Here’s a closer view of the drawing I did of Maen Llia yesterday. We drove up to the Black Mountains in changeable weather but, as often happens, as soon as we stopped the car, thick black clouds loomed over the hills and dropped torrential rain onto us. Nearly Midsummer and we’re huddled in the rain!!!! Anyway, it cleared up after a while and I walked through the mud down to the stone which is a couple of hundred yards from the road. I worked on top of some Fabriano Accademica paper prepared with charcoal, white acrylic paint and my own home-made walnut ink. When I was preparing the paper, I was allowing myself to be influenced by impressions and memories of the landscapes I had been visiting on my hunt for the wild megalith. I drew firstly with compressed charcoal, drawing lines over and over again, taking a sensory pleasure in just drawing lines. Lines are beautiful. Then I chose from my box of Daler Rowney soft pastels and worked in impressions of sky, hills, pasture, mosses, lichens.
I overlaid the stone onto the background, without making it solid, keeping a transparency because that’s sort of how I feel about the stones, that they are echoes from the ancestors overlaid onto modern life; they are mostly not noticed by us, even less understood, hiding in plain sight.
I’ve been travelling around South Wales with archaeologist Dewi Bowen, who is researching his new book on Neolithic / Bronze Age monuments. His previous book on the stones of Ancient Siluria (South East Wales) can be found here. Also with us is film maker Melvyn Williams, recording a documentary about our experiences. Some of Melvyn’s short films can be seen here. If you want to see some of my other artworks, please click here.