Tag Archives: ink drawing

Back To Baby Boomers

4 Jan

Hill S

I started doing a series of 30 minute sketches of Baby Boomers a few months back. I’ve had to put them on the back burner for a while but I’ve restarted and I hope to get up to 50 in the next month……

Quick Kitty Scribbles

10 Nov

quick draw

A couple of quick kitty scribbles done in Faber Castell Pitt drawing pens and charcoal into a little A6 sketchbook. Ming The Merciless is one of my favourite models. She’s an elderly one-eyed rescued cat who is nice as pie until she sees the cat basket because that only means one thing, a visit to the vets. Then she turns into psycho kitty!

Another Curry Quickie

10 Sep

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Here’s another quick sketch I did the other evening at our local curry house, the incomparable Vojon. Sketching in public forces you to be quick and it also forces you to zone in on the essential details, which is really good practice. Drawn with a Faber Castell Pitt drawing pen, size S into my little A6 spotty sketchbook.

I’m A Little Teapot….

13 Aug

….short and stout. ….and a bit wonky!

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Today’s sketch is practice. People, animals and cityscapes are my comfort zone but practice should take me out of that so I am going to do some simple still life studies. I don’t like it. There’s not much wriggle room in drawing objects. Never mind. I drew this with Faber Castell Pitt drawing pens, sizes S,F and B into my tiny A6 spotty sketchbook.

Looking At Leonardo

9 Feb

09 da vinci

It’s been a busy weekend with our two 9 year old nephews staying over and a lengthy business meeting ths afternoon. Yes it’s a Sunday but I’m freelance so I don’t work regular hours. But I try to do a drawing a day for practice and discipline and I’ve been dipping into my Renaissance drawing book by Hugo Chapman and Marzia Faietti. I spent a few minutes with my Faber Castell Pitt drawing pen, size F and my A5 clothbound sketchbook working from this da Vinci sketch.

It’s interesting to draw from another artist because you can appreciate their technique. While I was sketching this, I realised how sparse the linework is; how much is filled in by the viewer. I also realised, although I’d looked at the original many times, that he drew the head slightly too large. I don’t know if that was deliberate or perhaps the model was like that. Apparently, film stars with slightly larger heads look better on the big screen than those with ‘normal’ heads.

Ow! Ow! Ow!

11 Jun

11 owowow

I’ve done a lot of walking today, trying to find something to sketch but I was so distracted by the pain from the hideous gnatbites over my legs that I couldn’t find anything that sparked me enough to stop and draw. So I went home, sat down and drew my painful pustules. I’m trying not to take any antihistamines until bedtime because they zonk me out in the day.

I’ve drawn this in my A5 pink silk sari recycled sketchbook with Faber Castell Pitt drawing pens sizes S, F and B in sepia with Vermilion and Deep Red Winsor & Newton Drawing Inks applied with a sable brush. I’ve tried to express the pain by using quite jagged mark-making.

Now I’ve done my blog, I can take the medication zzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzz

On The Other Hand…….

30 Aug

Just a quickie tonight as I’ve only just come back from life drawing and it’s nearly my bedtime! Sometimes, bits of body look really weird and this is one of those. The angle of the wrist made the hand look a bit disembodied. But that’s the way it was 🙂

Drawn onto hand-made heavyweight paper stained with sepia ink with a dip pen and Indian ink and a grey wash.  Goodnight zzzzzzzzzzz

I Don’t Do Nature

4 Jun

I draw people and occasionally, at a push, animals but I don’t do nature. I’ve just finished Martin Gayford’s book about his conversationas with David Hockney and he discusses his new-ish paintings from the countryside surrounding his home in the north of England, so I thought I should break out of my comfort zone and give nature a go. He talks about how artists interpret what we see, rather than slavishly copy it and how we decide what to focus on, what marks to make, what materials to use in order to interpret, and when he put it like that, it seemed less intimidating. I think that when I’ve tried it in the past, I’ve aimed to be too representational and tried to do something like botanical drawings and really, that’s a whole different genre in itself and not something that particularly interests me.

So I had a bash today using my Faber Castell Pitt drawing pen [size S] and Aquarelle watercolour pencils into an A6 watercolour pad. This is a corner of our new ‘pond’ down on the allotment, which is an old bath and a plank of wood. We’ve had it a fortnight and already the native flag iris and pondweed I transfered from our garden pond have established themselves along with a newt and loads of insects. I’m going to draw reguarly from nature for a while and get some practice in.

Head Hands and Feet

27 Apr

Ink sketch.

Went to my weekly life drawing group at Swansea Print Workshop last night and had a really good session with three drawings that I think I might be able to work up eventually into large monotypes. Towards the end I sat back and just had a bit of a practice with the head, hands and feet, always the problem areas for me. This model has a very striking face which I find hard to draw so it’s good for me to get in a bit of practice. It’s a reasonable likeness. His hands were in a very complex clasp and I’m pleased with the way they’ve turned out. I used a Faber Castell Pitt pen size S into an A3 Bockingford sketchbook.

Today I helped interview artists for the upcoming residencies for the ‘Drawn To Print’ project at the Print Workshop. We had an excellent shortlist and appointed three fabulous artists who base their printmaking practice on fantastic drawing competence. The first one starts in a few weeks and I can’t wait!

Here’s a bit of trivia – Heads Hands and Feet was the name of a British rock band in the early 1970’s.

 

Spying Scribbling Cutting Printing

19 Jan

I often think of artists as voyeurs, spying on and recording what’s around us. We had a lovely sunny day in the middle of last week and I opened one of the big windows in my new studio and looked down at the pavement three floors below. Suddenly, someone walked past beneath me and I noticed what an odd shape they made. Then a couple of people stood almost directly below me. Again, really odd shapes. I grabbed my digital camera and snapped away for the next 15 minutes or so and downloaded the photos onto my laptop. Nobody noticed me snapping them – my camera is quiet and people rarely look up for no good reason.

drawing, tracing, redrawing....

I spent a bit of time over the next few days converting the images to black and white and simplifying them by cranking up the contrast [in Adobe Photoshop] then I drew a series of them onto tracing paper using some good quality Derwent pencils in B, 2B and 4B. I cut some 15 x 15 cm blocks from an offcut of polycarbonate [signwriters] foam. I turned the drawings over and placed each onto a piece of foamblock. Using a 4H sharpened pencil, I drew over the lines, transferring the drawing onto the surface of the block. Then I picked around the outline with a small sable brush and black Indian ink. Finally I worked into the image with Faber Castell Pitt drawing pens [sizes S and F] and a little grey inkwash. I still have some more drawing to do on this image. Once I’m satisfied, the next stage will be to cut it and then, hopefully this Saturday, I’ll print it down at Swansea Print Workshop. There’s a lot to printmaking!

 

 

 

 

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