Luscious Leftovers

Had a full day at Swansea Print Workshop running a session on making miniature prints, to encourage artists to enter the Leftovers IV print exchange organised by the fabulous Wingtip Press in Boise, Idaho, USA. We’ve been saving our scraps of leftover papers – gorgeous, luscious printmaking papers. I demonstrated two techniques: block (relief) printingContinue reading “Luscious Leftovers”

The Final Proof [female nude]

  Today I went back to Swansea Print Workshop for the final session of drypoint training. Yesterday I managed to pull a first proof [on the left] and this morning I used it to guide me while I did a lot more mark-making into the paper drypoint plates. I added a lot more cross hatchingContinue reading “The Final Proof [female nude]”

Come Up And See My Etching [female nude]

I spent today at Swansea Print Workshop learning how to do three-colour separation drypoint, which is similar to etching. You transfer a drawing to three separate, identically-sized paper drypoint plates. You use a drypoint needle to scratch your drawings into the plates, using your original drawing as a guide. Each plate is inked up withContinue reading “Come Up And See My Etching [female nude]”

Etching with Hogarth!

  I like to draw from life and always carry a small sketchbook. I’m enormously inspired by the work of William Hogarth, who catalogued daily life in the 1700s with his meticulous metal engravings. This is a drypoint from a paper plate based on a sketch I did in a tiny Cotman sketchbook. It’s theContinue reading “Etching with Hogarth!”