Tag Archives: portrait

The Lounging Pose

15 Dec

Dave 60 mins 6

Here’s the last drawing / painting I did at life drawing last week. It was a 60 minute pose – nearly – in gouache onto black paper. I like these lounging poses, they’re very natural. Having an hour gave me a chance to really concentrate on things like perspective, foreshortening and measuring. It isn’t as immediate or alive as some of the quicker poses though.

 

 

A Chance To Own One Of My Artworks

I have some small screenprints for sale, inspired by my drawings of the taxidermy collection at Swansea Museum. I have given these antique artifacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

To buy my work on the Swansea Print Workshop site please click the image to the left and to see the complete image.

Inspired by drawings of the taxidermy collection at Swansea Museum. I have given these antique artefacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

20 percent of the cost of each screenprint sold goes to support Swansea Print Workshop, which receives no public funding.

 

After The Short Poses ….

13 Dec

Dave 30 mins b

After the short poses at life drawing sessions, we move on to 30 minute poses, where I can focus a bit more on the details, but not too much. This week I did a portrait and a reclining pose. Two of my favourites. I’m using gouache into a black sketchbook.

Dave 30 mins

 

 

 

 

A Chance To Own One Of My Artworks

I have some small screenprints for sale, inspired by my drawings of the taxidermy collection at Swansea Museum. I have given these antique artifacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

To buy my work on the Swansea Print Workshop site please click the image to the left and to see the complete image.

Inspired by drawings of the taxidermy collection at Swansea Museum. I have given these antique artefacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

20 percent of the cost of each screenprint sold goes to support Swansea Print Workshop, which receives no public funding.

The Short Poses

12 Dec

Dave 5 mins b

We always have a few quick poses at the life drawing session at Swansea Print Workshop, a cuple of five minutes, one or two ten minutes. These are great because they force you to concentrate on capturing what’s essential, the basis that underlie the image. In the 5 minute pose above, our model poses with a mobile phone and a bandana mask, very contemporary.

 

 

 

A Chance To Own One Of My Artworks

I have some small screenprints for sale, inspired by my drawings of the taxidermy collection at Swansea Museum. I have given these antique artifacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

To buy my work on the Swansea Print Workshop site please click the image to the left and to see the complete image.

Inspired by drawings of the taxidermy collection at Swansea Museum. I have given these antique artefacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

20 percent of the cost of each screenprint sold goes to support Swansea Print Workshop, which receives no public funding.

A Head In Gouache

7 Dec

portrait 5

Here’s another drawing I did at last week’s life drawing session at Swansea Print Workshop. I spent some time doing a portrait in a 25 minute pose. I used black and white gouache into a black paper sketchbook.

 

 

 

A Chance To Own One Of My Artworks

I have some small screenprints for sale, inspired by my drawings of the taxidermy collection at Swansea Museum. I have given these antique artifacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

To buy my work on the Swansea Print Workshop site please click the image to the left and to see the complete image.

Inspired by drawings of the taxidermy collection at Swansea Museum. I have given these antique artefacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

20 percent of the cost of each screenprint sold goes to support Swansea Print Workshop, which receives no public funding.

Life Drawing Live

12 May

BBC life drawing

I checked into the live life drawing session on BBC4 this evening and did this 5 minute sketch. I couldn’t stay for the full programme, it’s family Zoom quiz night, but I’ll catch up with it later in the week and draw the rest of the models. There’s a lot of art happening on the TV during lockdown, it’s great. The model is copying the pose of Velazquez’ Rokeby Venus. I used a solid graphite block onto some vintage Fabriano paper.

Pandemic Portrait – Willow Charcoal

7 May

Bernard 3

 

So today I did a bit more work on the portrait I started yesterday, working from a photo. I developed the image with willow carcoal, putting in the shadows by squinting my eyes. I’m using willow charcoal at the moment because it’s easy to rub out mistakes. Once I’m happy that I’ve got the drawing the way I want it, I’ll fix it and then work over it in compressed charcoal. But that’s not for today…..

Pandemic Portrait – Making A Start

6 May

willow charcoal

I made a start on a portrait drawing today. I rarely work from photographs, I’d much rather draw from a live model, but we’re in pandemic lockdown so I’ll do this one from a photo. I’m using a lovely sheet of vintage British hand-made paper with a deckle edge made by W H Saunders mill, which no longer exists unfortunately. First of all I roughly sketched the head onto the paper with a 2B pencil, below, but it’s very faint so then I redrew it with willow charcoal (above).

pencil

I’m going to leave it til tomorrow so that I can come at it with fresh eyes and check the proportions, make sure everythngs in the right place.

Complementary

29 Apr

Pat Orange 2

I carried on painting today. I’m just doing a bit at a time because I tend to get very stressed over painting, which doesn’t happen when I draw or make original prints. So I’m just dashing over to it, slapping some acrylic paint on it, then dashing away to do something else. Today I put a wash of orange over the yellow towards the bottom of the canvas roll. It’s a complementary colour to the blue and I like using complementary colours – they create such intensity. I also started to block in some darker areas on the overalls, overlaying the cerulean with a red-biased pthalo blue. I’m using Liquitex Heavy Body acrylics, mostly transparent or translucent as I like layering glazes over each other. This is a portrait of the artist Patti McJones that I started 5 years ago, it’s a big piece, almost life size.

A Bit Less Slack

26 Apr

Pat 2

That’s two days running now that I’ve picked up paintbrushes and got to work on some canvas. I did some more work on the head of my subject and the flowers in the background. I am using Liquitex Heavy Body translucent / transparent acrylics, thinned with water to build up overlaid glazes. It’s been a bit more interesting today, I let myself go a bit and enjoyed making patterns in the paint and I feel a bit less slack. Not a patch on woodcutting though ;D

Very Slack

25 Apr

 

Pat 1

I generally don’t paint because it takes for ever. When is a painting ever finished? Printmaking is very much a process, it tends to be time limited so you complete an edition of prints and that’s it. That’s what I like about it. But whenever I start a painting, it just goes on and on. I started this one, a portrait of fellow artist Patti McJones about 5 years ago and finally got it out of the cupboard today to continue working on it. Maybe I’ll finish it over the next few days. I’m using Liquitex Heavy Body acrylic paint onto an unstretched canvas roll. I started by drawing in compressed charcoal and then blocked in the main areas of colour. Then I left it. For half a decade. I guess I’ve been very slack!

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