Tag Archives: Hosho

A Massive Of Mari’s?

20 Dec

block 5

 

I finished carving my little lino yesterday evening, with a Mari Lwyd design from an original drawing en plein air. So today, off to Swansea Print Workshop to print it up. I used Caligo / Cranfield Safe Wash Relief ink with a Hosho Japanese paper and some recycled sari silk paper for the chine collé to add flashes of colour. Traditionally, the Mari is decorated with coloured ribbons to contrast with the white skull and shroud.

 

 

From left to right: Inking the block; applying the chine collé with Pritt stick glue; rubbing the back of the paper with a traditional Japanese baren.

And finally, a Massive of Mari’s. I don’t know if there’s an official collective noun, but I think Massive is cool.

block 4

If you want to read more about the ancient Welsh tradition of the Mari Lwyd, just click here .

And here.

 

 

A Bit Of Vintage

29 Apr

18 Kathe vintage

And ….. back to my experiments with home-made printing ink. After disappointing results with a lightweight Japanese Hosho paper, I tried a lovely vintage British paper, J Green & Sons sold by the Vintage Paper Co. Above, I used the ink with a rubber stamp made from a design I did of the artist Käthe Kollwitz, applied with a roller (brayer) and stamped by hand. On the left is a slightly dampened paper, spritzed on the back with a water spray bottle. On the right is one onto dry paper. The damp one is the best.

17 Frida vintage

Then I tried the ink with a vinyl block based on a screenprint I did of artist Frida Kahlo, applied with a roller and the print taken using a traditional Japanese bamboo baren. Again, the print onto dampened paper (right) is better than the one on dry (left). Pretty good results but still one more paper to try. More tomorrow ……..

 

 

I have put my series of drawings en plein air of ancient Welsh monuments on Artfinder.  If you want to see more, please click on the image below or the Artfinder link at the top right of this page. This one is the legendary grave of Saint Elfys (Elvis) in Pembrokeshire, not for from the Presceli Mountains. Elfys? Presceli? Elvis Presley? Coincidence? hhhmmmm

St Elvis

Paper Geekery

25 Apr

Yesterday I showed how to mix up printmaking ink with powdered mineral pigments, Nori (seaweed) paste, water and gin. But that’s just the beginning. Next I had to try the ink with different blocks and papers to see what gives the best result. My first experiment was with a simple vinyl block that I inked with a roller (brayer) and printed using a traditional Japanese bamboo baren onto a lightweight Hosho Japanese paper. I tried it first with dry paper, but that was awful and the paper stuck to the ink and disintegrated. So I tried spraying the back of a piece of paper lightly with a water sprayer and again took the print with a baren. It worked quite well, much better than dry paper.

7 Inking

A simple block inked up

8 Baren

Printing onto dry Hosho paper with a baren

9 Hosho dry

The paper stuck to the ink on the block

13 Hosho damp Frida

Printing again after spritzing the back of the Hosho paper

14 Hosho Frida

The dry and damp Hosho papers

So tomorrow I’ll be having a go with a rubber stamp instead of a block……..

 

I have put my series of drawings en plein air of ancient Welsh monuments on Artfinder.  If you want to see more, please click on the image below or the Artfinder link at the top right of this page. This one is the legendary grave of Saint Elfys (Elvis) in Pembrokeshire, not for from the Presceli Mountains. Elfys? Presceli? Elvis Presley? Coincidence? hhhmmmm

St Elvis

%d bloggers like this: