Tag Archives: Gelli Arts

City Centre Thug

7 Nov

city centre thug

 

This image has had quite a lengthy journey. I did the original drawing (below) of a seagull, or city centre thug around these parts, at Swansea Museum weeks ago, working with Edinburgh-based printmaker Kelly Stewart, sketching antique taxidermy birds and bugs from the Museum collections.

 

 

Then I created a transparency to transfer the drawing onto a photosensitised screen. When it was exposed, developed and dried I tried out a load of trial prints onto cheap newsprint paper, using Daler Rowney System 3 acrylic paint, black with a hint of purple, and some printmaking medium.

And finally I printed an edition of 6 onto Fabriano Rosapina paper (285gsm) with one Artist Proof and one leftover, which is a reject. Fabriano paper comes from the Italian town of Fabriano which has been a centre for papermaking for nearly eight hundred years.

 

Who Ate All The Pies?

31 Oct

scourge the seagull

Who Ate All The Pies?

I spent the afternoon down at Swansea Print Workshop, working alongside other artists, heads down, printmaking. I worked with two others, preparing silkscreens with Azicol photosensitive solution. I’m going to make a photoscreen from a drawing I did recently, of a seagull during a drawing day at Swansea Museum.

 

screen gull

 

I drew a stuffed seagull from their collection of antique taxidermy. There are loads of seagulls around here. They steal people’s food from their hands. They’re getting bigger. And more intelligent. One day they will take over the world!

Birds And Bugs

28 Sep

bird 3

 

I spent yesterday drawing at Swansea Museum with a group of artists led by Edinburgh-based artist Kelly Stewart. It was arranged by Swansea Print Workshop who worked with staff from the Museum stores to select antique taxidermy specimens from their collection – a range of birds and bugs. I drew herons, a hawk, cockchafers and beetles.

 

 

I used different papers – Khadi hand-made, Winsor & Newton watercolour, Daler Rowney cartridge – and drawing materials – conté crayons, carbon and my home-made walnut ink.

 

bugs 1

 

Today our group moved to the print workshop to do a two-day screenprint session with Kelly. I took my bugs and birds and the Gelli plate monotypes I did recently and developed the drawings into designs, made them into transparencies and then onto photosensitised silkscreens ready for printing tomorrow. That’s a lot of work done and a lot more to come……..

 

I’m currently artist-in-residence at the FIRE Laboratory in Swansea University, a scientific research project examining the ecology of the River Tawe. If you want to find out more about local freshwater fauna, check this out ….

Rubbish

27 Sep

mono 2

 

I’ve just done a dozen or so monotypes using rubbish. I recently became the artist in residence with the FIRE Lab at Swansea University and I’ve been going out on field trips with the science team along the River Tawe, looking at its ecosystem, which includes noting the rubbish. We used some rubbish we found to make cyanotypes a few weeks ago and I really liked the result, so I decided to try out a different printmaking technique with rubbish and Gelli plates.

 

mono 3

 

I started by inking a Gelli plate with a thin layer of Process Yellow Safewash ink from Caligo Cranfield and stretched a net fruit bag over it. Then I put a piece of Hosho Japanese lightweight paper on top and pressed it with my hands, to lift the ink. I repeated the process with another dozen sheets, putting different pieces of rubbish onto the Gelli plates, including ripped newspaper and old bubblewrap.

 

mono 4

Then I cleaned the equipment (in hot soapy water – so easy) and inked up in Process Red, using fresh pieces of rubbish placed at random on the Gelli plate. I put the yellow-printed papers face down and rubbed so the monotypes became yellow, red and orange.

 

mono 5

 

Finally, after cleaning everything, I repeated the whole thing with Process Blue.

 

mono 6

 

I think the rubbish looks pretty good ……

 

mono 1

…… I have plans for these ……..

Randomness Ensued

28 Nov

caligo 1

I did an afternoon of experiments at The Workers Gallery last week, trying out different combinations of inks and papers on a Gelli Arts gelatine printing plate. I want to print papers for collage. I did some basic experiments a few weeks ago and I wanted to do something a bit more advanced to see what the technique is capable of.

tissue net

I used two different types of pigment – Caligo Safewash ink (oil-based) and Liquitex paint (acrylic) and two papers to print on – Daler Rowney cartridge paper and Hosho Japanese tissue. I also used ripped tissue paper and fruit net bags as stencils to add variation to colour and texture. I took two prints from each inking – a full colour one and a paler ‘ghost secondary image.

 

The Caligo inks had greater translucency and depth but in future I’ll try the Liquitex with a medium to thin it out a bit and see if I can get a more translucent paint. I prefer the Hosho paper, it gives much more luminosity than the Daler Rowney cartridge. The stencils – tissue and fruit net – worked really well and it was exciting when I took the paper off the plate to see what randomness endued.

 

 

 

Translucent Overlays

26 Nov

caligo ghost 1

I’ve been experimenting with Gelli Art gelatine plates for printmaking again. This time I used Caligo Safewash oil-based printing inks mixed with extender to make them translucent and overlaid the monotype three times, once in Process Yellow, then Process magenta and finally Process Cyan. I’ll explain the process in tomorrow’s blog. This is one of the pieces that I liked best, it is delicate and the overlays have produced so many subtle colours. I’m trying out this process to see if it will produce interesting papers for collage.

 

 

The Last Experiment (for now)

8 Nov

caligo 8

I’ve been experimenting doing monotypes on a gel plate from Gelli Arts, trying out different inks and paints over the last week or so. I’ve finished for the time being, ending up with Caligo Safe Wash oil-based printing inks. I used Process Yellow, Magenta and Cyan mixed approximately 50:50 with the brand’s Extender for translucency and to make it easier to roll. It gave good coverage over the gel plate, held texture well, printed with vibrant colours and also produced a decent ‘ghost’ (secondary) print.

 

I’ve tried out 6 different inks / paints, all printed in two layers onto Daler Rowney cartridge paper (90gsm). I think the best for my own professional use are the Caligo Safe Wash oil-based printing ink and the Liquitex Heavy Body acrylic paint.

 

For teaching, I would be happy to use both the Essdee and the Seawhites of Brighton water-based printing inks. And the other 2 media I used, Winsor & Newton Galeria acrylic paint and Liquitex acrylic inks were both too liquid to give satisfactory results on this brand of gel plate, so I’ll be keeping them for other projects.

 

 

 

Jelly And Liquitex

5 Nov

liquitex 4

So, still experimenting with the Gelli Arts plate, this time trying out Liquitex Heavy Body acrylic paint. It gives excellent coverage and takes textures really well. Almost all the ink comes off onto the paper – Daler Rowney cartridge 90gsm – with gentle rubbing, leaving very little for a ‘ghost’ print. The only problem I think is that the colours are very intense, it’s high quality paint, and I either need to experiment with more subtle methods of removing and blending the paint on the plate or find some sort of medium to thin out the intensity of the colour without making the paint more watery.

 

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