Tag Archives: left-handed

Lefty!

9 Sep

Day 2 d

I carried on working today at the Creative Bubble artspace in Swansea’s Cradock Street with fellow artist Patricia McKenna Jones. Patricia has taken the space for a few days to develop some new work and invited other artists to join her. I thought I could do with a few days experimenting so I stuck a huge piece of Fabriano Accademica paper on the wall, about 1.5 x 2 metres and started making intuitive marks, first with compressed charcoal and then with Winsor & Newton oil bars.

Pat

Patricia making monotypes based on her sketchbook drawings

The mark-making I’m doing isn’t anything new, the Abstract Expressionists were at it throughout the 1940s and 1950s but it’s new for me. I normally work quite formally from life, drawing from things in front of me. It’s a departure for me to work without subject matter, without realism and without an ultimate aim. It was hard on the first day but now, on day 2, I’m relaxing into it.

From the left, today starting with what I did yesterday, mostly compressed charcoal with some streaks of scarlet and a little Alizarin Crimson, then Yellow Ochre, more Alizarin Crimson and finally Hooker’s Green.

Oh …. and I decided to work entirely with my left hand today (I’m right handed) and it made such a difference, I am much more relaxed and intuitive, the marks more varied.

 

 

A lot of my artwork is available on my Artfinder gallery.  If you’d like to have a look, please click on the image below or the Artfinder link at the top right of this page.

Gors Fawr, near Mynachlog-ddu in the Preseli mountains, a lush green bog fringed with glowing hills.

 

A Left Leaning Lady Scribbled Leftily

13 Dec

Life drawing in soft pastels.

I think I’ve mentioned before that it’s good practice to draw with the ‘other’ hand, in my case, the left. It engages the other side of your brain and makes you look at the subject and drawing in a different way. I find that I’m more analytical and the drawing is in some ways more technical when I do this, while the line is less accurate and more wobbly, so there’s an interesting tension going on in the drawing.

This is one of our fabulous group of life models drawn onto a large piece of brown wrapping paper in soft chalky pastels.

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