Tag Archives: @Liquitex

Putting The Work In….

1 Aug

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Putting The Work In…. So the past few days I’ve been slapping an underpainting onto a canvas but now the serious stuff has to start, I need to get stuck into the details. I want to have the head thrown back from the torso so I took a few photos of long-suffering Husb (I guess he must be my Muse) and drew this one into my Samsung Galaxy Note 8 tablet using a free Markers app. I blocked in the background in a beige-y colour and then worked up the drawing with white and a couple of brown shades, finishing with orange on the eyebrows. I used the stylus and my finger, the stylus gives a more defined line. Husb is very tall and I am short so I am used to seeing him from this angle. I love a nice bit of foreshortening.

Here’s how far I’ve gone with the underpainting ….

I’ll get the head painted on in more detail next ….

Anything Goes…

31 Jul

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I’m not a painter. I draw, I make original prints, I experiment with mixed media work. But I rarely paint. So as far as I’m concerned, anything goes. If something doesn’t work out, I can paint over it and start again. So I don’t know what the rules are (well, some of the basic ones, but that’s it) and I’m going to do whatever takes my fancy. When I do printmaking, I prefer to work with just the three primary colours, Process Cyan, Magenta / Red and Yellow and I’m trying to keep to this principle with this painting; I’ll see how it pans out. I’m also keen on trying to draw more than paint, using very thin washes of translucent colour that flow from the brush with the sort of lines and marks I use in drawings.

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Just Get On With It!

30 Jul

Just Get On With It!

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I find making art really hard. People often say to me, “how lovely to work at something you enjoy“. WRONG!!! It’s blood, sweat and tears all the way for me. I get stuck in cycles of creative self-doubt which are absolutely paralysing and I’ve been in one for some months now. So today I gave myself a good talking to and told myself to just get on with it. I started a painting a few days ago, putting on a dark ground and then a rough underpainting in pale grey, so today I mixed up a fairly thin wash of black acrylic ink (Liquitex Heavy Body) and did some quite quick and intuitive linework.

Although I have an original life drawing for reference, I am trying to work without it as much as possible, and rely on my imagination and intuition. I really must snap out of this and stop being so afraid to create. After all, if I don’t like what I do, I can always cover the canvas with gesso and start again.

Practising What I Preach

26 Jul

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I’ve been doing quite a bit of teaching lately and I encourage people to experiment, to loosen up, to enjoy playing with the materials and see what turns up. And I really should practise what I preach! So I’m trying to chill out and splash about with paint and not work directly from life as I normally do – although I am working from a life drawing, but very loosely. Let’s see how it turns out.

I don’t like working directly onto white so I put on a basic wash made from diluted blue, red and yellow Liquitex acrylic paint. Then I blocked in the figure with diluted white Liquitex.

An Inspirational Talk

25 Jul

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Husb and I went to a talk by the veteran artist Hanlyn Davies at our local art gallery, The Glynn Vivian, this evening. I really appreciated it and learnt a lot. I’ve been trying to break away from always working directly from life, tapping into my imagination, but I’ve been finding it hard going. Watching Hanlyn run through a slide show of over 50 years work has given me a bit of confidence to let go a bit and keep experimenting. I added a bit of red paint to the canvas board I started painting last week, when I was using up leftover Liquitex acrylic paints at the end of a teaching session. There wasn’t much left this week. It’s going to be interesting to see how this develops, I’ll keep it intuitive.

 

Waste Not Want Not

18 Jul

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I was doing some teaching today and there was some acrylic paint leftover, good stuff, Liquitex. Waste not, want not, I thought and used it up on a canvas board. I rubbed a layer of black on first, in a rotating motion with a large stippling brush and when that was dry, a layer of diluted green/blue and finally, working from the bottom right with a blunt hoghair brush and some maroon. It’s completely random but I need to loosen up my techniques and work more intuitively. It’s also good for my students to get into the habit of using up all their materials and trying out different things.

Motivation

6 Jun

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I work part-time for a charity for people who are homeless, delivering art and craft sessions in different venues across the city. It’s much easier to engage people in crafts than in fine art, crafting seems to be more accessible and less threatening. I try out different things to motivate people who don’t think that they can paint or draw or sculpt to engage with art. I recently ordered a stencil book,  bought in some small square canvasses and did a quick little stencil painting during today’s session. It certainly attracted a lot of attention.

Pop Art Head 2

I used a stencil brush to put on the basic image in black acrylic (Liquitex Heavy Body) and while it was drying I cleaned the stencil on a piece of blue kitchen towel with a wet-wipe. I really like the ethereal image that appeared on the towel. Then I added some brush strokes in light blue and orange to give it a 1960s Pop Art feel. It was very quick and showed people how they could think about using stencils and paint to create artwork for their new homes. It also taught people quite a bit about how to use paint, without them realising it. I’m not a big fan of painting but I really like the Liquitex, it’s very strongly pigmented and can be thinned out to use in translucent washes, as with the stripes, or used fairly impasto, as I did with the stencil.

 

WAM night June 2018

Crazy Hair, Don’t Care

29 Mar

crazy hair dont care

I’ve been working on this painting for a little while, I rarely paint but this is a birthday present for my dear young nephew, just turned 14 and the owner of some very unruly hair. I painted this from a photograph which I particularly like for its typical teenage insouciance.

I used Liquitex Heavy Body acrylic thinned with water into translucent glazes, which I overlaid, rather like painting with watercolour. It’s painted onto a stretched, gessoed white canvas.

The Last Experiment (for now)

8 Nov

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I’ve been experimenting doing monotypes on a gel plate from Gelli Arts, trying out different inks and paints over the last week or so. I’ve finished for the time being, ending up with Caligo Safe Wash oil-based printing inks. I used Process Yellow, Magenta and Cyan mixed approximately 50:50 with the brand’s Extender for translucency and to make it easier to roll. It gave good coverage over the gel plate, held texture well, printed with vibrant colours and also produced a decent ‘ghost’ (secondary) print.

 

I’ve tried out 6 different inks / paints, all printed in two layers onto Daler Rowney cartridge paper (90gsm). I think the best for my own professional use are the Caligo Safe Wash oil-based printing ink and the Liquitex Heavy Body acrylic paint.

 

For teaching, I would be happy to use both the Essdee and the Seawhites of Brighton water-based printing inks. And the other 2 media I used, Winsor & Newton Galeria acrylic paint and Liquitex acrylic inks were both too liquid to give satisfactory results on this brand of gel plate, so I’ll be keeping them for other projects.

 

 

 

Jelly And Liquitex

5 Nov

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So, still experimenting with the Gelli Arts plate, this time trying out Liquitex Heavy Body acrylic paint. It gives excellent coverage and takes textures really well. Almost all the ink comes off onto the paper – Daler Rowney cartridge 90gsm – with gentle rubbing, leaving very little for a ‘ghost’ print. The only problem I think is that the colours are very intense, it’s high quality paint, and I either need to experiment with more subtle methods of removing and blending the paint on the plate or find some sort of medium to thin out the intensity of the colour without making the paint more watery.

 

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