Ripped Abstraction

5 Oct


Another drawing en plein air from the summit of one of the ruined cairns of Carmel. It was precarious climbing to the top, the stones are uneven, unbalanced and wobbly and I tottered with my drawing materials in a high wind. We start off at the bottom of a hill in fine sunshine but the gusts get stronger as we climb, not easy to negotiate with a large drawing board and portfolio, but I had some help from my collaborators.

I worked onto some prepared paper that I had initially soaked until it almost disintegrated and developed tortured rips in its fabric, then I gessoed it, smeared with yellow ochre acrylic, charcoal and more gesso. I sat on the pile of stones, more uncomfortable than you can imagine even though I’m pretty well-padded, and used Daler Rowney artists’ soft oil pastels to apply thin lines and streaks of the colours I saw around me in the landscape. I became completely dissociated from reality and produced the most abstract piece of art I have ever done.

I’m continuing my journey of discovery with  Dewi  and Melvyn as we travel along the route of the legendary Boar Hunt, Y Twrch Trwyth, from the story of Culhwch and Olwen in the Mabinogion, the book of Welsh mythology, researching, filming and drawing the ancient stone monuments along the way.

There’s more of my art to be seen in my online Gallery in Artfinder, please click on the image below to take a look. Thank you.


2 Responses to “Ripped Abstraction”

  1. Julie Blasberg-King October 6, 2016 at 07:26 #

    Wow that is an incredible picture. I’m still a beginner at this art thing and I find your work really inspiring.

    • Rosie Scribblah October 6, 2016 at 09:16 #

      Thank you so much, Julie. I guess most of the work is done in my studio beforehand – the drawings in the field are very quick, spontaneous and intuitive. 😀

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