Sleep. Dream. Nightmare. This is an etching of one of the female models I work with and is developed from a nude study drawn with Renaissance materials, inspired by artwork I did for a television series about da Vinci. One of my initial drawings can be seen below. For the etching, I worked onContinue reading “One From The Archives 13: The Gathering”
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One From The Archives 12: Eve Imagines Big Apple Crumble
This is one of a short series of female nudes I did, based loosely on the concept of Eve and apples. It is a full-colour monotype, which is a unique artwork that uses a process beloved by the Impressionists, especially Degas and Monet. A full explanation of the technique can be found here. As with all of myContinue reading “One From The Archives 12: Eve Imagines Big Apple Crumble”
One From The Archives 11: Rinascere #6 and The Flower
Variations on the themes of tattoos and flowers. I love working with this model. Older women are often invisible in our society. She is an elder and voluptuous and larger-than-life and covered with tattoos. Some of them are carnivorous plants engulfing insects across her body. She is confident in her own skin and first featured inContinue reading “One From The Archives 11: Rinascere #6 and The Flower”
One From The Archives 10: Fan Girl
Here you can see the original (below) and the finished painting (above). I usually have no idea how I will be using the original life drawing when I first get it down on paper. At that point it is often just a case of describing what I see in front of me using line andContinue reading “One From The Archives 10: Fan Girl”
One From The Archives 9: The Cushion
Surrounded by symbolism, the interplay of shadows describes the form of the nude. This is an etching of one of the female models I work with and is developed from a nude study drawn with Renaissance materials, inspired by artwork I did for a television series about da Vinci. This type of etching allows meContinue reading “One From The Archives 9: The Cushion”
One From The Archives 8: The Mirrors
I like this style because it allows me to pick out the most essential aspects of a scene. The drawing style I use most is the ‘continuous line’ method, where I keep the pen on the paper without taking a break and restarting in another part of the drawing. I also hardly look at theContinue reading “One From The Archives 8: The Mirrors”
One From The Archives 7: Rinascere #7
The pose a model strikes can lend a lot to a piece of work. It is one of the reasons I work from life as much as I do. When I look at this, I see a person who is relaxed and confident as she sits in contemplation of her future. I might be readingContinue reading “One From The Archives 7: Rinascere #7”
One From The Archives 6: Straight Ahead
I like to work with a range of models and this middle aged woman is one of my favourites. She exudes confidence and is so comfortable in her own skin. I draw from life weekly at Swansea Print Workshop, working with professional artists and models. This underpins my artistic practice and inspires me to develop theContinue reading “One From The Archives 6: Straight Ahead”
The Eye Wild
Originally posted on 15 Years, people and printmaking:
A DATE FOR THE DIARY: The Eye Wild |An exhibition of original prints by Carol Lawrence and Bridget Stevens | Daily 25 -27 September, 11.30 to 4.00 | FREE where does an idea come from? where does it go? marks on paper from an inner world made visible.…
One From The Archives :4 The Name Game
The Towel Drawing is the basis of everything I do. Sometimes it can be the finished product itself but more often it is the starting point for work in many different media. Once I decide that a rough sketch is worth developing, I like to see how many different ways I can expand the idea.Continue reading “One From The Archives :4 The Name Game”
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