Tag Archives: Kathe Kollwitz

Another Chilly One

26 Sep

drawing 3

 

Here’s another one-minute pose I did last weekend at the special life drawing   session at the National Waterfront Museum in Swansea, drawn outside in the open air in the new ‘Graft’ garden: CHILLY! Life models are stalwarts, so important to an artist’s practice and rarely acknowledged for the work they do. It isn’t easy. The drawing event was part of the Now The Hero / Nawr Yr Arwr arts festival happening this week in Swansea.

I used three conté crayons in white, sanguine and black into an A4 spiral bound brown paper sketchbook from Seawhite’s of Brighton.

 

There are loads of art events happening this week, including an excellent exhibition at Swansea Print Workshop, inspired by World War 1 and the work of WW1 artists Frank Brangwyn and Kathe Kollwitz. Below is one of a series of monotypes called The Warrior that I have done while working with one particular model over 10 years and I am one of fifteen artist printmakers showing their work. “Now The Printmakers” is open until Saturday, September 29th, 10.30 – 4.30 at 19a, Clarence Street, Swansea.

 

Invite Now The Printmakers a

 

 

Art, Cake, Cake, Art

19 Sep

 

Invite Now The Printmakers a

 

Such a lot happening over the next week or so in Swansea and it all kicks off this Friday with the opening of the exhibition, “Now The Printmakers” at 5.30 pm at Swansea Print Workshop. Inspired by the work of Frank Brangwyn and Kathe Kollwitz, the show focusses on the work of three contemporary print artists – John Abell, Andrew Baldwin and yours truly as well as a group show of a dozen or so of our artist members. I’ll be there at 5.30 – with lashings of cake – but within the hour I’ve got to shoot across the city centre to the start of my Open Studio event at Volcano, also with lashings of cake…..

 

Invite Here Be Dragons a

And there are other exhibitions opening across the city that night – at Mission Gallery, Galerie Simpson and the Glynn Vivian, with the opening times staggered so art lovers can get around and see lots of them. It’s all leading up to next weeks major international art festival, “Now The Hero / Nawr Yr Arwr”, but more about that tomorrow……

If you’re out and about in Swansea on Friday 21st September, please pop in to one or more of the venues and get yourself some art and cake. There will be bara brith, banana cake, spiced apple cake and Victoria Sandwich……

bara brith 2

Traditional home-made bara brith

 

 

 

 

Now The Printmakers

23 Aug
banner

From left to right: Andrew Baldwin, Rose Davies, John Abell

 

Opening Friday 21st September from 17.30 to 20.00 and continuing 10.30 – 4.30 September 22nd to 29th EXCEPT Monday 24th.

Swansea Print Workshop, a hidden gem, is exhibiting original prints as part of “Nawr Yr Arwr / Now The Hero“, inspired by World War 1 artists Frank Brangwyn and Käthe Kollwitz with work by artist members alongside three featured Welsh printmakers:

John Abell (Cardiff), woodcuts from “The Diary of a Dead Officer” published by Old Stile Press

Andrew Baldwin (Trefeglwys, Powys), etchings and mezzotints inspired by the World War 1 battlefield

And me! Rose Davies / Rosie Scribblah (Swansea), monotypes and etchings from “The Warrior”, a series from my 10 year working relationship with Captain David Williams, a serving soldier and life model, who also features in Nawr yr Arwr.

 

Here’s a short video of me and my model working on a new monotype for “Nawr Yr Arwr / Now The Hero”

 

Frank Brangwyn and Käthe Kollwitz were accomplished multidisciplinary artists, both lived and worked through World War 1, and both excelled in the medium of printmaking. Drawing inspiration from the wealth of print media in which they worked, including etching, woodcut and lithography, Swansea Print Workshop’s exhibition will respond to the rich visual wealth of the sumptuous Brangwyn panels and the recent Glynn Vivian Art Gallery exhibition of Käthe Kollwitz prints.

 

Something Of Myself

18 Jun

rose drypoint watercolour[2]

I have always done a lot of teaching with adults and I think that an important part of my  technique is demonstration. I always work alongside the people I teach, going through the same processes as them, and facing the same highs and lows.

 

I was running a weekend course at the Glynn Vivian Art Gallery, linked to their Käthe Kollwitz exhibition. We went into the gallery to draw from her work and then went back into the studio to develop drypoint plates and woodblocks inspired by her prints. I drew directly onto a paper drypoint plate with a fineline pen, studying a small section of her etching ‘Raped’ from 1908, a few square inches around a foot and some sunflowers. Once I had incised the lines into the surface of the plate, I inked it up (Intaglio Printmaker’s Drypoint Shop Mix) and printed it onto wet paper (Somerset) and while it was still damp, I worked into it with some light watercolour washes (Winsor & Newton). Her original is monochrome so I’ve put something of myself into it.

Gazing Darkly

17 Jun

Rose woodcut

Today I printed up the woodcut I carved out earlier in the week. I used Intaglio Printmaker’s Caligo Easy Wash Relief ink mixed 50:50 with Extender and took the print by hand on Hosho paper using a Japanese Baren. This self-portrait was inspired by the late, great Käthe Kollwitz, an artist who produced loads of self-portraits during her long career. That’s a very dark gaze I’ve got going on there!

 

process 2

 

bamboo baren

A Japanese bamboo baren

 

Four Inch Screw And Some Masking Tape

16 Jun

kathe foot wip

Today was the first day of a course I’m teaching at the Glynn Vivian Art Gallery, linked to the excellent Käthe Kollwitz exhibition. We spent some time drawing from her work before going back into the studio to develop drypoint plates and woodblocks inspired by her prints. I drew directly onto a paper drypoint plate with a fineline pen, studying a small section of her etching ‘Raped’ from 1908, a few square inches around a foot and some sunflowers. It is incredibly complicated and detailed, the entire etching must have taken her ages to do. I love to study from the great masters, you learn so much. Once I was happy with the drawing on the plate, I started to incise the lines with the low-tech tool I made – a four inch screw and some masking tape. Cheap as well. Tomorrow we print!

Drawn To Monotype

5 Jun

sleeping woman

I’ve been searching through my older work today. I do it from time to time because I find it helps me to analyse what I’m doing now. And also it reminds me what I have tucked away in my plans chest, often things I had forgotten.

SONY DSC

These two reminded me how crucial drawing is to my art practice. The first was done during the weekly life drawing session at Swansea Print Workshop. I liked the composition so much that I used it to develop this monotype, a technique I often use when I want to work in colour. I’ve never been particularly interested in painting, I’d rather use a printmaking process any day. You can find out more about this process in my Techie Stuff section here.

 

WAM night June 2018

Just a reminder about this night coming up fast in the Rhonddda Valley

Kollwitz, Drypoint And Woodcut. What A Weekend!

31 May
Kollwitz stamp

A stamp based on a screen print I made from an original drawing of Kathe Kollwitz

Coming up, June 16th and 17th, I’ll be running a printmaking masterclass at Swansea’s gorgeous Glynn Vivian Art Gallery. Over the weekend we’ll focus on two print techniques, drypoint (intaglio) and woodcut, linked to the fabulous Käthe Kollwitz exhibition. Book now if you want to come as tickets are selling out fast….

 

1524256724565-896303689.png

A digital drawing I did based on Kathe’s woodcut, The Widow.

On Day 1….

We’ll start with my illustrated talk about Käthe Kollwitz’s life and art (I’m a huge fan) and then we’ll go into the gallery to look at Käthe’s specific pieces that support drypoint and woodcut, the exquisite line of her etchings and the drama, chiaroscuro and simplicity of her woodcuts. We’ll make some quick sketches of her techniques.

After a tea break, off to the studio to look at individual work and start to transfer drawings to the drypoint plates and / or wood blocks and start cutting the images.

After lunch, we’ll continue cutting and prepare the paper for the next day and get our materials ready. This will be a chance for artists to chat about ideas, ask questions, get familiar with new materials and machinery.

 

On Day 2 ….

It’s all about the printing…. We’ll soak paper the paper, ink the plates and/or blocks, print a small edition for each artist and put them to dry. We’ll learn about ways of doing these print techniques at home; about signing and numbering an edition, why and how; and there will be handouts designed to help you to continue printmaking afterwards.

And all in the surroundings of the beautiful Glynn Vivian Art Gallery….

 

If you want to book onto the course, please click here … and if you want to read a bit more about Käthe, please click here and here.

Not As Simple As It Seems

24 May

1527192147142(1)-1691303113.png

I have been enjoying the Käthe Kollwitz exhibition at Swansea’s Glynn Vivian Art Gallery and I bought the exhibition book. I wanted to study her woodcut technique in more detail so I laid a black ground in the Markers drawing app on my Samsung Galaxy Note 8 tablet and then drew into it with white brush and line functions, to emulate the lines she had originally cut into a block of wood. When you look at the original, it seems very, very simple but when you study it and try to copy it, it’s a lot more complicated than it appears.

Knickers In The Sun

5 May

Knickers_in_the_sun

The Sun Is Shining!!!! And it must be all of …. 20° Celsius. A Heatwave! And what happens here in the UK in a heatwave? People take their clothes off. That’s what. It doesn’t take much sunshine to get us to drop our inhibitions …. and our clothes.

So today was really busy, but in a nice way. Husb and I went to a brilliant talk at the Glynn Vivian Art Gallery about the artist Käthe Kollwitz, currently exhibited there. Then onto the Street Food festival at The Waterfront Museum. Nice grub. The Swansea Gay Pride event was also there and we ended the day at the opening of Alison Lockhead’s radical and moving installation at Volcano, on Swansea’s High Street. And managed a couple of family visits. In between, we sat on the grass in the sun, opposite a rainbow coloured police car, sipping cold drinks and watching the world go by. I had to have a scribble of course. A very short skirt, undulating thighs and red knickers caught my eye.

sketchbook

I drew into my small cloth-covered Laura Ashley sketchbook (above) with a Faber Castell Pitt drawing pen (size F) and added a flash of red knicker afterwards in Adobe Photoshop.

%d bloggers like this: