The Difference

  Preparing an etching plate or a wood block or a silk screen is just the first stage of creativity in making an original print. The second creative input comes with the actual printing – the inks, papers and special effects you use. I printed the one above using the ‘double drop’ technique, printing theContinue reading “The Difference”

Metal Marbling

  I’ve done marbling onto paper before but this is marbling onto an etching plate. I spent the weekend at a masterclass in etching at Andrew Baldwin’s Trefeglwys Print Studio in Powys. We covered quite a few processes and I’ve wanted to see this one for a while. Andrew marbles a metal plate with hisContinue reading “Metal Marbling”

The Swansea Open

The Swansea Open, December 8th to February 2nd 2019, Glynn Vivian art gallery. I just heard today that I have had 2 artworks accepted into the Swansea Open exhibition and I’m chuffed to bits as Swansea is full of talented artists and the competition is stiff. I submitted two monotypes of the Mari Lwyd, based on drawings IContinue reading “The Swansea Open”

Exhausted But Happy!

Just back from a very tiring weekend printmaking course at Trefeglwys Print Studio. It was fantastic. I learned so much and came away with a number of prints I’d be happy to exhibit and two new etching plates to edition and an etching plate to work on and finish. Result. I’m shattered now though. TheContinue reading “Exhausted But Happy!”

Chuffed To Bits

  I just heard today that I have had 2 artworks accepted into the Swansea Open exhibition, running from December the 3rd to January the 6th. It’s returned after a gap of about 5 years, while the Glynn Vivian Art Gallery was closed and being refurbished, and it’s great to see it back. I’m chuffedContinue reading “Chuffed To Bits”

The Sinister Skull

I thought I had blogged all the monotypes I made from my Mari Lwyd drawings but I overlooked this one. It was the last that I did that day and maybe because I was tired and hungry, it’s probably the most sinister of the series. Mari Lwyd is actually quite a fun tradition, with lotsContinue reading “The Sinister Skull”

The Last Mari For Now

Here’s the last of the monotypes I made recently at Swansea Print Workshop based on my drawings of the Mari Lwyd. I used a vintage paper made by J Green and Sons supplied by the rather wonderful company The Vintage Paper Co in The Orkneys. The ink is Caligo Easy Wash Relief and the chine colléContinue reading “The Last Mari For Now”

The Right Combo

Spent the day at Swansea Print Workshop making more monotypes based on the drawings I did while I followed around two local Mari Lwyd in December and January. I’m experimenting to find the right combination of ink, paper and glue (for the chine collé). I originally used Bockingford, Somerset then switched to a vintage paperContinue reading “The Right Combo”

Printing The Plate

After preparing the plate with my image of a Mari Lwyd, I printed it on one of the smaller etching presses at Swansea Print Workshop. For this one I used a vintage paper, by J Green & Sons that was manufactured between 1969 and 1974, sourced from the Vintage Paper Co. I didn’t have to soakContinue reading “Printing The Plate”

Prepping The Plate

Working from my recent drawings of the Mari Lwyd, I developed some of them into monotypes. I used a piece of perspex (acrylic sheet) and litho / relief ink mixed with Extender (by Intaglio Printmaker). This was rollered very thinly onto the perspex and I drew into it with cotton buds, wooden skewers, scrim andContinue reading “Prepping The Plate”