Tag Archives: #artblog

Workers’ Mates

27 Nov

2017 Punjabi Storm

I’m a gallery artist at the excellent Workers Gallery in Ynyshir where up to 20 invited artists are selected annually to have a square metre of permanent exhibition space and to work with the gallery to develop the exhibition programme and run regular residency and demo days. The Workers’ focuses on art made in Wales but also has a special programme of international artists throughout the year. It’s a lovely gallery, worth visiting.

Supporters of the gallery often become ‘Workers Mates’ for an annual contribution of £20 and in return they receive special exhibition opportunities, offers and VIP invitations. It’s an interesting model of working as it embeds the gallery in the local community through the Workers’ Mates scheme and also gives artists an opportunity to curate their own exhibition area.

I just visited last week and changed my ‘square metre’ to show these fairly new monotypes that haven’t been exhibited before. They’re based on impressionistic drawings I did during my last visit to Pakistan while I was travelling through The Punjab, and I used the 3-colour reduction technique with Caligo Safewash relief inks onto BFK Rives paper. See my Techie section for more about the technique.

 

 

Punjab To Rhondda With Cake

20 Nov

Winter Woodland artist residencies Nov 2017 b

I’m doing a one-day artist residency at The Workers Gallery in Ynyshir this coming Friday so if you’re in the area, or fancy that trip up the Rhondda Valley that you’ve been promising yourself, please pop in and see me. I’ll make a cake. Maybe a Victoria Sandwich.

Victoria Sandwich

When I did a residency in Pakistan, at the Zaira Zaka Print Studio three years ago, I travelled from Rawalpindi to Lahore across the vast expanse of the Punjab through some incredible weather conditions including the most ferocious thunderstorm I have ever experienced. In the car, I did 50 very quick impressionistic drawings of the journey into a small Khadi sketchbook, and these have inspired a series of small monotypes. I have done 10 so far and I’ll be working on some more at my residency in Ynyshir.

I edited the 50 original drawings together into a short video with a soundtrack taken from the sounds around me during my month-long stay. Here it is….

Hanging With Camille Claudel

11 Nov

Camille

I’m exhibiting at “The Uncredited Woman” at Llanover Hall in Cardiff CF5 1FH until December 8th. Here I am at the opening of the Women’s Arts Association annual show, with the work I submitted, a screenprint of the French sculptor Camille Claudel. I used the liquid stencil method to prepare the screen, working from one of my drawings of her. If you want to find out more about the process, please click here.

 

advert

Winter Woodland

1 Nov

Winter Woodland

 

I have three drawings in the winter exhibition at the lovely Workers Gallery in Ynyshir, running from November 9th to December 23rd. It’s a gorgeous gallery, a local library closed because of government cutbacks and saved for the community by artists Gayle Rogers and Chris Williams. The theme this year is Winter Woodland. I’m not a landscape artist but I always carry a sketchbook with me and draw whatever’s in front of me and it just happens that I’m often in the countryside. That’s one of my drawings on the poster, on the right hand side. I hope you can make it to the gallery at some time, it’s really gorgeous.

 

Today’s Scribbles

8 Sep

fragment 1

Today I spent a few hours down at The Creative Bubble Artspace, with fellow artist Patricia McKenna-Jones, working on some random scribbles onto very large pieces of paper, I use Fabriano Accademica, a fairly heavy paper (120gsm) with compressed charcoal and Winsor & Newton oil bars. I’m going back tomorrow to carry on so I’ll say more about it then. At the moment I’m plumb tuckered out with looking after kittens.

Putting It Together

26 Aug

Making an artwork can sometimes be quick and spontaneous but is often a set of processes that finally come together. That’s the way I developed the collage that I made yesterday at the Mill Lane Arts Week in Cardiff. I rummaged around in my plans chest for old discarded prints that hadn’t worked out to my satisfaction, linocuts and screenprints, the paper is too good to waste so they get squirreled away to be reused.

Millane 3

I worked on top of a large discarded linocut and collaged a fragment of a two-colour screenprint that hadn’t worked out.

 

Over the previous week, I had been scribbling over some unused screenprints and also some vintage papers with Daler Rowney soft pastels, working randomly building up layers of colour and texture. I used these extensively to build up detail on my collage.

 

So my final piece started some years ago with disappointment in the print studio – happy accidents.

Millane 4

 

 

A lot of my artwork is available on my Artfinder gallery.  If you’d like to have a look, please click on the image below or the Artfinder link at the top right of this page.

Urban Shredder

25 Aug

Millane 1

Husb and I spent the day in Cardiff at the Mill Lane Arts Week en plein air public art event. Most of the artists there today were painting but I don’t really ‘get’ paint so I did a collage. I’ve been preparing collage papers all week ( please see the last few blog posts) and I got stuck into shredding and sticking the urban cityscape in front of me.

Millane 2

I worked onto a discarded print, a large linocut that hadn’t worked out but turned on its side, it was a good starting point. Then I added some large-ish areas of colour and texture from some unwanted screen prints, then began shredding in earnest to build up detail. I had wondered about working in some linear details with conté crayon or oil bars, but in the end I liked the rough abstract nature of it.

Loads of artists have been working en plein air throughout the week and our work is on display on Level 2, 10, Mill Lane, Cardiff for the next few days, if you’re anywhere near.

 

 

A lot of my artwork is available on my Artfinder gallery.  If you’d like to have a look, please click on the image below or the Artfinder link at the top right of this page.

Ready To Go

24 Aug

e Step 4

Here’s the last of the scribbly experiments I’ve been doing lately, using Daler Rowney pastels onto vintage papers. I’ve been thinking about how I can use these pieces in cityscape collages tomorrow in Cardiff Arts Week. I’ll be drawing / collaging en plein air around Mill Lane and The Hayes, so please come and have a chat if you’re passing.

 

A lot of my artwork is available on my Artfinder gallery.  If you’d like to have a look, please click on the image below or the Artfinder link at the top right of this page.

Sounds Like A Plan…

23 Aug

d Step 1

Still experimenting with pastels on paper today, this time using a beautiful mid-weight vintage paper from a British mill that no longer exists. I wanted to be a bit more specific with the colours so I started working with various blue Daler Rowney soft pastels, using both hands to make randomised marks on the paper and then getting grubby with my fingers, rubbing away at some of the areas to soften the lines and intensify the hues.

Then I divided the paper with a fold and worked into one half with a black pastel and into the other with pale blue and white. I’m starting to get some ideas for using these papers. I will be working en plein air on Friday this week at the Cardiff Arts Week festival in Mill Lane. I think that most of the artists involved will be painting but I don’t paint. Messy stuff. So I thought I’d use these prepared papers to do some collaged cityscapes, working in the details with something intense like carbon. Sounds like a plan to me.

 

 

 

A lot of my artwork is available on my Artfinder gallery.  If you’d like to have a look, please click on the image below or the Artfinder link at the top right of this page.

Surreal Scribbles

18 Aug

Husb and I were just listening to the BBC4 concert of music by Ravi Shankar and Phillip Glass, with the awesome Anoushka Shankar playing. It was sublime. I decided to do a bit of automatic drawing,  which the Surrealists did a lot of. I uploaded a photo of a pastel multilayered scribble that I worked on a couple of days ago into the Markers app on my Samsung Galaxy Tablet Note 8. Then I started scribbling along with the music, randomly,  without trying to make the marks look like anything in particular.  I rarely draw from my imagination,  I draw from life, so it’s good for me to let go and give myself a bit of freedom. 

%d bloggers like this: