I’m continuing top experiment with gel plate printmaking using a Gelli Arts plate. Today I tried it with Essdee block printing ink, staying with Daler Rowney cartridge paper (90gsm) for consistency,

essdee 10

The Essdee inks are easy to use, roll out nicely and take a good texture from bubblewrap and scrunchy tissue paper. The ink prints easy with a firm hand rub but leaves a faint and disappointing ‘ghost’ or secondary image. It cleans off easily with babywipes.

Letting People Play

30 Oct

tree cat

I’m working for a charity that supports very vulnerable people, running arts and craft sessions. I work in different venues across the city and I tailor the sessions to suit them and their clients. This evening was about letting people play. It wasn’t a formal session aiming to teach fine arts or enabling people to turn out a well-crafted item, but a chance to just mess around and have a bit of fun.

 

 

I took some lovely chine collé tissue papers made from recycled saris and a couple of boxes of stamps, the ones that kids use, and an ink pad. I encouraged people to try stamping the tissues repetitively to make a pattern and / or to overlay them to get a pictorial effect.

 

 

Then we put them into little ready-made mounts which set them off nicely. Quick, cheap, easy and fun. People need to play and those living in dire circumstances often don’t get that chance. Providing a safe space for arts and crafts can give them the opportunity.

Testing Testing One Two Three

29 Oct
SOB7

The final layered print

I tried out a new printmaking technique today, gel printing with a commercial Gelli plate. It’s part of the equipment I’ve been given for my part-time job running art sessions with people who are homeless and insecurely housed. The instructions just said to use paper and acrylic paint but were no more specific than that so I wanted to try out some of the different acrylic media I have hanging around to see which worked best. First off, water-based printing inks from Seawhite of Brighton. The inks blended well on the plate, took the textures I pressed into them, printed easily onto a basic Daler Rowney cartridge paper (90gms) and cleaned up really well. I used baby wipes on the gel plate and warm water on the roller. Easy peasy.

I also tried the process with two other acrylic media, Liquitex acrylic inks and Winsor & Newton’s Galeria acrylic paints.

SOB8

 

The Liquitex inks were too runny for this process and smeared rather than rolled across the plate. They didn’t take the texturing well and quite a bit of ink was left on the plate afterwards. It’s a pity because the colours are gorgeous. The makers recommend trying a heavier Liquitex paint.

 

Lastly, I used the Winsor & Newton acrylic paints. They felt quite dry while I was rollering them onto the Gelli plate but they seemed to take the textures well. However, the inks didn’t transfer well to the paper, they dried out very quickly and I had trouble cleaning the roller.

SOB9

The results are okay for a first session. I’m used to doing monotypes onto a hard perspex (plexiglass) surface and I’m not sure whether I would use this technique for my own printmaking, but I need to do more experiments. I can see me using this technique to produce collage papers though. Next time, I think I’ll try with my Caligo Easywash inks and Liquitex Heavy Body acrylic. I’ll let you know …..

 

I Don’t Like Brushes

27 Oct

rose 1

Water Colour. The clues in the name. Water. Colour. Water first, then the colour. I’ve been having a few little experiments with watercolours lately. It pays to use excellent quality paints as the colours are so vibrant. I soaked the paper with a sponge first then dappled little spots of watercolour onto the surface with my finger, then ended up with a few scribbles of Aquarelle pencils. I’ve never liked paintbrushes, which might be why I’m a printmaker. It’s nice to play around with materials with for no other reason than having a play.

 

 

I Love It

25 Oct

mansel

I work part time for a charity that works with vulnerable people, I run arts and craft sessions. I love it. I really love it. People come in, have a cuppa and some biscuits and do some arty stuff for a couple of hours in a warm, safe place.

 

 

We do all sorts of different things and of course, people work at different levels according to their experience. Some people haven’t done any art since school, others have been to art college. Today I set up a simple teaching session on collage (from the French collé meaning ‘to stick’). I cut out some simple stencil shapes for those that wanted to use them and we ripped up loads of small pixels of paper from a stack of magazines and old photographic diaries.

Some background card and a packet of glue sticks and we’re off! There’s a lovely mix of styles and approaches and people seemed genuinely pleased with the experience.

%d bloggers like this: