Tag Archives: @Liquitex

Stay Safe In Comic Sans

27 May

sparta 7

I carried on with my Pop-inspired painting of Sparta Puss today. I put the caption into her thought bubble – Stay safe – in a reasonable attempt at Comic Sans, although it could be a bit tidier. I love Comic Sans and I don’t care! I’m putting a rainbow border around the thought bubble, to honour our keyworkers. The bit at the bottom is developing randomly. I’m quite frugal – some would say stingy – and I don’t like to waste paint so I’m scrubbing leftovers onto the bottom of the canvas then painting paisley patterns over it. I like it.

I’m using Liquitex heavy body acrylic paint onto a Winsor & Newton canvas. I’m working from a digital drawing I did of Sparta Puss on my Galaxy Note 8 tablet with a free Markers app.

Cat’s Eyes

23 May

sparta 4

I did a bit more work on my Pop painting of Sparta Puss this afternoon, on the speech bubble, her coloured bits and her eyes, which are a lovely green. I started filling in the background with left over paint – waste not want not – but I haven’t decided what to put in it yet.

 

 

Carrying On With The Cat

20 May

sparta 5

I carried on with my painting of Sparta Puss today, getting a bit more detail done and I put in a speech bubble. I’ve decided to go all Pop Art on her. It’s fun, like colouring in. I’m using Liquitex Heavy Body acrylic paint onto a Winsor & Newton canvas. Getting there…..

Finished One, Started Another

10 May

Starry Night

I spent another couple of hours finishing my copy of van Gogh’s Starry Night today, that’s about 5 and a half hours in all. I don’t know how long it took Vincent. I learnt an awful lot from doing it, about handling paint and also about Vincent’s technique. The work is much richer and more multi-layered than I had thought. Looking at the comments posted on the Cheese and Wine Painting Club, which hosted the original session, a lot of the participants thought it was the hardest one yet. The composition is quite simple, but the application of the paint is very complex.

I’m inspired now to do a painting of my own. Not something I normally do but I’m really enjoying this lockdown detour. Here’s the beginning. Can you see what it is yet? 😀

Sparta Starter

The next family-friendly session of the Cheese and Wine Painting Club is Friday May 15th at midday and the painting will be Picasso’s Girl With Red Beret. It’s free for those who need it to be with donations from those who can afford to chip in a bit.

Starry Starry Cat

9 May

Starry 2

I carried on with the painting I started yesterday with the Facebook Cheese and Wine Painting Club. It’s van Gogh’s Starry Night and it’s far more complex than I’d realised. I did an hour and a half yesterday and two hours today and still a ways to go. Sparta Puss joined me for a while.

Starry 3

I’m using Liquitex acrylic heavy body paint onto a Winsor & Newton canvas. It’s weird painting, not something I normally do, but it’s so interesting to analyse a famous artwork and see what has gone into it. I uploaded a better image of Starry Night today and saw loads more detail in it.

Complementary

29 Apr

Pat Orange 2

I carried on painting today. I’m just doing a bit at a time because I tend to get very stressed over painting, which doesn’t happen when I draw or make original prints. So I’m just dashing over to it, slapping some acrylic paint on it, then dashing away to do something else. Today I put a wash of orange over the yellow towards the bottom of the canvas roll. It’s a complementary colour to the blue and I like using complementary colours – they create such intensity. I also started to block in some darker areas on the overalls, overlaying the cerulean with a red-biased pthalo blue. I’m using Liquitex Heavy Body acrylics, mostly transparent or translucent as I like layering glazes over each other. This is a portrait of the artist Patti McJones that I started 5 years ago, it’s a big piece, almost life size.

A Bit Less Slack

26 Apr

Pat 2

That’s two days running now that I’ve picked up paintbrushes and got to work on some canvas. I did some more work on the head of my subject and the flowers in the background. I am using Liquitex Heavy Body translucent / transparent acrylics, thinned with water to build up overlaid glazes. It’s been a bit more interesting today, I let myself go a bit and enjoyed making patterns in the paint and I feel a bit less slack. Not a patch on woodcutting though ;D

Very Slack

25 Apr

 

Pat 1

I generally don’t paint because it takes for ever. When is a painting ever finished? Printmaking is very much a process, it tends to be time limited so you complete an edition of prints and that’s it. That’s what I like about it. But whenever I start a painting, it just goes on and on. I started this one, a portrait of fellow artist Patti McJones about 5 years ago and finally got it out of the cupboard today to continue working on it. Maybe I’ll finish it over the next few days. I’m using Liquitex Heavy Body acrylic paint onto an unstretched canvas roll. I started by drawing in compressed charcoal and then blocked in the main areas of colour. Then I left it. For half a decade. I guess I’ve been very slack!

Putting The Work In….

1 Aug

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Putting The Work In…. So the past few days I’ve been slapping an underpainting onto a canvas but now the serious stuff has to start, I need to get stuck into the details. I want to have the head thrown back from the torso so I took a few photos of long-suffering Husb (I guess he must be my Muse) and drew this one into my Samsung Galaxy Note 8 tablet using a free Markers app. I blocked in the background in a beige-y colour and then worked up the drawing with white and a couple of brown shades, finishing with orange on the eyebrows. I used the stylus and my finger, the stylus gives a more defined line. Husb is very tall and I am short so I am used to seeing him from this angle. I love a nice bit of foreshortening.

Here’s how far I’ve gone with the underpainting ….

I’ll get the head painted on in more detail next ….

Anything Goes…

31 Jul

Male nude 5

I’m not a painter. I draw, I make original prints, I experiment with mixed media work. But I rarely paint. So as far as I’m concerned, anything goes. If something doesn’t work out, I can paint over it and start again. So I don’t know what the rules are (well, some of the basic ones, but that’s it) and I’m going to do whatever takes my fancy. When I do printmaking, I prefer to work with just the three primary colours, Process Cyan, Magenta / Red and Yellow and I’m trying to keep to this principle with this painting; I’ll see how it pans out. I’m also keen on trying to draw more than paint, using very thin washes of translucent colour that flow from the brush with the sort of lines and marks I use in drawings.

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