Tag Archives: monotypes

Print Explosion at Volcano

4 Jul
pak1

Punjab Storm #1, a monotype by me based on an original drawing from my residency in Pakistan in 2014

There’s a new exhibition at Volcano on Swansea’s High Street called Print Explosion! It’s the annual show for members of Swansea Print Workshop and I have 8 original prints in it. The opening party is on Friday July 6th, 6.30 – 9.00 pm and the show runs until Saturday July 28th. If you’re passing, please drop by 🙂

2018 SPW poster text only

Inspired By Frank

15 Jun

Coming up in August – I’m running a weekend printmaking workshop inspired by Frank Brangwyn , one of my artistic heroes. An outstanding draughtsman, painter, printmaker, muralist who exhibited with the Viennese Secession but unlike Klimt and Schiele, Frank had the mis/fortune to live to a ripe old age and fall out of fashion; he’s due for a reappraisal and revival.

nya course flyer

I am involved in a large immersive arts project that’s climaxing in September called Nawr yr Arwr / Now the Hero, the brainchild of artist Marc Rees, which is centred around the magnificent Brangwyn Hall in Swansea, which houses the beautiful Brangwyn panels. As part of the lead up to the final act, I’ll be running a two day print course at Swansea Print Workshop, inspired by Frank’s panels and the remembrance of World War 1 (he was a war artist too).

Brangwyn-13

One of Brangwyn’s magnificent paintings

 

Here’s a short film about me, my model, my monotype and Nawr Yr Arwr / Now The Hero

And if you want to see more about the monotype technique I use, please visit the Techie section of my website, here.

Layering

24 Mar

detail 3

I’ve been carrying on painting, I don’t normally paint but this is for a special someone. I don’t really know how to approach paint so I’ve come at it from the point of view of the printmaker that I am and I’m adapting a technique I use for monotypes, where I layer translucent glazes of yellow, red and blue, creating all the colours from the interplay of these colours on top of each other, adapted by the intensity of the brushstrokes. I think, if I remember correctly, that the Impressionists did something similar, they didn’t mix their colours before application to the canvas.

The monotype technique I use was taught to me by USA-based artist/printmaker Vinita Voogd, if you want to see how I do it please click here to my Tecchie section.

An Extraordinary Face

31 Jan

Eddie Ladd

I know I’ve been banging on about Nawr Yr Arwr / Now The Hero, but it’s a big deal for me and I was beside myself when I went to the official launch last week. There I was , a scruffy urchin from a council estate, hobnobbing with the great and the good in the arts and it was a bit overwhelming, to be honest. One of the many highlights of the day was sitting opposite the wonderful Welsh actor, Eddie Ladd. It turns out that she and I have been Twitter chums for some time, but we use different names so I didn’t realise until the day of the launch. Of course, I couldn’t resist having a scribble. I didn’t have much time and it’s not the best likeness, but practice makes perfect, eh? Eddie has an extraordinary face and I hope to draw her again, but with a bit more time.

Here’s a brief film of the commissioned work I have done for Nawr Yr Arwr / Now The Hero.

The Essential Elements

30 Jan

WW1

 

I went to the launch of ‘Nawr Yr Arwr / Now The Hero’ last Friday. I was besides myself with excitement! But I still had a scribble. I usually do. This young actor, Mathew Prichard, in World War 1 uniform stood to attention throughout the launch. I drew him in my A4 brown paper sketchbook from Seawhites of Brighton using black and white conté crayons. It was tough getting the hat right, hats are hard! But I’m pleased with the result, I worked very quickly, capturing the basic details of the face, the essential elements.

 

 

 

The launch event featured a short film about me and my model, David, by filmmaker George Morris, here it is below…..

 

 

“Nawr Yr Awr \ Now The Hero is an immersive theatrical experience that will take the audience on an extraordinary journey through three intertwining narratives of war; from Celtic history, the First World War, and today’s conflicts. 

Drawing on an epic poem, some rejected paintings, and an intimate portrait of a Swansea soldier serving today,  Marc Rees’ bold production brings the stories of war to life, but counterpoints the tragic telling with hope.”

The Ghost

29 Jan

Darkness 2 ghost

I work a lot with a three-colour monotype technique that produces a full colour unique artwork on a sheet of paper (BFK Rives 250gsm). Then I put a second sheet of paper onto the plate and put it through the press again to take a second print with the ink (Caligo Safe Wash) that’s left to give a fainter ‘ghost’ monotype. Apparently the artists Degas and Monet used to work over their ghost monotypes with oil pastels, but I generally leave mine as they are because I like the way the oil-based inks break up in a very Impressionistic way. I also like the contrast with the full colour first proof.

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Detail from a ghost monotype

This is the ghost of “The Darkness”, a work commissioned as part of Nawr Yr Arwr / Now The Hero….

“…. an immersive theatrical experience that will take the audience on an extraordinary journey through three intertwining narratives of war; from Celtic history, the First World War, and today’s conflicts.

Drawing on an epic poem, some rejected paintings, and an intimate portrait of a Swansea soldier serving today, Marc Rees’ bold production brings the stories of war to life, but counterpoints the tragic telling with hope.”

Nawr Yr Arwr / Now The Hero was launched last week and will culminate at the end of September in Swansea with a festival weekend in and around the historic Brangwyn Hall.

The gestation of this work is the subject of this short film by George Morris and it shows the process from initial drawing to finished monotype via the fascinating vintage printing presses at Swansea Print Workshop.

It’s All About The Process

28 Jan
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Detail of “The Darkness”

I am so fortunate to have worked with the artist Marc Rees, filmmaker George Morris and my long-term life model, David Williams, to create a unique monotype for the “Now The Hero / Nawr Yr Arwr” art happening / event / extravaganza that will climax at the end of September. I worked from one of the drawings I did in the Brangwyn Hall (see yesterday’s post) using one of the fabulous antique presses at Swansea Print Workshop.

Darkness 2

I used a monotype process similar to that used by Impressionist artists Monet and Degas. If you want to find out more, check out the process in my “Techie Stuff” section here. It’s called the three colour reduction monotype technique and it’s a complex process. The final monotype took a full day’s work at the print workshop. A long day, too.

You can see the process and the inside of the print workshop in George’s film below. It’s a very honest reflection of the relationship between an artist and model, where inspiration comes from and also the technical processes we use.

Nawr Yr Awr \ Now The Hero is an immersive theatrical experience that will take the audience on an extraordinary journey through three intertwining narratives of war; from Celtic history, the First World War, and today’s conflicts.

Drawing on an epic poem, some rejected paintings, and an intimate portrait of a Swansea soldier serving today, Marc Rees’ bold production brings the stories of war to life, but counterpoints the tragic telling with hope.”

Workers’ Mates

27 Nov

2017 Punjabi Storm

I’m a gallery artist at the excellent Workers Gallery in Ynyshir where up to 20 invited artists are selected annually to have a square metre of permanent exhibition space and to work with the gallery to develop the exhibition programme and run regular residency and demo days. The Workers’ focuses on art made in Wales but also has a special programme of international artists throughout the year. It’s a lovely gallery, worth visiting.

Supporters of the gallery often become ‘Workers Mates’ for an annual contribution of £20 and in return they receive special exhibition opportunities, offers and VIP invitations. It’s an interesting model of working as it embeds the gallery in the local community through the Workers’ Mates scheme and also gives artists an opportunity to curate their own exhibition area.

I just visited last week and changed my ‘square metre’ to show these fairly new monotypes that haven’t been exhibited before. They’re based on impressionistic drawings I did during my last visit to Pakistan while I was travelling through The Punjab, and I used the 3-colour reduction technique with Caligo Safewash relief inks onto BFK Rives paper. See my Techie section for more about the technique.

 

 

Punjab To Rhondda With Cake

20 Nov

Winter Woodland artist residencies Nov 2017 b

I’m doing a one-day artist residency at The Workers Gallery in Ynyshir this coming Friday so if you’re in the area, or fancy that trip up the Rhondda Valley that you’ve been promising yourself, please pop in and see me. I’ll make a cake. Maybe a Victoria Sandwich.

Victoria Sandwich

When I did a residency in Pakistan, at the Zaira Zaka Print Studio three years ago, I travelled from Rawalpindi to Lahore across the vast expanse of the Punjab through some incredible weather conditions including the most ferocious thunderstorm I have ever experienced. In the car, I did 50 very quick impressionistic drawings of the journey into a small Khadi sketchbook, and these have inspired a series of small monotypes. I have done 10 so far and I’ll be working on some more at my residency in Ynyshir.

I edited the 50 original drawings together into a short video with a soundtrack taken from the sounds around me during my month-long stay. Here it is….

A Gallery Visit

12 Aug

SONY DSC

Husb and I paid a visit to the lovely Workers Gallery in Ynyshir in the Rhondda Valley today. I am one of the gallery artists and I wanted to change the work I’m displaying there. Each gallery artist has a bit of wall to display their work. The Workers also has a Main Gallery for curated exhibitions. It was the last day of Susan Zeppellini’s sculpture and drawing show, “The Crows Descend”, which is fantastic.

I’m exhibiting a large monotype titled ‘Scrutiny’ based on drawings I did working with a life model.

 

 

A lot of my artwork is available on my Artfinder gallery.  If you’d like to have a look, please click on the image below or the Artfinder link at the top right of this page.

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