Category Archives: Printmaking

12 Down, 8 To Go

I’m working flat out to complete a suite of 20 new works for my upcoming group exhibition. I’m drawing in ink onto ‘transfer’ prints on art papers, Bockingford and BFK Rives, 250gsm. The transfer prints started out as digital photos I’ve taken over the years, printed onto ordinary inkjet paper, placed face down onto artContinue reading “12 Down, 8 To Go”

Meet the Artists

Yesterday was the opening of the Swansea Print Workshop’s annual exhibition which is hosted for the first time at the Cynon Valley Museum and Gallery. It runs until January 11th and here’s a little man looking at one of my monotypes. There’s a “Meet the Artist” event from 2 til 3.30 on December 10th, withContinue reading “Meet the Artists”

Inking Up

I’m working on a series of drawings for my next exhibition in December. I find it’s a problem deciding what to do for exhibitions. It’s relatively easy if you’re given a theme and plenty of time, or if you’re only putting one or two works into a large group show, but I have to doContinue reading “Inking Up”

In The Zone

I’m working flat out to make 20 new small drawings for a group exhibition at The Brunswick in December. I’m making transfer prints from digital photos I’ve taken and then drawing on top of them in Indian ink. I print out a digital photo in standard inkjet inks (good quality ones don’t work) on cheapContinue reading “In The Zone”

Ghosts

I’ve been making full-colour monotypes the past couple of weeks and the technique gives one intensely coloured print and one lighter, ghost, print. This is because after you’ve taken a full-colour print, you put the plate back through the press with another sheet of paper to mop up the ink remaining on the plate. HereContinue reading “Ghosts”

Reality And Virtuality.

I’ve been at the Print Workshop grafting on some  full-colour monotypes for the new exhibition. Here’s the second one finished. I posted stages one and two yesterday; this is what it looks like after the final, Process Blue, layer. I’ve used Intaglio Printmakers relief/litho oil-based pigment onto BFK Rives 250gsm paper. Back in the summer,Continue reading “Reality And Virtuality.”

Two Down, One To Go…

Back at Swansea Print Workshop for a long shift to do another 3-colour reduction monotype in time for the new exhibition in a couple of weeks. Above is the first layer in Process Yellow and below, the monotype after the second, Process Red, layer has been printed. Tomorrow I’ll post the final print, after theContinue reading “Two Down, One To Go…”