Tag Archives: drypoint

Tiny Etchings

4 Nov

2018 miniatures

Coming up from November 10th, an exhibition of miniature prints at Swansea Print Workshop. The main exhibition showcases the Leftovers VIII international touring show but members of the print workshop will also be displaying tiny prints for sale ….. some lovely Xmas presents there! Here are some of the tiny drypoint etchings I’m submitting, they’ve been hand-coloured with watercolours. Come and have a look …..

Something Of Myself

18 Jun

rose drypoint watercolour[2]

I have always done a lot of teaching with adults and I think that an important part of my  technique is demonstration. I always work alongside the people I teach, going through the same processes as them, and facing the same highs and lows.

 

I was running a weekend course at the Glynn Vivian Art Gallery, linked to their Käthe Kollwitz exhibition. We went into the gallery to draw from her work and then went back into the studio to develop drypoint plates and woodblocks inspired by her prints. I drew directly onto a paper drypoint plate with a fineline pen, studying a small section of her etching ‘Raped’ from 1908, a few square inches around a foot and some sunflowers. Once I had incised the lines into the surface of the plate, I inked it up (Intaglio Printmaker’s Drypoint Shop Mix) and printed it onto wet paper (Somerset) and while it was still damp, I worked into it with some light watercolour washes (Winsor & Newton). Her original is monochrome so I’ve put something of myself into it.

Four Inch Screw And Some Masking Tape

16 Jun

kathe foot wip

Today was the first day of a course I’m teaching at the Glynn Vivian Art Gallery, linked to the excellent Käthe Kollwitz exhibition. We spent some time drawing from her work before going back into the studio to develop drypoint plates and woodblocks inspired by her prints. I drew directly onto a paper drypoint plate with a fineline pen, studying a small section of her etching ‘Raped’ from 1908, a few square inches around a foot and some sunflowers. It is incredibly complicated and detailed, the entire etching must have taken her ages to do. I love to study from the great masters, you learn so much. Once I was happy with the drawing on the plate, I started to incise the lines with the low-tech tool I made – a four inch screw and some masking tape. Cheap as well. Tomorrow we print!

Kollwitz, Drypoint And Woodcut. What A Weekend!

31 May
Kollwitz stamp

A stamp based on a screen print I made from an original drawing of Kathe Kollwitz

Coming up, June 16th and 17th, I’ll be running a printmaking masterclass at Swansea’s gorgeous Glynn Vivian Art Gallery. Over the weekend we’ll focus on two print techniques, drypoint (intaglio) and woodcut, linked to the fabulous Käthe Kollwitz exhibition. Book now if you want to come as tickets are selling out fast….

 

1524256724565-896303689.png

A digital drawing I did based on Kathe’s woodcut, The Widow.

On Day 1….

We’ll start with my illustrated talk about Käthe Kollwitz’s life and art (I’m a huge fan) and then we’ll go into the gallery to look at Käthe’s specific pieces that support drypoint and woodcut, the exquisite line of her etchings and the drama, chiaroscuro and simplicity of her woodcuts. We’ll make some quick sketches of her techniques.

After a tea break, off to the studio to look at individual work and start to transfer drawings to the drypoint plates and / or wood blocks and start cutting the images.

After lunch, we’ll continue cutting and prepare the paper for the next day and get our materials ready. This will be a chance for artists to chat about ideas, ask questions, get familiar with new materials and machinery.

 

On Day 2 ….

It’s all about the printing…. We’ll soak paper the paper, ink the plates and/or blocks, print a small edition for each artist and put them to dry. We’ll learn about ways of doing these print techniques at home; about signing and numbering an edition, why and how; and there will be handouts designed to help you to continue printmaking afterwards.

And all in the surroundings of the beautiful Glynn Vivian Art Gallery….

 

If you want to book onto the course, please click here … and if you want to read a bit more about Käthe, please click here and here.

Inspired By Käthe

3 May
WAA exhibit

My three-dimensional form made from cut and stitched Shiohara paper, with hand writing and Kathe Kollwitz stamps developed from an original screenprint.

 

In June, I will be running a two – day masterclass at the Glynn Vivian art gallery, linked to their excellent Kathe Kollwitz exhibition.  Exploring her life and political activism through her drawings and printmaking, I will be covering two techniques, drypoint and woodcut, drawing inspiration directly from her magnificent work and using the exhibition as a catalyst to create small editions over the weekend.

 

1524256724565-896303689.png

A digital drawing I did based on Kathe’s woodcut, The Widow.

 

I love Käthe’s work, I have admired her for decades, I’m so chuffed that she has her own exhibition in my local gallery.

Please click here if you want tickets for this masterclass.

To Paint Or Not To Paint?

24 Oct

buildings

That’s the question, isn’t it? Some printmakers think it’s acceptable to hand-colour etchings and some don’t. I do. This is a little drypoint I did a few weeks ago at The Bagpuss Window based on a drawing I scribbled when I was in Pakistan last year. I’ve added colour with Winsor & Newton half pan artist watercolours applied with a small sable brush.

residency day 2

Swansea Printmakers Hannah Lawson and Rosy Ind at Swansea Print Workshop

I’ve just completed day 2 of a 4 day open studio at Swansea Print Workshop with Hannah Lawson. We travelled together to Rawalpindi in April 2014 to do a residency at the Zaira Zaka print studio and we’re bringing a flavour of that to Swansea. Pop in and see us tomorrow or Monday – 10.30 to 5.00. We’ll give you tea and Welsh Cakes.

The Carved Elephant – A Drypoint Etching

27 Sep

elephant

I have been doing some printmaking at The Bagpuss Window, the temporary artspace in Swansea’s High Street, making a little edition of miniature drypoints (similar to etchings). I set up a printing area around the little etching press, with an inking table, a blotting table and a drying table. I measured and ripped 8 pieces of Bockingford 250gsm paper and put them into a bucket of water to soak. I like to leave them for at least an hour.

I started out with a small sketchbook drawing I made last year during my residency at the Zaira Zaka Print Studio in Pakistan, and redrew it with a soft drawing pen onto a piece of paper drypoint plate (from Intaglio Printmakers). Then I scratched into the drawing with a lot of cross hatching and mark-making, using a drypoint tool, although a 4 inch screw will do.

I used a little rubber squeegee strip to apply drypoint etching ink – it’s important to get the right ink, ordinary etching ink doesn’t work so well. I scraped across the surface to remove surplus ink with an old plastic card and removed a little more with some tissue, wiping the edges with a clean rag. It’s vital not to overwipe, it’s surprising how much ink you can leave on the plate – it doesn’t show up on the paper.

Then I gently blotted a piece of the paper between two sheets of kitchen roll with a small roller – just to remove surface water, not to dry out the paper – and placed it over the etching plate on the press bed, put some clean tissue on top, put the blankets over it and wound it through the press.  Then I dried it between sheets of tissue under a heavy board to stop it from wrinkling. You can get 6-8 prints from a paper drypoint plate if you’re fairly gentle.

The Elephant In Lahore

24 Sep

elephant 1

I started working on a new tiny drypoint. During my residency in Pakistan last year, I did a fair bit of sketchbook drawings and I spotted this carved elephant in a restaurant in Lahore. I scribbled it and I’ve now redrawn it, with a Faber Castell Pitt drawing pen, onto a small piece of drypoint card (available from Intaglio Printmakers).

elephant 2

I used a drypoint tool to incise the lines, making sure that the tool cut through the plastic coating. It’s now ready for printing. That’ll come tomorrow.

Badge-eater

5 Aug

badger

I ran a short course in using a pasta maker as a printing press at Swansea Print Workshop today. We used paper drypoint plates to make miniature prints. I very quickly re-sketched a drawing of a badger from my sketchbook and cut it into the plate with a drypoint tool. The nose is a bit too long, it’s almost an anteater – a badge-eater! 😀

Here are some more photos, from inking the plate to the finished prints. Click here for a step-by-step record of the process and here to see it done on video.

Pasta Printing Press – The Video (with added cat)

10 Jul

Cat printing 2

 

A short video showing the process of printing a drypoint with a recycled pasta making machine. It’s easy. The video is just over 4 minutes long and features my cat as well.

 

Please try it, it’s very easy and convenient 🙂

 

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