Tag Archives: The Vintage Paper Co

Cutting Off Your Nose …

20 Oct

summar1

 

I was listening to Summar Ackery at a spoken word event at the Glynn Vivian Art Gallery recently. She was doing a humorous but relevant piece about a life experience, when a chap refused to get intimate because she was unshaven.  What an idiot! Talk about cutting off your nose to spite your face! I did this drawing as I listened to her, using Daler Rowney pastels onto vintage paper.

 

 

Visceral

19 Oct

RM2

 

Another drawing I did recently at a spoken word event at the Glynn Vivian Art Gallery, with Rufus Mufasa, David Pitt and Eleanor Shaw amongst others, using surrealist drawing  techniques. I did this drawing while listening to one of the contributor’s telling the story of her experience of giving birth. Her words created very powerful and abstract imagery and I worked with Daler Rowney pastels onto vintage paper. It was a visceral experience and not one I’m used to as I normally work directly from life. It’s good to be pushed out of my comfort zone.

 

Responding To A Story

12 Oct

DP1

 

I went to the Glynn Vivian art gallery last week, to do some live drawing at an event involving poets, storytellers and musicians. I normally draw directly from life but I went right out of my comfort zone for this one, allowing the words, music and spoken rhythms to flow into my hands and direct the marks I made onto vintage paper with Daler Rowney artists pastels. This drawing was done in response to David Pitt’s story about a caged songbird and a desert.

Chuffed To Bits

22 Nov

mono 10 chine

 

I just heard today that I have had 2 artworks accepted into the Swansea Open exhibition, running from December the 3rd to January the 6th. It’s returned after a gap of about 5 years, while the Glynn Vivian Art Gallery was closed and being refurbished, and it’s great to see it back. I’m chuffed to bits as Swansea is full of talented artists and the competition is stiff.

 

mari 2

 

I submitted two monotypes of the Mari Lwyd, based on drawings I did in my sketchbook at the end of last year. The Mari Lwyd is an ancient Welsh tradition, where groups of revellers wander the streets and pubs accompanied by a life size puppet constructed around a decorated horse’s skull. It may hark back to the worship of the Celtic horse goddess, Epona.

The Last Mari For Now

20 Jan

mono-11-chine

Here’s the last of the monotypes I made recently at Swansea Print Workshop based on my drawings of the Mari Lwyd. I used a vintage paper made by J Green and Sons supplied by the rather wonderful company The Vintage Paper Co in The Orkneys. The ink is Caligo Easy Wash Relief and the chine collé is hand made recycled sari paper stuck on with YES Paste. I used cotton buds (Q Tips), wooden barbecue skewers, scrim (tarlatan) and cotton rags for the mark making.

 

 

I am putting my series of drawings of ancient Welsh monuments on Artfinder.  If you want to buy one, you can see them by clicking on the image below or the Artfinder link at the top right of this page.

St Elvis

The Right Combo

17 Jan
mono-10-chine

Mari Lwyd (with chine colle)

Spent the day at Swansea Print Workshop making more monotypes based on the drawings I did while I followed around two local Mari Lwyd in December and January. I’m experimenting to find the right combination of ink, paper and glue (for the chine collé). I originally used Bockingford, Somerset then switched to a vintage paper by J Green & Sons (supplied by the Vintage Paper Co in Orkney). Today I just used the J Green paper which doesn’t need soaking, just a little spritz of clean water

Last time I tried out Intaglio Printmaker’s Litho / Relief oil-based ink with varying amounts of Extender but found it too tacky, it was quite hard to work the drawing onto the plate and it didn’t want to release the chine collé when it went through the press, so today I gave Caligo Easy Wash Relief ink a go. It worked much better although it was too loose to hold fine detail through the printing press.

Previously, I tried Pritt for the chine collé but today I used ‘YES’ paste which was much easier to apply and stuck the light tissues to the main print perfectly. Very impressed with it. I’ve changed everything from my starting point, it can take some time and experimentation to get the right combo.

mono-10-ghost

The ‘ghost’ print

After taking the first print with chine collé, I put another sheet of the dampened J Green paper onto the plate and took a ‘ghost’ print which I will work into with artist-quality oil pastels or maybe collage.

 

 

I am putting my series of drawings of ancient Welsh monuments on Artfinder.  If you want to buy one, you can see them by clicking on the image below or the Artfinder link at the top right of this page.

St Elvis

Printing The Plate

16 Jan

mono-9-chine

After preparing the plate with my image of a Mari Lwyd, I printed it on one of the smaller etching presses at Swansea Print Workshop. For this one I used a vintage paper, by J Green & Sons that was manufactured between 1969 and 1974, sourced from the Vintage Paper Co. I didn’t have to soak it, just a spritz with clean water from a squirty bottle. That saved some time and hassle. It gave a good dense black and plenty of definition.

mono-9-ghost

I put another piece of spritzed paper through to take a ghost print which didn’t, of course, have any chine collé. I’m thinking of working into this with top quality oil pastels.

 

 

I am putting my series of drawings of ancient Welsh monuments on Artfinder.  If you want to buy one, you can see them by clicking on the image below or the Artfinder link at the top right of this page.

St Elvis

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