Tag Archives: Winsor & Newton

Starting To Play……

13 Sep

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I took digital photos of the large work I did with oil bars (Winsor & Newton) onto paper (Fabriano Accademica) last week and downloaded one into a free Markers app on my Samsung Galaxy Note 8 tablet. I’m starting to find it quite useful to download artwork in this way, to have a play without having to get out loads of materials and risk spoiling the original. I started drawing with a fine white line, to see what would happen, with no planning and a figure has started to emerge. I wonder where this will take me?

 

 

 

A lot of my artwork is available on my Artfinder gallery.  If you’d like to have a look, please click on the image below or the Artfinder link at the top right of this page.

Gors Fawr, near Mynachlog-ddu in the Preseli mountains, a lush green bog fringed with glowing hills.

As Dark As It Gets

11 Sep

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This started as a very pale watercolour landscape that I uploaded onto my Samsung Galaxy Note tablet into a free Markers app. I’ve been making it darker and darker with cross-hatching and scribbles but I think this is about as dark as I can go with it.

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The slides show the process from the original little painting, Winsor & Newton half pans onto St. Cuthbert’s Mill watercolour paper, through to the final, rather Gothic, drawing of darkness. I don’t normally work like this, it’s been good for me to break out of my comfort zone.

 

 

A lot of my artwork is available on my Artfinder gallery.  If you’d like to have a look, please click on the image below or the Artfinder link at the top right of this page.

Gors Fawr, near Mynachlog-ddu in the Preseli mountains, a lush green bog fringed with glowing hills.

 

Lefty!

9 Sep

Day 2 d

I carried on working today at the Creative Bubble artspace in Swansea’s Cradock Street with fellow artist Patricia McKenna Jones. Patricia has taken the space for a few days to develop some new work and invited other artists to join her. I thought I could do with a few days experimenting so I stuck a huge piece of Fabriano Accademica paper on the wall, about 1.5 x 2 metres and started making intuitive marks, first with compressed charcoal and then with Winsor & Newton oil bars.

Pat

Patricia making monotypes based on her sketchbook drawings

The mark-making I’m doing isn’t anything new, the Abstract Expressionists were at it throughout the 1940s and 1950s but it’s new for me. I normally work quite formally from life, drawing from things in front of me. It’s a departure for me to work without subject matter, without realism and without an ultimate aim. It was hard on the first day but now, on day 2, I’m relaxing into it.

From the left, today starting with what I did yesterday, mostly compressed charcoal with some streaks of scarlet and a little Alizarin Crimson, then Yellow Ochre, more Alizarin Crimson and finally Hooker’s Green.

Oh …. and I decided to work entirely with my left hand today (I’m right handed) and it made such a difference, I am much more relaxed and intuitive, the marks more varied.

 

 

A lot of my artwork is available on my Artfinder gallery.  If you’d like to have a look, please click on the image below or the Artfinder link at the top right of this page.

Gors Fawr, near Mynachlog-ddu in the Preseli mountains, a lush green bog fringed with glowing hills.

 

Getting Somewhere

5 Sep

I started this little watercolour a couple of weeks ago, when I was in Ceredigion, using Winsor & Newton half pans onto St. Cuthbert’s Mill watercolour paper. I’m not used to watercolours and the scene before me was very pale and misty and I was a bit disappointed by it, to be honest. So I photographed it into my Samsung Galaxy Tablet and started experimenting with a free Markers app, building up layers of black crosshatching over the pale paint. I’m getting somewhere at last.

 

A lot of my artwork is available on my Artfinder gallery.  If you’d like to have a look, please click on the image below or the Artfinder link at the top right of this page.

Gors Fawr, near Mynachlog-ddu in the Preseli mountains, a lush green bog fringed with glowing hills.

 

Getting Darker

29 Aug

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I’m carrying on drawing experimentally on top of a little watercolour sketch I did en plein air a couple of days ago. I uploaded it onto my Samsung Galaxy Note 8 tablet into a free Markers drawing app and I’m working over it with cross-hatching and scribbling. The version I did yesterday is better than my original, which was very wishy washy and mundane, but today I took it a few stages darker and I’m liking it more. I’m going to keep working over it to see how dark I can go before I lose the subject all together.

I think it’s an important part of the creative process to take time out to experiment, to play with no pressure to meet deadlines or conform to the brief of a commission. I’m not keen on using either watercolours or digital drawing apps, but they’re good as a means to an end, trying out new ideas that might lead somewhere.

 

 

I am putting my series of drawings of ancient Welsh monuments on Artfinder.  If you’d like to see them, please click on the image below or the Artfinder link at the top right of this page.

St Elvis

Wishy Washy

28 Aug

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I’ve been having a go at watercolours recently, since I won a really nice St. Cuthbert’s Mill Saunders Waterford glued watercolour block in a Facebook competition. I’m not really into painting but this is lovely paper and there’s a lot of it and, frankly, waste not, want not, as my Nana used to say. Husb and I stayed over in Lampeter yesterday, a mini staycation, and there was a lovely view from our room, but I’m always a bit stumped where to start with landscape so I decided to just block in areas of colour without being too worried about details. I used Winsor & Newton half pans. It was a very overcast and misty morning today and the colours were very soft and muted and to be honest, way too wishy-washy for my liking.

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When I got home, I photographed it onto my Samsung Galaxy Note tablet and loaded it into my free Markers app and started scribbling over it. I feel a lot happier with the overlaid cross hatching and scribbled textures, but I think I need to go further; I think I need to work over it again and make it really dark and Gothic with just some tiny flecks of colour showing through. Something to do tomorrow.

 

 

I am putting my series of drawings of ancient Welsh monuments on Artfinder.  If you’d like to see them, please click on the image below or the Artfinder link at the top right of this page.

St Elvis

A Last Little Quickie

11 Aug

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And here’s the last of the very quick watercolour sketches I made recently, sitting in the sunshine on the clifftop in Southgate overlooking the sea. I concentrated on capturing the flow of the colours before me, rather than recording details. I’ve never been particularly into land / seascape art so I don’t have any hard and fast rules to influence me. I’m just hanging out doing my own thing. I used Winsor & Newton half pan watercolours with a glued block of Waterford watercolour paper from St. Cuthbert’s Mill.

 

I am putting my series of drawings of ancient Welsh monuments on Artfinder.  If you’d like to see them, please click on the image below or the Artfinder link at the top right of this page.

St Elvis

Another Quickie

8 Aug

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I’m so lucky to live near the sea and Husb and I are often strolling along the beach, or we’ll go for a short drive to walk along cliffs or along an estuary path. I’ve started to carry my Winsor & Newton half pan watercolours and a Waterford glued block of watercolour paper to capture some quick fleeting impressions. It’s nice to play with the materials and not get bogged down in fine detail, always a dilemma I think with watercolour.

 

 

I am putting my series of drawings of ancient Welsh monuments on Artfinder.  If you’d like to see them, please click on the image below or the Artfinder link at the top right of this page.

St Elvis

PsychedeliCat 2

7 Aug

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Not quite as psychedelic as yesterday’s PsychedeliCat but still pretty colourful. I have a miserable summer cold and my brain has turned into cotton wool so I’m entertaining myself doing little pencil drawings of cats onto my Waterford watercolour block and colouring them in with Winsor & Newton half pan watercolours. I’ll get back to some serious work when I shake off this rotten cold.

 

I am putting my series of drawings of ancient Welsh monuments on Artfinder.  If you’d like to see them, please click on the image below or the Artfinder link at the top right of this page.

St Elvis

PsychedeliCat

6 Aug

Psychedelicat 1

I did a small drawing in pencil of this cat back in December, onto my Saunders Waterford watercolour paper block, and have only just now got round to painting it. I can’t move onto the next sheet of paper because it’s one of those glued blocks so I have to finish everything on it before peeling it off and starting the next one.

I don’t want to do a realistic painting. I was a child back in the 1960s and loved the psychedelic art around at that time. I have a few of these cat drawings to paint so I’m going to make them all psychedelicats. I’m using Winsor & Newton half pans.

 

 

I am putting my series of drawings of ancient Welsh monuments on Artfinder.  If you want to buy one, you can see them by clicking on the image below or the Artfinder link at the top right of this page.

St Elvis

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