Drawing at gigs in the near dark is good practice as I have to squint to see the basic details of what’s in front of me and get them down quickly before people move too much. It sharpens my instincts and improves my drawing in the light. I did a load of drawings at the launch of Rufus Mufasa’s new album, “Fur Coats From The Lion’s Den” in Cardiff earlier this week with a 6B graphite stick into my little lined notebook by Peter Pauper Press.
To see my exciting new project, please click the image below.
The Revolting Women. That’s Patricia McKenna-Jones and me! We’re up to all sorts of arty shenanigans for International Women’s Day on March 8th at Swansea’s Cinema & Co. You are very welcome to join us from 5.30 onwards for the launch of our exhibition “The Personal Is Political” and an evening of art, film, cake, […]
Exhibition: “Female Expressions”, Saturday 2nd – Saturday 23rd February. Queen Street Gallery, Neath. This is an etching of mine called “Ripples” made from an original life drawing, working with a professional model. It’s part of a series of etchings of the nude which I called “Rinascere” which relates to the word Renaissance because I based […]
Coming up February 16th and 17th, I’ll be running a 2 day printmaking masterclass at Swansea’s Glynn Vivian Art Gallery inspired by the forthcoming exhibition PHYTOPIA. The creative imagery of the tree is rooted in the ancient oak forests of Britain, growing through the ages to branch into the present. From ancient Druidic and Celtic […]
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I share your sentiment. I love drawing in the dark. Even when you can’t make out what you’re doing, I think there’s a gain in creating the gesture, the strokes and shapes — it’s like drawing on the inside your brain!
That’s it exactly, Aletha. Drawing in your brain!