Tag Archives: mark-making

More Rummaging

3 Apr

walnut

I had another rummage through the big drawers in my plans chest and found some more lovely papers that I’d used but didn’t do anything more with. This is a piece of paper stretched and gessoed then painted at random with my home-made walnut ink. I had taken it out on my journeys around Wales hunting megaliths and started drawing some ancient stone monuments on it, but I didn’t like the way it was going so stuck it in a drawer and forgot about it. Now, what am I going to do with it?

Gold Mine In The Rain

2 Apr

Dolaucothi

It’s the British Bank Holiday so of course, the rain was tipping down. Husb and I got fed up looking out of the window at the Easter deluge and took off up to Dolaucothi to have a look around the Roman goldmine. It’s a lovely part of the country and we had a good time, despite the torrential sky juice.

The mines were originally worked in pre-Roman times, then the Romans invaded and took them over. Then they fell into disuse until the Victorians had a go and they finally closed in the 1940’s so there was a lot of historical stuff to see on site. I had a scribble, sheltering in the engine house and sketching the industrial machinery and landscape outside, using white, sanguine and black conté crayons into my A4 brown paper sketchbook.

Recycle, Reuse

1 Apr

cyanotype

I have some very big drawers for storing art and materials and I was rummaging through them earlier and found a load of papers that had been shoved to the back because I wasn’t happy with the work I’d done on them. So I pulled them out to have a think about how I can reuse them. This was a cyanotype experiment that hadn’t worked out and I already tried to recycle it by doing a life drawing on top, but I didn’t like that either. So now I’m going to try again – third time lucky? I don’t know what I’ll do yet, maybe I’ll have a digital play with it before deciding. It’s looming out at me quite darkly ………..

Abstracting The Falls

31 Mar

aberdulais 2

Here’s the second drawing I did at Aberdulais Falls. It’s a picturesque place that has been immortalised in art over some centuries, even being painted by Turner himself. There no way I can compete with Turner so I looked for the abstraction in nature to focus on. I sort of squinted a bit to make my vision slightly fuzzy and concentrated on drawing the shapes I saw as the falls tumbled away below me. I used firm upright and diagonal lines to represent the rocks and cliffs and freer, more squiggly lines for the water, in white, sanguine and black conté crayons into my A4 brown paper sketchbook.

Before The Deluge

30 Mar

aberdulais 1

It’s a Bank Holiday and rain is forecast so Husb and I got out of the house before the deluge started and went off to Aberdulais Falls for a bit of a walk, some historical instruction and to do a quick scribble or two. I used white, sanguine and black conté crayon into my spiral bound A4 brown paper sketchbook from Seawhites of Brighton. I worked very quickly as it is still quite cold, just getting down the basic details of the scene. Then off to the cafe in the old schoolroom to warm up and have a cup of tea and slice of bara brith.

Home Comfort

21 Mar

Sparta 2018

In times of stress and worry, I retreat into my home. It’s my cave, my fortress, my refuge and my comfort. I close the door on the bad old world outside and batten down the hatches to weather any storms that life throws at me. My chubby cat, Sparta Puss is an integral part of my home comfort. She sits and purrs and brings a feeling of peace and calm and normality.

I work part-time for the homelessness charity, Crisis, as a fine art tutor and I really appreciate how lucky I am to be able to go to my own home which is safe and secure and warm and dry. I am lucky that I don’t have to endure living in a war zone or a refugee camp. The insecurity and stress of not having anywhere to call your own, not being able to close your door onto the outside world and feel safe, it is awful.

To find out more about the work done by Crisis, please click here.

The Cat Sat On The Cupboard

14 Mar

scan0001

Still tired and not done any new art this week, so here’s one from the archives (that’s a posh way of saying the big cupboard upstairs that my sketchbooks are in). Here’s Sparta Puss hanging out on top of a cupboard, likes cats do. Sparta is a naughty Tortie. A very naughty Tortie.

Coming Full Circle

10 Mar
b in

The triptych from the inside

A few weeks ago I was privileged to join one of Fern Smith‘s women’s circles, part of her ‘Seven Sundays In Spring’, walking through the beautiful deer park in Dynefwr, Llandeilo, drawing an extraordinary wintry tree in my sketchbooks, here’s one of the sketches below… 

Drawing 3

One of my original sketchbook drawings

I have thousands of sketches and dozens of sketchbooks locked away in cupboards and I only choose a few to develop into another piece of work, and this is one of those times. I was invited to do a pop-up drawing at the Women4Resources event for International Women’s Day at Creative Bubble today. I decided to do a triptych onto detail paper that I taped to the window, so that people outside could see the drawing developing without coming in – it’s a democratic way of doing art because it reaches out to people, not everyone is comfortable coming into an artspace.

d in

I started out with my home-made walnut ink, blocking in the base of the tree and working into it with sanguine conté crayon to develop a texture. Then I brushed in the upright trunks.

 

Then I switched to white gouache and brushed in another layer of uprights, trunks and branches. And finally, I used a black conté crayon to work tiny marks into the area of the sky behind the branches.

The work looks different from the outside, with the white branches much more prominent and the black sky almost invisible. I guess that if I ever exhibit it I’ll have to consider framing them with glass both sides.

a out

The triptych from the outside

And so full circle, from the drawing en plein air to the triptych in the window, from Fern’s creative women’s circle to International Women’s Day, it feels complete.

 

1 Mar

CBJ

A sketch of a friend relaxing in a chair, using sanguine and white conté crayons and a Faber Castell Pitt drawing pen, size M into my A4 hardbacked sketchbook that I had previously prepared with pieces of brown wrapping paper stuck in with Pritt gluestick. Relaxed pose, relaxed drawing.

A Delicate Tracery

28 Feb

Drawing 3

 

I spent an hour or so making drawings of the same tree during my visit to Dinefwr Park last Sunday. I’ve never tried drawing a single tree before and certainly hadn’t done several studies. It was interesting moving around the tree and drawing from different angles and also varying my use of drawing media. In this, my final drawing, I used my home-made walnut ink  and a brush to block in the tree that was lying prone on the ground. Then I drew the strong lusty new growth in sweeping upward strokes of white conté crayon. Finally, with a sanguine conté I made jagged marks in the walnut ink while it was still wet and then sketched a delicate tracery of shadows on the white tree trunks. I’ve never worked like this before, the experience has given me a creative boost.

 

I joined a group of creative women just last Sunday, a women’s circle brought together the artist Fern Smith, a recipient of a Creative Wales Award who has organised “Seven Sundays in Spring: All The Women I’ve Ever Met“. This, the second, was in the 18th century landscape of Dynefor Park in Llandeilo.

 

INVITE

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