Tag Archives: countryside

Carrying On Carrying On

15 Sep

trees 1 step f

I carried on working on a painting I started a couple of weeks ago, based on a charcoal drawing I did en plein air into my Khadi sketchbook. I am trying to develop a style of my own – I’ve never done much painting and it’s my lockdown challenge. I really like the German Expressionists and am finding that I’m being influenced by them. But I’ve recently reached a stage where I don’t know how – or if – to progress with the painting. I’m happy with the composition and the broad colour scheme but it feels a bit unfinished to me.

trees 1 step f detail

So I just had a quick go yesterday, developing the brushwork and putting in a creamy colour to replaced the stark white bare canvas in the previous stage. Here’s a close up. I like the quick, gestural brushstrokes but I also want to add a bit more depth and richness, not necessarily more detail.

 

 

 

A Chance To Own One Of My Artworks

I have some small screenprints for sale, inspired by my drawings of the taxidermy collection at Swansea Museum. I have given these antique artifacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

To buy my work on the Swansea Print Workshop site please click the image to the left.

In this one, I combined the image of the bird with snippets of text of things my Nana used to say. She used to take me to Swansea Museum a lot when I was small and I could hear her voice in the back of my head as I was sitting and drawing the birds and bugs.

20 percent of the cost of each screenprint sold goes to support Swansea Print Workshop, which receives no public funding.

Quick, Short And Angry

9 Sep

9 Cwmdonkin

I was in a really foul mood this evening, caught the bad side of Twitter and was raging. So Husb dragged me out for a long, fast walk.  We ended up in Cwmdonkin Park which has been one of my favourite places for drawing en plein air during the pandemic. I was still in a temper when I did the drawing, the marks I made with the charcoal are quick, short and angry ….. a bit like me.

 

A Chance To Own One Of My Artworks

I have some small screenprints for sale, inspired by my drawings of the taxidermy collection at Swansea Museum. I have given these antique artifacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

 

To buy my work on the Swansea Print Workshop site please click the image to the left.

In this one, I combine some of the images with snippets of text of things my Nana used to say. She used to take me to Swansea Museum a lot when I was little and I could hear her voice in the back of my head as I was sitting and drawing the birds and bugs.

20 percent of the cost of each screenprint sold goes to support Swansea Print Workshop, which receives no public funding.

 

Marbling With The Surrealists

8 Sep

marbled paper small 4

 

This is a bit of experimentation I did, marbling some paper with black oil paint floated onto a bowl of water. I dipped a sheet of paper onto the surface of the paint and lifted it off and dried it. Then I used my imagination to see and draw shapes with compressed charcoal – a vaguely human image emerged. This spontaneous and imaginative approach was used extensively by the Surrealists in the early 20th century, as a way to loosen up creatively.

 

A Chance To Own One Of My Artworks

I have some small screenprints for sale, inspired by my drawings of the taxidermy collection at Swansea Museum. I have given these antique artifacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

 

To buy my work on the Swansea Print Workshop site please click the image to the left.

In this one, I combine some of the images with snippets of text of things my Nana used to say. She used to take me to Swansea Museum a lot when I was little and I could hear her voice in the back of my head as I was sitting and drawing the birds and bugs.

20 percent of the cost of each screenprint sold goes to support Swansea Print Workshop, which receives no public funding.

 

 

Carry On Painting….

7 Sep

I’m carrying on today with a painting I started a couple of weeks ago. I left it alone for a while because I wasn’t sure how to develop it so I had a break to look at it with fresh eyes.

It’s based on a charcoal drawing I did en plein air into my Khadi sketchbook. I’ve been practicing painting a lot throughout the lockdown, it’s been my challenge to myself as I wanted to improve my skills. I’m a great admirer of the German Expressionists, especially Gabrielle Munter, so I’m using colour to invoke mood and atmosphere rather than trying to be naturalistic. I’m using Liquitex heavy body acrylic paints, mostly transparent, onto a primed Winsor & Newton canvas. Here are the previous stages below…

 

A Chance To Own One Of My Artworks

I have some small screenprints for sale, inspired by my drawings of the taxidermy collection at Swansea Museum. I have given these antique artifacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

 

To buy my work on the Swansea Print Workshop site please click the image to the left.

In this one, I combine some of the images with snippets of text of things my Nana used to say. She used to take me to Swansea Museum a lot when I was little and I could hear her voice in the back of my head as I was sitting and drawing the birds and bugs.

20 percent of the cost of each screenprint sold goes to support Swansea Print Workshop, which receives no public funding.

 

A Patchwork Of Landscape

6 Sep

Brynamman

Husb and I went to visit family in the countryside a few miles out of the city earlier. I wanted to do some charcoal drawing in my Khadi sketchbook so we drove up above Brynamman into the hills. The area is large and bleak, with few significant features which made it hard to draw as there is no particular focus. I concentrated on the shapes formed by natural, agricultural and industrial features. They’ve all left an imprint on a vast scale, turning the landscape into a patchwork of abstract shapes and patterns.

 

A Chance To Own One Of My Artworks

I have some small screenprints for sale, inspired by my drawings of the taxidermy collection at Swansea Museum. I have given these antique artifacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

 

To buy my work on the Swansea Print Workshop site please click the image to the left.

In this one, I combine some of the images with snippets of text of things my Nana used to say. She used to take me to Swansea Museum a lot when I was little and I could hear her voice in the back of my head as I was sitting and drawing the birds and bugs.

20 percent of the cost of each screenprint sold goes to support Swansea Print Workshop, which receives no public funding.

 

Workers’ Mates

27 Nov

2017 Punjabi Storm

I’m a gallery artist at the excellent Workers Gallery in Ynyshir where up to 20 invited artists are selected annually to have a square metre of permanent exhibition space and to work with the gallery to develop the exhibition programme and run regular residency and demo days. The Workers’ focuses on art made in Wales but also has a special programme of international artists throughout the year. It’s a lovely gallery, worth visiting.

Supporters of the gallery often become ‘Workers Mates’ for an annual contribution of £20 and in return they receive special exhibition opportunities, offers and VIP invitations. It’s an interesting model of working as it embeds the gallery in the local community through the Workers’ Mates scheme and also gives artists an opportunity to curate their own exhibition area.

I just visited last week and changed my ‘square metre’ to show these fairly new monotypes that haven’t been exhibited before. They’re based on impressionistic drawings I did during my last visit to Pakistan while I was travelling through The Punjab, and I used the 3-colour reduction technique with Caligo Safewash relief inks onto BFK Rives paper. See my Techie section for more about the technique.

 

 

Punjab To Rhondda With Cake

20 Nov

Winter Woodland artist residencies Nov 2017 b

I’m doing a one-day artist residency at The Workers Gallery in Ynyshir this coming Friday so if you’re in the area, or fancy that trip up the Rhondda Valley that you’ve been promising yourself, please pop in and see me. I’ll make a cake. Maybe a Victoria Sandwich.

Victoria Sandwich

When I did a residency in Pakistan, at the Zaira Zaka Print Studio three years ago, I travelled from Rawalpindi to Lahore across the vast expanse of the Punjab through some incredible weather conditions including the most ferocious thunderstorm I have ever experienced. In the car, I did 50 very quick impressionistic drawings of the journey into a small Khadi sketchbook, and these have inspired a series of small monotypes. I have done 10 so far and I’ll be working on some more at my residency in Ynyshir.

I edited the 50 original drawings together into a short video with a soundtrack taken from the sounds around me during my month-long stay. Here it is….

Winter Woodland

1 Nov

Winter Woodland

 

I have three drawings in the winter exhibition at the lovely Workers Gallery in Ynyshir, running from November 9th to December 23rd. It’s a gorgeous gallery, a local library closed because of government cutbacks and saved for the community by artists Gayle Rogers and Chris Williams. The theme this year is Winter Woodland. I’m not a landscape artist but I always carry a sketchbook with me and draw whatever’s in front of me and it just happens that I’m often in the countryside. That’s one of my drawings on the poster, on the right hand side. I hope you can make it to the gallery at some time, it’s really gorgeous.

 

Two Birds With One Stone

28 Jul

Number 94

 

I managed to kill two birds with one stone this evening, simultaneously doing a sketch for tonight’s blog and reaching Number 94 out of my target of drawing 100 Baby Boomers. Husb and I went to Swansea Storytelling Club and I scribbled while listening to artist and performer David Pitt. David and I have been trying to find time for me to draw him for the Boomers series for ages and it happened quite by accident. Result!

 

And edging nearer by the minute – next Monday …….

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Mahoosive Manhole

27 Jul

20170727_202858

Some manholes are much bigger than others, big enough to get a man down a hole. Here’s one printed by The Plebeian Printmakers the other weekend at the Gwyl Troublemakers Festival. You can get an idea of it’s size by looking at my ridiculous Bagpuss slippers at the bottom.

 

manhole 3

 

And coming soon to Cinema & Co…….

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