The Vulgar Painter?

Camille Pissarro was slightly older than most of the Impressionist artists in France and he was a bit of a father figure to them. Like the other Impressionists he was frustrated with conventional academic art so he worked outside “en plein air”, painting what was in front of him and finishing his paintings in one sitting. It made them look realistic but the art establishment thought they were vulgar. I imagine it would be like an artist nowadays painting street scenes with litter bins overflowing with rubbish and seagulls fighting over fast food in the gutter. So when he met the younger Impressionists, he fitted right in.

This painting, “Bridge at Montfoucaut” is from about the time when he got involved with the Impressionists and it’s typical, a fairly straightforward composition built up with many dashes and layers of paint. I didn’t like it when I started copying it, but it grew on me. It shows a person in a park with a pond and lots of trees and shrubs, very simple, but the colours are stunning, really beautiful and I really got into building up all those intense colourful layers. What happened to Pissarro? Well, he became a Neo-Impressionist – or Pointillist – but that’s another story and he lived to a ripe old age, fathering a dynasty of painters who are still working today.

LATCH, The Children’s Cancer Charity, Painting Fundraiser

I’ve been painting these ‘fakes’ with Ed Sumner’s Cheese and Wine Painting Club on Facebook since lockdown started in Spring 2020. I’m selling some of them to raise funds for this lovely charity which has given so much support to my young relative over the past few years.

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If you would like to see the paintings and maybe buy one, please click on the boats picture to visit the page. Thanks xxx

Published by Rosie Scribblah

I'm an artist / printmaker / scribbler. I love drawing and all the geeky stuff associated with printmaking, working in a figurative style. I live in Wales with husband and demented cats. And my real name is Rose Davies :D

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